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The Electric Man - Being the One Act Version of the Three Act Farcical Comedy of the Same Name

Charles Hannan

"The Electric Man" by Charles Hannan is a one-act farcical comedy adapted from a successful three-act version, written in the early 20th century. The play centers around the character of Walter Everest, a chemist and electrician who has created an automaton resembling himself, which he plans to use in a desperate scheme to stop his stepmother's impending marriage. The story unfolds with comedic twists as Walter's invention becomes more than he bargained for, bringing chaos and humor to his attempts to reclaim his inheritance. In the plot, Walter learns that if his stepmother marries before his birthday, she will inherit his father's fortune instead of him. To halt the wedding, he devises a plan involving his lifelike automaton, which he has named Cyril Davidson. When the automaton unexpectedly comes to life, it creates a series of humorous misunderstandings and frantic antics as Walter, along with his friend Jack and his fiancée Stella, tries to manage the situation. The interplay between the characters leads to a slapstick finale, where they must confront the consequences of their actions and the confusion stemming from the automaton's existence. Ultimately, the play combines elements of mistaken identity and farce, providing both laughs and a light-hearted commentary on invention and inheritance. (This is an automatically generated summary.)

The Germ Growers: An Australian story of adventure and mystery

Robert Potter

"The Germ Growers: An Australian Story of Adventure and Mystery" by Robert Easterley and John Wilbraham is a novel written in the late 19th century. The story revolves around themes of adventure and mystery set against the backdrop of Australia, following the experiences of the main character, Bob Easterley, and his companion Jack Wilbraham. The plot hints at a blend of supernatural elements woven into their exploration, suggesting that their journey will uncover both external and internal conflicts. At the start of the narrative, Bob and Jack are enjoying a leisurely stay in Gippsland, Australia, reminiscing about a mysterious and extraordinary incident they experienced years ago in Kimberley. The conversation about a new gold-field triggers their memories of a haunting past, particularly around the enigmatic disappearance of a fellow named James Redpath, which they seem to be directly connected to. Adding to this, a sudden outbreak of a dangerous disease called the "red sickness" disrupts their lives, bringing a sense of urgency and fear, while also hinting at deeper currents of intrigue that intertwine with their recollections of past events. These early passages establish a rich tapestry of suspense and set the stage for the unfolding adventure to come. (This is an automatically generated summary.)

Hartmann, the Anarchist; Or, The Doom of the Great City

E. Douglas (Edward Douglas) Fawcett

"Hartmann, the Anarchist; Or, The Doom of the Great City" by E. Douglas Fawcett is a novel written in the late 19th century. It explores themes of anarchism and social upheaval through the experiences of its protagonist, who finds himself entangled with revolutionary characters and contemplating the nature of society and its potential destruction. The main character is Stanley, who navigates through the tensions of political activism while encountering significant figures like the infamous anarchist Hartmann. The opening of the story introduces us to Stanley, reflecting on his past and current political ambitions in a grim London of 1920. He receives a letter that alters his plans for a journey to Paris, leading him to a conversation with John Burnett, a revolutionary figure with extremist views. The narrative hints at the turbulence brewing in society due to the anarchist movements, and through Stanley's thoughts, we learn of Hartmann's notorious past as a failed attempt to assassinate a figure of authority, which resulted in numerous deaths. As the dialogue progresses, the reader is drawn into the social issues of the time, leading Stanley closer to a world of conspiracy and rebellion, setting the stage for the events to unfold involving Hartmann and his radical ideologies. (This is an automatically generated summary.)

Lucian's True History

of Samosata Lucian

"Lucian's True History" by Samosata Lucian is a satirical work of fictional travel literature written in the 2nd century AD. It presents a fantastical narrative where the protagonist embarks on absurd adventures filled with bizarre creatures and exaggerated events, poking fun at mythological tales and historical accounts. The book serves as a clever parody of the grand narratives of exploration and the absurdity inherent in exaggerated tales. At the start of the tale, Lucian sets the tone by discussing the art of lying in literature, suggesting that the truth is often less fantastical than the lies found in great literary works of the past. He embarks on a sea voyage, initially driven by curiosity and a desire for novelty, only to encounter a series of fantastical events, including a river of wine, giant vines that are part-woman, and a massive whale that swallows him and his crew. These absurd experiences lead him to fantastic realms populated by eccentric characters, absurd nationalities, and bizarre cultures, creating a rich tapestry of parody and critique of both literary traditions and human folly. (This is an automatically generated summary.)

Guirlanden um Die Urnen der Zukunft - Eine interessante, originelle Familiengeschichte aus dem drei und zwanzigsten Jahrhunderte

A. K. Ruh

"Guirlanden um Die Urnen der Zukunft" by A. K. Ruh is a family saga written in the early 19th century. The narrative explores themes of progress and human aspiration set in the 23rd century, portraying the evolution of society and its values through the lens of family dynamics. Central to the story is Welly, the newly appointed Graf von Wallingau, and his family, as they navigate the complexities of life, relationships, and personal growth against a backdrop of a futuristic setting that blends optimism with realism. The opening of the narrative begins with a glimpse into the future as the characters prepare to face the challenges of their time. It introduces Welly, who is celebrated for his virtues and accomplishments, especially in aiding the downtrodden. As Welly enjoys a peaceful life with his wife, Jadilla, and their two children, a sense of impending conflict arises when their daughter, Jadillchen, goes missing during a family outing. This pivotal event sets in motion a series of emotional and dramatic developments that hint at the book's exploration of familial bonds, loss, and the endurance of hope in the face of adversity. The beginning establishes a rich, descriptive world where love and virtue are highly valued, setting the tone for the unfolding narrative. (This is an automatically generated summary.)

Frankenstein; Or, The Modern Prometheus

Mary Wollstonecraft Shelley

"Frankenstein; Or, The Modern Prometheus" by Mary Wollstonecraft Shelley is a novel written in the early 19th century. The story centers around Victor Frankenstein, a brilliant but obsessive scientist whose quest to conquer death leads him to create a living being from dead matter. The novel explores themes of ambition, the pursuit of knowledge, and the consequences of isolation and responsibility. At the start of the novel, we are introduced to Robert Walton, an explorer on an expedition to the North Pole, who encounters a weakened Victor Frankenstein. Walton initially writes letters to his sister, sharing his excitement about his journey and expressing a longing for companionship and understanding. As Victor regains his strength aboard Walton's ship, he begins to share the tragic tale of his life, hinting at the catastrophic outcomes of his relentless scientific pursuits and the monstrous being he brought to life. The opening sets the tone for a story that delves into the darker sides of ambition and the human psyche, promising a rich narrative of horror and moral inquiry. (This is an automatically generated summary.)

Frankenstein; Or, The Modern Prometheus

Mary Wollstonecraft Shelley

"Frankenstein; Or, The Modern Prometheus" by Mary Wollstonecraft Shelley is a novel written in the early 19th century. The story revolves around Victor Frankenstein, a young scientist who becomes obsessed with creating life, leading him to construct a living being from reanimated body parts. The book explores themes of ambition, the consequences of man's desire to play God, and the isolation that arises from the act of creation. At the start of the novel, we are introduced to Robert Walton, an explorer, who writes letters to his sister while embarking on an ambitious expedition to the North Pole. Walton describes his enthusiasm for adventure and the mysteries of the Arctic, but also expresses a deep longing for companionship. After some harrowing events, Walton rescues a distressed and emaciated man—Victor Frankenstein—who begins to share his tragic tale. As he recounts the story of his early life, the loss of loved ones, and his blinding pursuit of scientific knowledge, a sense of dread and foreshadowing permeates the narrative, hinting at the monstrous consequences of Frankenstein’s obsession. This opening establishes a captivating framework that sets the stage for the intense exploration of humanity, morality, and the impulse to transcend natural limits. (This is an automatically generated summary.)

Le Vingtième Siècle: La Vie Électrique

Albert Robida

"Le Vingtième Siècle: La Vie Électrique" by Albert Robida is a speculative fiction work written in the late 19th century. The book explores a future society in the year 1955, where advanced technology, particularly electricity, plays a pivotal role in everyday life. The narrative focuses on the character Philoxène Lorris, a renowned inventor, and his son Georges, highlighting their dynamic relationship and the societal changes brought about by technological advancements. At the start of the novel, an intense electrical storm, referred to as a "tournade," disrupts the region of Europe. This serves as a backdrop for introducing Philoxène Lorris, who is scolding his son Georges for not achieving enough in life compared to his own accomplishments. Through a vivid description of the society's manipulation of weather and climate through electrical means, Robida sets the stage for discussions on atavism, personal ambition, and the impact of technological progress. The opening establishes a tension between tradition and innovation, pointing to possible future conflicts as Philoxène expresses concern over Georges’ perceived lack of scientific aptitude, possibly due to their ancestry, and suggests a marriage to ensure a scientifically capable lineage. (This is an automatically generated summary.)

A Republic Without a President, and Other Stories

Herbert D. (Herbert Dickinson) Ward

"A Republic Without a President, and Other Stories" by Herbert D. Ward is a collection of short stories reportedly written in the late 19th century. The opening story centers around a fictional and dramatic event where the President of the United States and his wife mysteriously disappear from the White House, causing national panic and intrigue. The unfolding mystery delves into political implications, abduction, and the reactions of the public and officials in response to this chilling circumstance. The beginning of this story reveals that on June 8, 1893, an announcement of the President's disappearance sends shockwaves across the nation. As newspapers publish front-page headlines detailing the events, the atmosphere is thick with suspicion and fear. Several witnesses recount strange occurrences, but the investigation leads to wild speculation and confusion, hinting at a political conspiracy behind the abduction. The narrative sets the stage for a blend of mystery, suspense, and political commentary that invites readers to ponder the implications of such an unprecedented calamity. (This is an automatically generated summary.)

Λουκιανός - Άπαντα, Τόμος Τρίτος

of Samosata Lucian

"Λουκιανός - Άπαντα, Τόμος Τρίτος" by Samosata Lucian is a collection of works written in the late 2nd century AD. This volume includes stories blending fantasy and satire, such as "True History," which explores outrageous adventures and fantastical scenarios that challenge historical and mythical narratives. The themes often revolve around exaggeration and the absurdity of certain tales found in ancient literature. The opening of "True History" introduces readers to a fictionalized journey that the narrator undertakes, starting from the shores of the Ocean. He embarks on a voyage, equipped with provisions and a crew, driven by curiosity to discover new worlds. Upon facing a storm that lasts 79 days, they finally make landfall on a mysterious island where they encounter various fantastical elements, including a river that flows with wine and strange humanoid creatures. The adventure escalates as they set out to explore further, setting the stage for an imaginative narrative filled with absurdity and humor. (This is an automatically generated summary.)

The Last American - A Fragment from The Journal of Khan-li, Prince of Dimph-Yoo-Chur and Admiral in the Persian Navy

John Ames Mitchell

"The Last American" by John Ames Mitchell is a satirical novel written in the late 19th century. It explores the fictional narrative of the last remnants of a once-thriving civilization, the Americans, as observed by a Persian prince, Khan-li, who embarks on a journey to uncover the ruins of their culture. The book serves as both a reflection on the follies and vices of the American society of its time and a cautionary tale about the ephemeral nature of civilization itself. The story begins with Khan-li's arrival in the deserted remains of what was once New York City, where he, along with his companions, marvels at the remnants of a lost civilization. Throughout his exploration, they uncover the intricacies of the American people's lives, characterized by greed, consumerism, and an obsession with material wealth. As they delve deeper into the ruins, they encounter artifacts and learn of the downfall of the Americans, culminating in a poignant meeting with the last living American, who tragically embodies the fading echoes of his culture. The narrative paints a vivid picture of the rise and fall of a society, providing insightful commentary on the consequences of excess and the inevitability of decline. (This is an automatically generated summary.)

The Diamond Lens

Fitz James O'Brien

"The Diamond Lens" by Fitz James O'Brien is a science fiction short story written during the mid-19th century, likely in the Victorian era. The narrative revolves around the concept of microscopic inquiry and the pursuit of scientific discovery, exploring the limits of human perception and obsession with knowledge. The story follows the protagonist, Linley, an aspiring microscopist who becomes enthralled by the beauty of a microscopic creature he names Animula, discovered through a diamond lens he constructs using a rare and large diamond. Initially, Linley is deeply captivated by Animula's ethereal beauty and the fantastical world within the drop of water in which she resides. However, he becomes increasingly consumed by his infatuation and neglects reality, leading to tragedy when the water evaporates and Animula perishes. Linley's obsession results in his mental and physical deterioration, reflecting the dangers of becoming too engrossed in one's pursuits, ultimately leaving him as a broken individual haunted by the loss of his beloved microscopic creation. (This is an automatically generated summary.)

The Last Man

Mary Wollstonecraft Shelley

"The Last Man" by Mary Wollstonecraft Shelley is a dystopian novel written in the early 19th century. The story explores themes of isolation, loss, and humanity's struggle for survival in a world plagued by an apocalyptic pandemic. The narrative follows the protagonist, Lionel Verney, as he grapples with his unique position in a collapsing society, alongside key figures, including his sister Perdita and the young noble Adrian, the Earl of Windsor. The opening of the novel sets the scene for Lionel's reflections on his past, delivering a somber tone as he recounts his lineage, family struggles, and the complexities of his relationships with others around him. Beginning in Naples, the introduction reveals a contemplative journey that ignites Lionel’s thoughts on his identity amid societal upheaval. The early chapters depict the dynamic between Lionel and Adrian, whose contrasting worldviews profoundly influence Lionel’s evolution as an individual, as well as foreshadowing the larger conflicts that will emerge in a changing world. As the characters confront their pasts and ambitions, greater themes of friendship, loyalty, and existential despair are poised to unfold against the backdrop of an uncertain future. (This is an automatically generated summary.)

After London; Or, Wild England

Richard Jefferies

"After London; Or, Wild England" by Richard Jefferies is a speculative novel written during the late 19th century. The book imagines a future England transformed into a primitive world after civilization has collapsed and nature has reclaimed the land. The narrative explores themes of technology, society, and the natural world, showcasing characters such as Felix Aquila, who navigates this wild and unfamiliar landscape. The opening of the novel paints a vivid picture of post-apocalyptic England, describing how nature has overrun the landscapes once dominated by human civilization. It depicts a time when cities are forgotten, transformed into marshes, and domesticated animals have reverted to wild forms. The narrative presents a detailed account of the flora and fauna that have reclaimed the land, emphasizing the environmental changes that have led to a society that regresses into tribalism and barbarism. This transition sets the stage for the adventures of Felix Aquila and the encounters he faces in this new wild England. (This is an automatically generated summary.)

Trips to the Moon

of Samosata Lucian

"Trips to the Moon" by Lucian is a satirical work likely written in the 2nd century AD. This piece primarily comprises comedic narratives that playfully critique the absurdities of human belief and contemporary historiography, employing imaginative elements and fantastic voyages to convey its messages. The narrative follows the exploration of other worlds and bizarre encounters, engaging readers with humor while examining deeper philosophical themes. The opening of the work introduces Lucian's "True History," which is described as a fantastical tale filled with "ingenious lies" meant for amusement. The protagonist sets sail on an adventurous journey to explore the unknown, encountering various peculiarities along the way, such as a wine-like river and human-like vines. These elements set the stage for a series of whimsical encounters, including a pitched battle between fantastical creatures from the Sun and Moon, illustrating Lucian's intent to satirize both historical writing and the genre of epic tales. The reader is introduced to the playful absurdity of both the journey itself and the characters encountered, hinting at the larger critique of human folly to come. (This is an automatically generated summary.)

A Crystal Age

W. H. (William Henry) Hudson

"A Crystal Age" by W. H. Hudson is a science fiction novel likely written in the late 19th century. The narrative unveils themes of utopia and the human experience, exploring a world that contrasts sharply with contemporary society through the eyes of the protagonist. The story begins with an unnamed character who falls into an uncharted wilderness, leading him to encounter a peculiar group of people who seem to embody ideals vastly different from those he is accustomed to. The opening of the book introduces us to the main character, who is a botanist that becomes unintentionally lost during an expedition. After falling into a ravine and regaining consciousness, he finds himself in a serene and idyllic valley. There he observes the unusual social practices of the local inhabitants, particularly during a funeral ceremony for a young man. The character's striking appearance and identity lead to a mix of curious reactions from the villagers, especially from a young girl named Yoletta, who captivates him. This blend of wonder and confusion sets the tone for the protagonist's journey of discovery as he attempts to understand the customs and philosophies of this intriguing society. (This is an automatically generated summary.)

A Connecticut Yankee in King Arthur's Court, Part 9.

Mark Twain

"A Connecticut Yankee in King Arthur's Court, Part 9" by Mark Twain is a satirical novel written in the late 19th century. This work blends elements of fantasy and historical fiction, exploring the adventures of a modern American, Hank Morgan, who finds himself transported back to the time of King Arthur and the Knights of the Round Table. The likely topic of this book revolves around the clash of medieval and modern values, particularly in the context of technology and social structures. In this part of the book, Hank Morgan grapples with the consequences of his actions in an England under an Interdict imposed by the Church, which plunges the nation into despair and silence. The narrative captures the escalating tensions as Hank learns about the division among the knights following the scandal surrounding Queen Guinevere and Sir Launcelot. As the situation deteriorates, a war breaks out between factions, leading to fierce battles where Hank employs his knowledge of modern warfare to devastating effect. However, the narrative takes a dark turn as Hank’s society collapses under the weight of its own conflicts, culminating in a tragic showdown that leads to profound loss and uncertainty for the future. The interplay between Hank's modern ideas and the medieval world results in both humorous and somber reflections on power, technology, and human nature. (This is an automatically generated summary.)

A Connecticut Yankee in King Arthur's Court, Part 8.

Mark Twain

"A Connecticut Yankee in King Arthur's Court, Part 8" by Mark Twain is a satirical novel written during the late 19th century. This work explores themes of time travel, social criticism, and the clash between modernity and medievalism. The story depicts the adventures of Hank Morgan, a 19th-century American who finds himself in the court of King Arthur, where he employs his knowledge of technology and science to challenge and alter the values of chivalric society. In this section of the narrative, Hank, now a freed man, struggles for the freedom of himself and the king but faces disastrous setbacks, including a wrongful arrest and the grim fate of fellow slaves. As Hank devises clever plans using his intellect and modern inventions to combat the archaic systems of the past, he ultimately confronts the traditions of knight-errantry in a climactic tournament. The chaotic and comedic encounters highlight Hank's modern sensibilities against the backdrop of medieval values, leading to a grand finale that emphasizes the triumph of common sense and progress over outdated customs. The juxtaposition of Hank's practical approach to conflict resolution with the ornate rituals of knightly battles serves as a broader critique of both romanticized chivalry and the societal norms of Twain’s own time. (This is an automatically generated summary.)

A Connecticut Yankee in King Arthur's Court, Part 7.

Mark Twain

"A Connecticut Yankee in King Arthur's Court, Part 7." by Mark Twain is a satirical novel written during the late 19th century. The book explores the juxtaposition of modern ideas against the backdrop of medieval England, primarily focusing on the absurdities of chivalry and the nature of power. Mark Twain uses humor and wit to delve into themes of class, society, and technological advancements through the experiences of its protagonist, Hank Morgan, who finds himself transported back to the time of King Arthur. In this section of the book, readers encounter a sequence of events that highlight the stark contrast between the perceived glory of medieval life and the harsh realities faced by the characters. As the king and Hank are humorously thrown into the role of slaves, Twain captures the ridicule that accompanies the situation, emphasizing the absurdities of social hierarchies. The king's struggles with his newfound status as a commodity reflect Twain's commentary on class and dignity, while Hank's cleverness frequently provides a sharp critique of the societal norms of the time. Through scenes of banter, conflict, and yearning for freedom, Twain masterfully illustrates the complexities of human nature and the farcical aspects of societal conventions. (This is an automatically generated summary.)

A Connecticut Yankee in King Arthur's Court, Part 6.

Mark Twain

"A Connecticut Yankee in King Arthur's Court, Part 6" by Mark Twain is a satirical novel written in the late 19th century. The book explores themes of class, power, and the clash between modernity and tradition as it follows the character of Hank Morgan, a native of Connecticut, who finds himself transported back to the time of King Arthur. The story delves into Hank's attempts to navigate and manipulate the feudal society of medieval England using his knowledge of technology and progressive ideas. In this section, Hank and King Arthur, now disguised as peasants, embark on a series of adventures as they attempt to blend into the lower classes of society. Hank takes on the role of a guide and mentor, training Arthur in the ways of the common folk to avoid detection. Their interactions expose the absurdities and cruelties of the social hierarchy, as they encounter various challenges, including misunderstanding among the peasantry and the harsh realities of life under feudalism. As they face threats and dilemmas, Hank's ingenuity and Arthur's noble spirit come into play, underscoring both the humorous and critical tones of Twain's commentary on society and governance. (This is an automatically generated summary.)