"The Flutter of the Goldleaf and Other Plays" by Olive Tilford Dargan and Frederick Peterson is a collection of plays written in the early 20th century. The opening play, “The Flutter of the Goldleaf,” revolves around the character Philo Warner, a student immersed in scientific exploration, and his struggles with mental health as he becomes increasingly obsessed with his inventions and theories. This collection likely explores themes such as ambition, societal expectations, and the fraught line between genius and madness. At the start of "The Flutter of the Goldleaf," the scene is set in the attic laboratory of the Warner cottage, where Philo's parents, Hiram and Mary Ann Warner, express their concern over Philo's obsessive studies and the potential arrival of doctors to evaluate him. They discuss his increasingly erratic behavior, hinting at his struggle with mental instability, while also highlighting the complexity of parental love and concern blending with fear for their son's wellbeing. Philo’s interactions with his parents reveal tension and misunderstandings, further complicated by the impending visit of two doctors—Dr. Bellows and Dr. Seymour—who raise the question of whether Philo's brilliance is leading him toward ruin. (This is an automatically generated summary.)

"The Reckoning: A Play in One Act" by Percival Wilde is a one-act play written in the early 20th century. The story is set in a barber shop and revolves around a tense encounter between a barber and his customer. Thematically, the play grapples with issues of accountability, morality, and the psychological consequences of one's past actions. In this gripping play, the barber, Kilburn, is confronted with a customer, John, whom he has been following for twelve years after a traumatic event involving Kilburn's daughter, Jennie. Kilburn seizes the opportunity to exact a reckoning from John, who is now at his mercy while getting shaved. The barber highlights John's betrayal and abandonment of Jennie, who has since died. As the barber prepares to take violent action, the situation escalates with John pleading for his life and desperately trying to convince Kilburn to let him go. In a twist, it is revealed that John is not as pressed for time as he claimed, as the meeting he feared missing does not start until later. The play concludes with Kilburn's act of mercy, leaving John alive but emotionally broken, thus exploring the themes of revenge and the fragility of life. (This is an automatically generated summary.)

"The Noble Lord: A Comedy in One Act" by Percival Wilde is a theatrical play written during the early 20th century. This piece belongs to the comedy genre and its likely topic revolves around misunderstandings and romantic entanglements in an amusing and lighthearted scenario. The setting is a secluded spot in the woods near a summer hotel, providing a picturesque backdrop for the unfolding drama. The play centers on an Englishman, who rescues a young woman from drowning in a lake. After her dramatic rescue, a mix-up occurs as she believes he is her mother due to her confusion from the incident. The comedic tension rises as the two characters flirt while navigating the unexpected revelation that he is not the noble lord she assumes him to be, but rather his valet. The woman is initially enamored with her supposed hero, while the man enjoys the playful antics of their miscommunication. As the play progresses, their flirtation becomes more complex, culminating in a humorous exchange that highlights class distinctions and romantic possibilities. The entrance of another character, the valet's friend, foreshadows further comedic developments, leaving room for the imagination as to what might transpire next. (This is an automatically generated summary.)

"One Day More: A Play In One Act" by Joseph Conrad is a one-act play likely written in the early 20th century. The narrative unfolds in a small sea port setting and revolves around the complexities of familial relationships, hope, and social isolation as it explores the life of Captain Hagberd, who is anxiously awaiting the return of his long-lost son, Harry. The play captures the themes of yearning and madness through the lives of its characters—particularly the interplay between the hope of reunion and the stark realities of life. The plot centers around Captain Hagberd's obsessive anticipation of his son's return after years of estrangement. He is portrayed as a man so consumed by this hope that it blinds him to the realities around him. Meanwhile, Bessie Carvil, who interacts with Captain Hagberd, navigates her own struggles in caring for her blind father, Josiah. As the story unfolds, Harry Hagberd arrives but is initially unaware of the weight his father's expectations hold. Trapped in a web of misunderstandings and unrecognized affection, Bessie's growing connection with Harry complicates matters. The play culminates in a tragic realization for Bessie and Hagberd, raising poignant questions about hope, responsibility, and the emotional toll of waiting for something that may never come. (This is an automatically generated summary.)

"Makers of Madness" by Hermann Hagedorn is a one-act play written during the early 20th century. This dramatic work explores themes of power, war, and the moral dilemmas faced by leaders who must decide whether to pursue peace or war for their nation. Set against a backdrop of escalating tensions between two fictional factions, the play scrutinizes the nature of authority and the consequences of decision-making in a volatile political climate. The narrative unfolds primarily in the court of a fictional king and his ministers, who grapple with the prospect of war against the Republic. The fears and ambitions of the King clash with the aggressive desires of his ministers, particularly the Prime Minister and the Chief of Staff. As negotiations unfold, the King's attempt at diplomacy is met with resistance from his advisors, who view conflict as a means of preserving national honor. Tensions build rapidly, and the ultimate decision to proceed with war is made despite the King's fervent opposition and moral qualms, encapsulating the madness and complexity of political maneuvering during crisis moments. (This is an automatically generated summary.)

"Die Tugend auf der Schaubühne" by Justus Möser is a comedic play written in the late 18th century. This one-act piece revolves around the themes of virtue and marriage, examining societal expectations and the nature of relationships through witty dialogue and humor. Möser's work critiques the perceptions of women in the theater and the delicate dance between love and public opinion. In the play, the main character, Harlekin, seeks to marry Kolombine, the daughter of the stage director, Mr. Barthold. Throughout the dialogue, Harlekin expresses his anxieties about Kolombine's innocence and her perceived promiscuity as a performer, which he fears might taint their union. The comedic plot unfolds through a series of misunderstandings and role-playing, ultimately leading to a mock marriage ceremony where characters evaluate virtue, trust, and the realities of love within the constraints of societal judgment. As the characters navigate their abilities to portray sincerity and honor in their relationships, the play cleverly conveys insights on trust and the nature of appearance versus reality in romantic pursuits. (This is an automatically generated summary.)

"Why the Chimes Rang: A Play in One Act" by Elizabeth Apthorp McFadden is a theatrical adaptation of a story by Raymond MacDonald Alden, set likely during the early 20th century. This play revolves around themes of selflessness, charity, and the spirit of Christmas, portraying how true gifts come from the heart rather than material wealth. The setting features a humble peasant's hut, which contrasts with the grandeur of the nearby cathedral town where significant events transpire. The narrative follows Holger and Steen, two peasant boys eagerly anticipating the Christmas service at the cathedral, a place of great significance associated with a miraculous event known as the ringing of the chimes. However, when their parents are unable to take them, Holger decides to stay behind to care for an old woman seeking refuge in their home. As the boys' uncle Bertel departs for the service, Holger's unwavering compassion leads him to prioritize the old woman's needs over his own desire to attend the festivities. The climax centers on Holger's simple yet profound gift of two pennies he wishes to offer to the Christ-child, ultimately resulting in the long-awaited chimes ringing out, signifying the acceptance of true love and selflessness where it counts the most. The play eloquently conveys the lesson that genuine kindness and charity hold the greatest value. (This is an automatically generated summary.)

"Second Plays" by A.A. Milne is a collection of theatrical works written in the early 20th century. The book showcases Milne's skill in playwriting, featuring charming narratives that blend humor with insightful observations on human relationships and society. The collection includes the children's play "Make-Believe," among others, illustrating themes of imagination, family, and adventure. The opening of the collection begins with an introduction where Milne shares his experiences and thoughts on the art of playwriting, poking fun at critics and the theater world. He sets the stage for "Make-Believe," a children's play that unfolds in the Hubbard family's lively playroom where young Rosemary decides to write a play for Christmas. As she explores her imagination, her interactions with James, the butler, and her lively ideas about involving the entire Hubbard family in her performance lead to a collision of fun and make-believe. The whimsical tone invites readers into a world where creativity and childhood innocence reign. (This is an automatically generated summary.)

"War Brides: A Play in One Act" by Marion Craig Wentworth is a dramatic play written in the early 20th century, specifically around the time of World War I. This one-act play explores the emotional and social implications of war on women, particularly focusing on the concept of "war brides," women who marry soldiers as an act of patriotism. The narrative unfolds in a war-ridden country, reflecting the tension and sacrifices made during this tumultuous period. The play centers on Amelia, a young woman faced with the societal pressures to marry a soldier, Hans Hoffman, while grappling with her desire to serve as a nurse at the front. Her sister, Hedwig, vehemently opposes the idea of becoming a "war bride" and voices her strong objections against the war's brutalities. The characters navigate their fears and hopes as they confront the loss of family members, the expectations placed upon them by society, and the reality of war's consequences. Hedwig's ultimate tragic decision highlights the struggle between duty to one’s country and the fundamental desire for love, peace, and self-determination, culminating in a powerful statement on the feminine experience during wartime. (This is an automatically generated summary.)

"Five Little Plays" by Alfred Sutro is a collection of one-act plays created in the early 20th century, particularly around the 1920s. The work illustrates various scenarios primarily involving modern relationships and societal norms, providing insights into the human condition through intersecting dialogues and character dynamics. The early play, "The Man in the Stalls," features Hector Allen, a frustrated play reader, and the complex relationships he shares with his wife, Betty, and their friend, Walter Cozens, highlighting themes of infidelity and the underlying tensions in marital bonds. The opening portion introduces "The Man in the Stalls," setting the scene in a comfortably furnished flat where Hector Allen expresses his dissatisfaction with the mundanity of his job critiquing plays. As Hector prepares to leave for yet another first-night performance, the dynamic starts to shift. Betty's interactions with Walter reveal a more intimate relationship as they share affectionate gestures while Hector is oblivious. The dialogue teases out the complexity of their situation, culminating in Hector's casual naivety as he heads out, leaving the tension of his wife and friend’s connection lingering in the air. This rich interplay sets up the emotional stakes and suggests future confrontations tied to the themes of love and betrayal. (This is an automatically generated summary.)

"Plays by August Strindberg, Second Series" by August Strindberg is a collection of dramatic works written during the late 19th century. This series includes plays that explore complex themes of morality, relationships, and societal challenges, featuring notable characters such as Maurice, a playwright, and Jeanne, his mistress, as they navigate the intricacies of love, ambition, and ethical dilemmas in the backdrop of Paris. At the start of the works, particularly in "There Are Crimes and Crimes," we meet Maurice and Jeanne as they wait in a cemetery, revealing the emotional tensions surrounding their relationship and the impending success or failure of Maurice's latest play. Their daughter, Marion, plays a significant role in the emotional landscape, highlighting parental responsibilities and the undercurrents of guilt that plague Maurice. The opening scenes set the stage for a deeper exploration of themes concerning the fragility of happiness, the weight of expectations, and the often harsh judgments of society that will unfold as the narrative progresses. As characters grapple with their destinies, they are drawn into a whirlwind of events entwined with existential themes and moral quandaries. (This is an automatically generated summary.)

"Rada: A Drama of War in One Act" by Alfred Noyes is a powerful one-act play written in the early 20th century, specifically around 1913. The drama unfolds in a war-torn village in the Balkans on Christmas Eve, exploring themes of violence, desperation, and the harsh realities of war. It features the poignant struggles of Rada, the wife of the village doctor, as she faces the uncomfortable presence of hostile soldiers quartered in her home during a time of great turmoil. The narrative centers on Rada and her twelve-year-old daughter, Subka, as they confront the brutal reality of their situation. In a desperate attempt to protect her child, Rada interacts with the soldiers, Arram and Michael, amidst a backdrop of chaos and impending violence. The tension escalates as soldiers become increasingly dangerous and drunk, demanding access to the locked room where Subka is hiding. Rada’s fierce maternal instincts surface as she brandishes a revolver to protect her daughter, making a desperate stand against the soldiers. The play culminates in a tragic yet symbolic moment, underscoring the profound impact of war on family and the human spirit, ultimately serving as a plea for peace and goodwill amidst the horrors of conflict. (This is an automatically generated summary.)

"Duty and Other Irish Comedies" by Seumas O'Brien is a collection of comedic plays written in the early 20th century. This anthology features one-act comedies that explore various aspects of Irish life and society, focusing on the interactions between unique characters, particularly highlighting themes of law enforcement, duty, and social challenges in a rural setting. The beginning of "Duty" introduces us to a back kitchen in a rural Irish public house, where characters Micus Goggin and Padna Sweeney enjoy a pint of porter while discussing the oppressive nature of local police regulations. As they lament over drunkenness and the unfairness of the law, Mrs. Cotter, the publican, expresses her concern about losing her license due to potential police visits. Their lighthearted banter is interrupted by the arrival of Head Constable Mulligan and Sergeant Dooley, revealing underlying tensions between law enforcement and the townsfolk. The humorous yet poignant exchanges set the stage for a comedic exploration of social order and personal freedoms, highlighting O'Brien's satirical reflection on the Irish societal structure during the era. (This is an automatically generated summary.)

"The Bicyclers and Three Other Farces" by John Kendrick Bangs is a collection of humorous plays written during the late 19th century. The primary focus of the first farce, "The Bicyclers," introduces us to Mr. Thaddeus Perkins, who is about to embark on the adventure of learning to ride a bicycle, encouraged by his enthusiastic friends and family. The narrative captures the social dynamics and comedic exchanges among the characters as they navigate the trials of bicycling, relationships, and societal expectations. The opening of "The Bicyclers" sets the stage in Mr. and Mrs. Perkins' drawing-room, where Thaddeus expresses his doubts about taking up cycling. Despite his apprehension, his wife, Mrs. Perkins, is supportive. As their friends Mr. Bradley and Mr. Yardsley arrive to give lessons, the humor unfolds through witty banter and Thaddeus' humorous concerns about learning to ride. Amidst the preparation, there are additional comedic elements surrounding the arrival of Mrs. Bradley, who has ridden off on her own adventure, ultimately leading to a phone call indicating her arrest for riding without a lamp. This chaotic yet lighthearted setup introduces the reader to the farcical nature of the play, hinting at the misadventures that lie ahead. (This is an automatically generated summary.)

"New Comedies" by Lady Gregory is a collection of theatrical plays produced in the early 20th century. The works featured delve into everyday themes and the lives of ordinary people, exploring social and familial dynamics through a humorous lens. The opening play, "The Bogie Men," introduces characters like Darby Melody and Taig O'Harragha, who are both chimney sweeps discussing their linings while preparing to meet their wealthy relatives. The beginning of "New Comedies" sets the stage for the intricacies of Darby and Taig's lives as they anxiously await visits from their affluent cousins. Their dialogue reveals a comical blend of insecurity and aspiration as they reflect on past familial comparisons and the pressures of social class. The exchange highlights their contrasting worldviews, with Taig dreaming of wealth and grandeur while Darby feels the weight of lowly expectations. As the two characters prepare for their meeting, the humor interwoven with social critique hints at deeper themes of identity and belonging that resonate throughout the collection. (This is an automatically generated summary.)

"Plays of Gods and Men" by Lord Dunsany is a collection of dramatic works written in the early 20th century. The text presents a blend of myth and philosophy, exploring themes surrounding divinity, nature, and the human condition. In particular, the opening features characters trapped in the tension between the divine and the mundane, highlighting the struggles of kings, queens, and commoners alike in understanding their destinies in the face of capricious gods. At the start of "Plays of Gods and Men," the initial play, "The Laughter of the Gods," introduces a vibrant but precarious setting in the jungle city of Thek. The narrative centers around King Karnos and his court, as his advisors express concern over the city's health and the ominous prophecies hinted at by a mysterious prophet. The characters engage in a mix of personal desires and political machinations, with discussions revealing their existential dread as they grapple with the foreboding presence of the gods. The unfolding dialogue sets the stage for a deeper exploration of fate, free will, and the often absurdity of life through the lens of both divine wrath and human folly. (This is an automatically generated summary.)

"Angels and Ministers, and Other Victorian Plays" by Laurence Housman is a collection of plays written during the late 19th century, specifically centering around the Victorian era. The opening portion introduces us to characters that explore themes of politics, personal relationships, and societal norms of that historical period, with particular emphasis on the interactions of notable figures like Queen Victoria and her Prime Minister, Lord Beaconsfield. The opening of the volume establishes a reflective and somewhat nostalgic tone towards the Victorian age. It begins with an intimate scene featuring Queen Victoria as she interacts with her favorite servant, John Brown, and discusses her awaiting ministerial visitor while navigating the complexities of her role as a woman within a patriarchal society. The dialogue reveals her thoughts on politics and relationships with her ministers, particularly Lord Beaconsfield. The scene finely contrasts the formality of royal life with the more personal and humorous exchanges that reveal character depth and societal critiques, setting the stage for the unfolding dramas that will further explore the Victorian landscape. (This is an automatically generated summary.)

"Plays by Susan Glaspell" is a collection of dramatic works written during the early 20th century, featuring notable titles such as "Trifles," "The Outside," and "The Verge." The plays often explore themes of gender roles, societal expectations, and human psychology, showcasing the nuanced struggles of women in a male-dominated world. Through rich character development, Glaspell highlights the emotional landscapes of her protagonists, inviting contemplation about the nature of truth and justice. At the start of "Trifles," the scene is set in a disordered farmhouse kitchen, where a group of men, including the county attorney and sheriff, arrive to investigate the murder of John Wright, a domineering husband. Meanwhile, the wives of the men, Mrs. Hale and Mrs. Peters, enter slowly and begin to observe the seemingly trivial details of the kitchen. While the men dismiss these as unimportant, the women uncover clues about the deceased and the potential motive for murder, particularly through their empathy for Mrs. Wright's situation. This initial exploration of domestic space lays the groundwork for a powerful commentary on the often-overlooked significance of women's experiences and insights. (This is an automatically generated summary.)

"The Jewel Merchants: A Comedy in One Act" by James Branch Cabell is a play written in the early 20th century, likely during the 1920s. This comedic work, designed for theatrical performance, tackles themes of love, ambition, and moral ambiguity set against the backdrop of Renaissance Tuscany. The play highlights the era's complex views on ethics and the casual attitudes toward crime, reflecting a time when societal norms regarding virtue and vice were radically different from modern standards. The narrative centers around Graciosa, the daughter of a jewel merchant, and her entanglements with Guido, a jewel merchant himself, and Alessandro de Medici, the Duke of Florence. The play begins with a romantic undertone as Graciosa and Guido exchange playful banter about love and the nature of their social status. However, the introduction of Duke Alessandro complicates matters. The Duke's playful but sinister nature leads to tension, as he expresses interest in Graciosa while manipulating the dynamics of power and love. Ultimately, a clash occurs between Guido and the Duke, leading to betrayal and moral dilemmas. Through witty dialogue and satirical exploration of these themes, the play examines the societal constraints placed on individuals, particularly women, in matters of love and marriage while intertwining humor and intrigue. (This is an automatically generated summary.)

"Echoes of the War" by J. M. Barrie is a fictional work written during the late 1910s, around the time of World War I. The narrative centers around the lives of working-class women, particularly an elderly charwoman named Mrs. Dowey, and her interactions with her friends as they discuss the war and the challenges faced at home. Through humor and poignant moments, the book explores themes of resilience, community, and the impact of war on everyday life. The opening of "Echoes of the War" introduces us to a lively tea party hosted by Mrs. Dowey, a charming character who is both a charwoman and a notorious criminal. Alongside her friends, Mrs. Twymley and Mrs. Mickleham, they engage in spirited discussions about the war and their sons serving at the front. A stranger arrives, Mr. Willings, bearing news that Mrs. Dowey's son, Kenneth, has returned on leave, sparking a mix of excitement and anxiety within her. This setup not only highlights the camaraderie among women in wartime but also hints at Mrs. Dowey's hidden past, setting the stage for a deeper exploration of identity and familial connections as the plot unfolds. (This is an automatically generated summary.)