Primrose Titan is the Goddess of Death, an ancient deity who reaps the souls of the dead and rules the Underworld. All life ends with death, and in death, there is no happiness. Primrose knows this better than anyone, and her heavy responsibility has twisted her reality, purging her of all feelings for humans-or so she believes. When the Demon King Lucifer escapes his prison in Hell and threatens chaos on the human world, Primrose must hunt him down. The High Court, a council of deities, is skeptical Primrose can handle Lucifer on her own and appoints the handsome yet icy Atlas Grimm, one of the fabled Grimm Brothers, to assist her. Strange, dark magic and supernatural creatures sent from the Devil himself stand in their way, along with political enemies acquired over the millennia. (Raluca Narita)

"Dorothy and the Wizard in Oz" by L. Frank Baum is a children’s fantasy novel written in the early 20th century. The story continues the adventures of Dorothy Gale, who finds herself in the magical Land of Oz once more, accompanied by familiar characters and new companions. The narrative revolves around Dorothy’s quest to navigate various challenges alongside her friends as they encounter whimsical creatures and face unique threats in this enchanting world. The opening of the novel introduces us to Dorothy as she arrives in California after a long train ride, only to witness a devastating earthquake. Shortly after, she meets a boy named Zeb who is to take her to her uncle's ranch. However, just as they are settling into their journey, they are abruptly caught in another earthquake that causes the ground to crack. This event leads them into a perilous adventure where they encounter strange phenomena and ultimately find themselves in the Glass City inhabited by the Mangaboos. Here, they meet the Wizard, and the story unfolds into a tale filled with whimsical surprises and the whimsical nature of the Land of Oz as they discover new challenges and companions. (This is an automatically generated summary.)

"Plays of Near & Far" by Lord Dunsany is a collection of dramatic works written in the early 20th century. This anthology presents a blend of fantasy and allegory, showcasing Dunsany's unique style, characterized by elaborate language and imaginative settings. The plays explore fantastical themes, often touching upon mythology, existential questions, and the nature of power through allegorical tales and rich characters. The opening of the collection begins with a preface in which Dunsany explains his rationale for publishing his plays, despite traditionally allowing them to be judged by live audiences first. He offers insights into three specific plays: "The Compromise of the King of the Golden Isles," "The Flight of the Queen," and "Cheezo." Each piece set the stage for thematic explorations of choice, destiny, and moral dilemmas, as exemplified by a king grappling with imperial edicts, a queen's enchanting call to a mystical mountain, and the satirical commentary on societal values through the character of Sladder, who is deeply entrenched in materialism and superficial food marketing. (This is an automatically generated summary.)

"The Story of Sigurd the Volsung and the Fall of the Niblungs" by William Morris is a narrative poem based on Norse mythology written in the late 19th century. The tale revolves around heroic figures from the Volsung clan, particularly focusing on Sigmund and his son Sigurd, and the themes of fate, honor, and vengeance that define their destinies. The book tells a timeless story of bravery, tragedy, and the supernatural, underpinned by the intense conflicts characteristic of mythological sagas. At the start of the story, we are introduced to King Volsung and his noble lineage as they host a grand feast that foreshadows impending conflict. The narrative details the wedding of his daughter Signy to Siggeir, the Goth-king, and unveils a sense of foreboding as Signy reveals her apprehensions about her husband's true nature. Despite her warnings, Volsung chooses honor over suspicion, leading to dire consequences as betrayal and death emerge. The seeds of tragedy are sown with Volsung's decision to honor his obligations, setting the stage for the strife and challenges faced by Sigurd and the surviving members of the Volsung lineage. (This is an automatically generated summary.)

"The World of Romance" by William Morris is a collection of imaginative tales written during the mid-19th century. Set against a backdrop of medieval customs and architecture, these stories transport readers to a mythical realm steeped in romance and nostalgia. The opening stories introduce characters like Walter, a master-mason reflecting on the church he constructed, and explore themes of love, loss, and artistic creation within the confines of a romanticized medieval landscape. At the start of the collection, the narrative centers on the reflections of Walter, who recalls the beauty of his surroundings while constructing a grand church alongside his sister Margaret. As autumn approaches, Walter becomes lost in memories, weaving vivid imagery of the landscape and the bustling life around the abbey. Amid his thoughts, he yearns for his friend Amyot, who has been away fighting in the holy wars. Their reunion is anticipated, yet a sense of foreboding looms as the story unfolds, hinting at deeper emotional currents and inevitable loss. Through rich, lyrical prose, the opening sets the stage for a journey into a world that blends history and fantasy, exploring the complexities of human yearning amidst the passage of time. (This is an automatically generated summary.)

"Taboo" by James Branch Cabell is a novel written in the early 20th century. The book presents a satirical exploration of societal norms and taboos related to natural functions, particularly through the lens of literature. It employs a mythical framework, steeped in allegory, to critique the absurdities of how culture dictates the appropriateness of discussing certain topics. The story follows a character named Horvendile, who embarks on a journey and decides to document his experiences, only to discover the absurd laws of Philistia, a land plagued by restrictive taboos against discussing eating. As he interacts with various societal figures, including a garbage man and a legal advisor, Horvendile's quest reveals the farcical nature of these prohibitions. Ultimately, despite the rampant rules against mentioning natural acts, the everyday life of the people continues unabated, showcasing the contradiction between rigid societal norms and the reality of human experience. Cabell's narrative blends humor with critical observations, effectively highlighting the inherent absurdities of censorship and the human condition. (This is an automatically generated summary.)

"The Surprising Adventures of the Magical Monarch of Mo and His People" by L. Frank Baum is a children's novel written in the early 20th century. The story introduces readers to the whimsical Valley of Mo, a fantastical land filled with delightful characters, including the jolly Magical Monarch of Mo, who has amusing adventures devoid of the harsh realities typically found in adult tales. The opening of the story sets a playful and enchanting tone as it describes the Valley of Mo, where the sun eternally shines, and extraordinary phenomena abound, such as rivers of milk and fields of candy. From the very first chapters, we meet the charming Monarch, who embarks on a hilarious quest that involves losing his head while fighting a Purple Dragon and subsequently receiving a variety of comical new heads from his subjects. The narrative is infused with lighthearted humor, imaginative concepts, and a gentle moral lesson, captivating the young audience and reminding grown-ups of the joy of childlike wonder. (This is an automatically generated summary.)

"The Hollow Land" by William Morris is a fantasy novel written in the late 19th century. The book explores themes of love, vengeance, and the longing for an idealized world, focusing on a mythical land where characters strive to find beauty and peace amidst strife and conflict. It reflects Morris's interests in medievalism and romanticism, presenting a narrative that intertwines personal ambition with the allure of a mystical realm. The story follows Florian de Liliis, a young nobleman whose life is intertwined with that of Swanhilda, a vengeful queen. After a series of tragic events driven by revenge against Swanhilda for her treachery, Florian embarks on a quest that ultimately leads him to the Hollow Land—a vision of paradise where he hopes to reunite with lost love and find solace. Along the way, Florian grapples with concepts of justice and morality, particularly in regards to his brother, Amald, and the consequences of their violent actions. The narrative culminates in a poignant exploration of love, loss, and the search for redemption in a world filled with both beauty and horror. (This is an automatically generated summary.)

"Stories from Le Morte D'Arthur and the Mabinogion" by Beatrice E. Clay is a collection of retellings of classic Arthurian and Welsh legends written in the early 20th century. This anthology delves into the adventures and legendary tales surrounding the iconic figure of King Arthur, his knights, and notable characters like Merlin, Morgan le Fay, and Sir Lancelot. Through these stories, readers will explore themes of chivalry, honor, and the quest for truth, making it a fascinating read for those interested in mythology and epic tales. At the start of the compilation, the introduction establishes the legendary status of King Arthur and his forebears through a historical lens, highlighting the blend of myth and history surrounding his character. It details the arrival of Arthur into the world, the machinations of Merlin, and the political unrest among the lords after King Uther's death. As Arthur pulls the sword from the stone, a series of events unfolds that leads to his recognition as the true king, his founding of the Round Table, and initial battles against those who question his authority, setting the stage for the rich tapestry of adventures that will ensue throughout the narratives. (This is an automatically generated summary.)

"Tales of Wonder" by Lord Dunsany is a collection of short stories written during the early 20th century, showcasing the author's unique blend of fantasy and philosophical musings. The stories leverage rich imagery and whimsical narratives, inviting readers into a world where dreams intertwine with reality, ancient lore meets modernity, and the boundaries of imagination expand. The opening chapters introduce various characters and settings, hinting at themes of enchantment, storytelling, and the essence of existence in a fantastical lens. The beginning of "Tales of Wonder" offers a glimpse into Dunsany's imaginative storytelling style, beginning with a preface that reflects on the nature of dreams amid the tumult of war-torn Europe. The first tale, "A Tale of London," features a hasheesh-eater who dreams of a fantastical London, rich in beauty and art, drawing both the admiration and envy of a Sultan. Each subsequent story incorporates elements of the mundane and the extraordinary, delving into concepts of time, fate, and the human experience—each woven with lyrical prose and vivid descriptions. Moreover, stories like "Thirteen at Table" and "The City on Mallington Moor" promise captivating journeys through mysterious realms and exceptional encounters, setting the stage for a collection that celebrates the wondrous and surreal aspects of life. (This is an automatically generated summary.)

"Unhappy Far-Off Things" by Lord Dunsany is a collection of prose poems and reflective essays written in the early 20th century, specifically in the aftermath of World War I. The work draws attention to the tragic consequences of war, focusing on the deep suffering experienced by the people and places affected by the conflict, particularly in France. This poignant commentary on loss and devastation captures both the physical ruins and the emotional scars left behind by the atrocities of war. In this evocative collection, Dunsany presents various scenes of destruction and melancholy, exploring the remnants of towns, gardens, and homes that once thrived but have now been laid waste. Through vivid imagery and careful reflection, he recounts encounters with desolate landscapes and individuals grappling with their profound losses. The narratives expose the harsh reality of civilization's fragility in the face of conflict, and Dunsany's poetic style enhances the emotional weight, allowing readers to feel the depth of despair alongside the fleeting beauty of nature reclaiming its domain over abandoned places. Ultimately, the book serves as a powerful tribute to the forgotten lives and stories overshadowed by the march of war. (This is an automatically generated summary.)

"Selections from the Writings of Lord Dunsany" by Lord Dunsany is a collection of imaginative tales and plays written in the early 20th century. This anthology showcases Dunsany's unique blend of fantasy, mythology, and poetic prose, often steeped in themes of the ephemeral nature of beauty, the passage of time, and the influence of the divine. The works included exemplify his rich imagination, exploring fantastical realms, gods, and the human experience through allegorical narratives. The opening portion introduces the tone and depth of Dunsany's writing through various thematic threads. It begins with an introduction by W.B. Yeats, who reflects on the cultural changes in Ireland and Dunsany's role in presenting a new, imaginative spirit through his fables. This segment hints at the philosophical undercurrents within Dunsany's works, such as the interplay between humanity and the divine, as seen in excerpts like "The Gods of the Mountain." In this initial act, three beggars engage in discussions about the drowsy state of the gods and their own plight, suggesting a larger commentary on the socio-spiritual conditions of their world. As the narrative unfolds, it sets the stage for the intricate fables and plays that delve into fundamental questions of existence, identity, and the ceaseless march of time. (This is an automatically generated summary.)

"The Story of Sigurd the Volsung" by William Morris is a narrative poem written in the late 19th century. This work retells the epic tale of Sigurd, a legendary hero from Norse mythology, intricately woven with themes of valor, betrayal, and fate. The poem draws heavily from the ancient "Volsunga Saga," revisiting the stories of gods, dragons, and the complex interactions of mortal heroes and giants. At the start of the poem, we are introduced to the lineage of Sigurd and the significant events that set the stage for his legendary journey. King Volsung, Sigurd’s ancestor, is depicted alongside his daughter Signy and their noble house, enveloped in myths of valor and ancient prophecies. The narrative takes a dark turn as Siggeir, the Goth king, enters their lives, leading to battles and the eventual downfall of the Volsungs. Within this opening portion, we witness the struggles of loyalty and fate as Sigmund, Sigurd's father, and the other sons of Volsung face betrayal and fight for their honor amidst encroaching doom. The rich, lyrical text serves to immerse readers in a world where bravery and beauty continually clash with treachery and tragedy. (This is an automatically generated summary.)

"The Legends of King Arthur and His Knights" by Sir James Knowles is a collection of Arthurian tales adapted from Sir Thomas Malory's original works, likely written in the mid-19th century. This volume seeks to popularize the legends surrounding King Arthur, Merlin, and the Knights of the Round Table, setting the stage for a rich exploration of chivalry, valor, and adventure during a mythical time in Britain. At the start of the book, we are introduced to the ancient context of Merlin's prophecies, the rise of King Arthur, and the overarching theme of rightful leadership. The narrative begins with King Vortigern attempting to build a castle thwarted by mysterious forces, leading to the discovery of Merlin, who foretells the rise of Arthur. As Arthur grows in secrecy, unaware of his royal lineage, the story establishes his destiny to unite Britain, culminating in significant events like the extraction of the sword from the stone, which marks him as the true king. Amid prophecies, battles, and the emergence of noble knights, the opening lays a foundation for the rich tapestry of legends that follow. (This is an automatically generated summary.)

"Chivalry: Dizain des Reines" by James Branch Cabell is a historical novel written in the early 20th century, known for its lush prose and rich character development. It explores themes of romantic idealism, duty, and the complex interplay of power within the context of chivalric codes. The opening tales weave through the lives and loves of women intertwined with notions of nobility, honor, and societal expectations. At the start of the narrative, the reader is introduced to Dame Alianora of Provence, who is portrayed in a moment of vulnerability following the death of a companion. As she seeks assistance, her conversation reveals her strong-willed nature and the intricate political machinations of the time. Her past is brought to light through discussions with a former troubadour, Osmund Heleigh, who once celebrated her beauty in verse. They embark on a perilous journey across England, highlighting Alianora's commitment to her son and her resilience despite the dangers surrounding her. The initial chapters establish a tone of poetic melancholy, hinting at the intertwining of love, ambition, and the stark realities of their tumultuous world. (This is an automatically generated summary.)

"Figures of Earth: A Comedy of Appearances" by James Branch Cabell is a novel written during the early 20th century. The book appears to delve into themes of identity, desire, and the nature of reality through the adventures of its protagonist, Dom Manuel. As the tale unfolds, we are introduced to Manuel, a swineherd with aspirations to rise above his station and achieve greatness, while grappling with a geas imposed by his mother to become a remarkable individual. At the start of the narrative, we observe young Manuel leading a simple life, satisfied in his role tending to pigs and dreaming by the pool of Haranton. Encountering a mysterious stranger, he learns of a grand adventure awaiting him—the rescue of a kidnapped princess. Intrigued, he sets off for the mountain where the magician Miramon Lluagor resides, accompanied by a boy named Niafer. Through their journey, they face various trials that showcase not only Manuel's bravery but also Niafer's cleverness. As they ascend toward Vraidex, we witness the blossoming friendship between the two boys and the meld of fantastical elements with a nuanced exploration of ambition and personal growth. This introduction sets the stage for a story that promises both adventure and philosophical inquiry into the characters’ quests for identity and fulfillment. (This is an automatically generated summary.)

"Tales of Three Hemispheres" by Lord Dunsany is a collection of fantasy stories written during the early 20th century. The book presents a rich tapestry of imaginative tales that traverse dreamlike landscapes and introduce us to various characters, each steeped in magic and wonder. Through vivid prose, Dunsany invites readers into mystical realms where gods, adventurers, and the essence of nature intermingle, reflecting our desires, fears, and the allure of the unknown. At the start of the collection, the first tale, "The Last Dream of Bwona Khubla," follows two travelers who journey through foreboding landscapes to a waterhole known as the camp of Bwona Khubla. They encounter porters haunted by the last dreams of Khubla, a man consumed by ambition and ultimately doomed by his choices. As the story unfolds, the men experience an eerie vision of a transformed London, conjuring images of beauty and longing that transcend their harsh surroundings. This initial narrative sets the stage for the remaining tales, exploring themes of loss, aspiration, and the otherworldly, inviting readers to reflect on the deeper meanings behind these fantastical adventures. (This is an automatically generated summary.)

"Plays of Gods and Men" by Lord Dunsany is a collection of dramatic works written in the early 20th century. The text presents a blend of myth and philosophy, exploring themes surrounding divinity, nature, and the human condition. In particular, the opening features characters trapped in the tension between the divine and the mundane, highlighting the struggles of kings, queens, and commoners alike in understanding their destinies in the face of capricious gods. At the start of "Plays of Gods and Men," the initial play, "The Laughter of the Gods," introduces a vibrant but precarious setting in the jungle city of Thek. The narrative centers around King Karnos and his court, as his advisors express concern over the city's health and the ominous prophecies hinted at by a mysterious prophet. The characters engage in a mix of personal desires and political machinations, with discussions revealing their existential dread as they grapple with the foreboding presence of the gods. The unfolding dialogue sets the stage for a deeper exploration of fate, free will, and the often absurdity of life through the lens of both divine wrath and human folly. (This is an automatically generated summary.)

"Young Robin Hood" by George Manville Fenn is a children's novel written in the late 19th century. This adventurous tale follows the early life of Robin Hood, focusing on his youth and the events that lead him to become the legendary outlaw known for stealing from the rich to help the poor. The book immerses readers in the rich cultural and historical setting of Sherwood Forest, combining elements of adventure and morality. The story begins with Young Robin Hood, who is traveling back to Nottingham with a servant named David when they encounter a group of robbers. After a series of humorous and perilous events, Robin finds himself lost in Sherwood forest and subsequently encounters Robin Hood and his band of merry men. As he navigates challenges and learns the skills of archery and combat, he grapples with his identity and the conflict between his father's role as the Sheriff of Nottingham and the outlaws he now admires. With amusing characters, thrilling escapades, and themes of friendship and loyalty, the novel captures the imagination of young readers while introducing them to the myths surrounding Robin Hood. The book concludes with Robin's eventual reunion with his father, who has searched tirelessly for him, setting the stage for future adventures. (This is an automatically generated summary.)

"The Eagle's Shadow" by James Branch Cabell is a novel written in the early 20th century. It centers around the life of Margaret Hugonin, exploring her relationships and the complicated dynamics of love, society, and wealth surrounding her. The story unfolds in the genteel setting of Selwoode, a country estate, where Margaret's interactions with various suitors reveal much about her character and the social expectations of the time. At the start of the narrative, readers are introduced to Margaret Hugonin through the eyes of an unnamed narrator who expresses a fondness for her name and personality. The opening chapter introduces Colonel Hugonin, Margaret's father, as they share breakfast and engage in light-hearted bickering over her house guests, showcasing their affectionate yet complicated relationship. As they discuss various characters who will be staying with them, both Margaret’s radiant beauty and her father’s gruffness come to life. They also hint at Margaret's past romantic entanglements, i.e., her former fiancé Billy Woods and her current suitors, which sets the stage for the ensuing drama and romantic entanglements central to the story. (This is an automatically generated summary.)