"Minor Tactics of the Chalk Stream and Kindred Studies" by G. E. M. Skues is a fly fishing book published in 1910. While acknowledging F. M. Halford's dry-fly dominance, Skues quietly launches a revolution to restore wet-fly fishing to England's chalk streams. Through careful observation and experimentation, he challenges the rigid orthodoxy that had banished this ancient technique, developing methods for fishing beneath the surface that would prove as difficult and delicate as any purist could demand. (This is an automatically generated summary.)

"Perte et gain : histoire d'un converti" by John Henry Newman is a philosophical novel published in 1848. Set in Oxford during the 1820s, it follows young Charles Reding as he navigates intense religious debates within the Church of England. Despite his intention to follow tradition and avoid controversial factions, Charles finds himself drawn toward Roman Catholicism. His intellectual journey leads to a conversion that brings personal fulfillment but devastating consequences for his relationships with family and friends who cannot understand his choice. (This is an automatically generated summary.)

The future of an illusion by Sigmund Freud is a psychoanalytic treatise written in the early 20th century. It examines religion as a collective illusion born from human wishes and childhood helplessness, and considers how civilization might sustain social order without sacred authority. Blending psychology, cultural critique, and philosophy, it argues for replacing religious foundations with rational, scientific understanding. The opening of the treatise defines culture as both the human conquest of nature and the regulation of social relations, stressing that it rests on labor, coercion, and instinctual renunciation that provoke resistance. It then turns to the “psychical” supports of culture—prohibitions and privations, their partial internalization as the super-ego, class grievances, the narcotic pride of cultural ideals, and the compensations of art—culminating in religion as the most powerful device. Religion is presented as a projection of infantile helplessness and father-longing that humanizes nature, promises justice and an afterlife, and asserts authority without proof; these doctrines are labeled “illusions” grounded in wish-fulfilment rather than evidence. Anticipating objections that society would collapse without faith, the text counters that laws should be justified by social necessity, recasts religion as a universal obsessional neurosis with totemic roots, and urges “education to reality” and gradual reliance on reason and science, even while admitting the transition will be slow and contested. (This is an automatically generated summary.)

"Of the importance of religious opinions" by Jacques Necker is a treatise of moral and political philosophy written in the late 18th century. It contends that religious belief is indispensable to public order and private happiness, countering efforts to ground morality solely in law, reason, or social esteem. The work promises wide scope—from the social uses of worship and relations with sovereigns to arguments for God’s existence, tolerance, and Christian morality. The opening of the treatise presents a translator’s note, a detailed table of contents, and an introduction in which the author, reflecting after public service, argues that administration, law, morality, and religion form one system whose harmony secures social prosperity. He laments fashionable indifference and sets himself between harsh intolerance and flippant unbelief, proposing to test whether a secular “moral catechism” can replace religion. Chapter I asserts that basing virtue on the supposed union of private and public interest fails amid real social inequalities, limited education, and strong passions; laws reach actions but not intentions, whereas religion uniquely addresses imagination, conscience, youth, and the afflicted, offering simple, binding commands and hope beyond the present. At the start of Chapter II, he argues that civil and penal laws and public opinion cannot control hidden or ambiguous wrongs; only conscience, grounded in God, can, and even judges need both statute and inward moral responsibility, while reputation and public rewards are narrow, fallible incentives beside religion’s universal, interior authority. (This is an automatically generated summary.)

"Palaces and Prisons" by Ann S. Stephens is a historical novel written in the late 19th century. Set on the eve of the French Revolution, it intertwines court intrigue and street-level hardship, following figures like Countess Du Barry, Marie Antoinette, Dr. Gosner, Count Mirabeau, and the humble yet determined Marguerite and her mother. The story promises a clash between glittering palaces and brutal prisons, as personal fates collide with rising popular unrest. The opening of the novel contrasts the Grand Trianon’s splendor with Parisian poverty. Du Barry imperiously presses the refined physician-seer Dr. Gosner to prolong the king’s life and predict her future; he refuses, foresees her death on a blood-soaked scaffold, and reveals the ominous power of his Egyptian scarab ring. Enraged, she secures a lettre-de-cachet to send him to the Bastille and has her dwarf, Zamara, plant the ring as a “gift” for the Dauphiness, who innocently slips it on. The scene shifts to a garret where Gosner’s starving wife and daughter, aided by the people’s man Jacques, learn that Gosner is alive in the Bastille; they pledge themselves to the cause of liberty, encounter the magnetic Mirabeau, and—through a kind market woman—find Marguerite work selling flowers. It closes with the mother’s renewed resolve, signaling her transformation from desperate petitioner to a woman ready to act. (This is an automatically generated summary.)

"A dissertation on the true age of the world : in which is determined the…" by Professor Wallace is a theological and chronological treatise written in the mid-19th century. It argues that the Septuagint’s longer genealogical numbers, rather than the Masoretic Hebrew’s shorter figures, preserve the authentic Biblical chronology from Creation to Christ, thereby lengthening the world’s age by about fifteen centuries. Using Scripture, patristic testimony, early chronographers, and selective astronomical and geological reflections, it divides sacred history into six ages and seeks to fix key epochs such as the Flood, the Exodus, and the Advent. Readers should expect a rigorous defense of the Septuagint, critiques of Usher and other modern chronologers, and discussion of prophecy, cyclical time, and the millennium. The opening of the treatise sets out the problem: large discrepancies between the Hebrew, Septuagint, and Samaritan texts in the antediluvian and postdiluvian genealogies, a long-debated issue now made urgent by geology, astronomy, and renewed interest in prophecy. The preface outlines two parts—first, a critical reconstruction of Biblical chronology (leaning on Cuninghame and engaging Josephus, Eusebius, and others); second, an inquiry into primeval prophecy, idolatry’s origins, and the “seven ages,” with hints of astronomical cycles (including a proposed grand planetary cycle) deferred to a future volume. The introduction notes the widespread expectation of a savior at the time of Christ and claims Scripture allows the epoch to be fixed, then sketches the authority and utility of the Septuagint over against the present Hebrew text. Early chapters present tables contrasting the three textual traditions, argue that the Hebrew and Samaritan numbers show deliberate centenary adjustments while the Septuagint’s figures are internally coherent, defend the authenticity of the “second Cainan” (citing Luke), and begin correcting received views on Terah and Abraham—altogether preparing the case for the longer, Septuagint-based timeline. (This is an automatically generated summary.)

Aspects of Jewish Power in the United States: Volume IV of The International Jew is a polemical collection of reprinted newspaper articles written in the early 20th century. It presents a conspiratorial, anti-Jewish account of alleged Jewish influence over American economic, political, and cultural life, framing this volume as further “studies” from The Dearborn Independent. The focus ranges from claims about the liquor industry and Prohibition to broader assertions about labor, religion, education, and national identity. The opening of the volume lays out a preface asserting that prior exposes have awakened public opinion, then lists chapters that target specific arenas of supposed Jewish power. It begins by alleging historic Jewish dominance of the liquor trade, arguing that “rectifiers” degraded whiskey quality, helped spur Prohibition, and later orchestrated bootlegging—naming lawyers, firms, and brands to claim a vast trust and distribution network. Subsequent chapters broaden the indictment, contending that rabbis’ ritual-wine permits fueled illicit sales, and then shift to sweeping assertions about Jewish influence in labor movements, churches, and universities, portraying U.S. “Americanism” as at odds with Jewish separateness. Throughout these opening sections, the text advances accusatory claims and lists of names to suggest coordinated control, setting a strident, propagandistic tone for the rest of the work. (This is an automatically generated summary.)

"Oriole''s daughter, a novel, Volume 3 (of 3)" by Jessie Fothergill is a novel written in the late 19th century. It follows Fulvia Marchmont, a Roman beauty trapped in a lavish but loveless marriage to a sickly millionaire in an English country house, as her bond with her austere protector Signor Oriole (her unacknowledged father) collides with a deepening love for the painter Hans Riemann. Moving between Yewridge Hall’s staged opulence and haunting memories of Rome, it probes duty, reputation, and the price of freedom. Expect a cool, incisive social drama of endurance, temptation, and moral risk. The opening of the book shows the Marchmonts installed at Yewridge Hall, where Fulvia maintains an impersonal poise while tending her suspicious, suffering husband and enduring sleepless nights. Society cautiously embraces her; she is admired yet distant, and she openly favors Hans’s company, unsettling onlookers and her protective neighbor Minna Hastings, whose brother Richard reads the danger with cool clarity. As Marchmont’s illness worsens and servants chafe, Fulvia meets Hans by a secluded lake; he urges elopement, she asks for three days, and Signor Oriole later warns her that Hans’s character is unworthy, a judgment she rejects. When a specialist is summoned after a brutal attack, Fulvia, exhausted and resolute, plans to leave that very night after the consultation, while a moonlit coda shows Signor Oriole wakeful and Hans returning late, sullen and impatient. (This is an automatically generated summary.)

"English grammar" by Lillian Kimball Stewart is a grammar textbook written in the early 20th century. It explains the principles of modern English usage with clear definitions, practical rules, and plentiful exercises designed to build correct habits of speech and confident sentence analysis for school use. The coverage moves step by step from sentences and parts of speech to phrases, clauses, sentence types, and punctuation, keeping a strong focus on practice supported by teacher guidance. The opening of this textbook states its practical aim—mastery through imitation, practice, and reasoning—presents a carefully sequenced plan, and then begins instruction. It defines sentences (especially declarative ones), subjects and predicates, simple subjects and nouns (common vs. proper), verbs, and pronouns; adds compound subjects and predicates and transposed word order; and introduces interrogative sentences. Next come adjectives and adverbs (including series and placement), phrases (adjective and adverbial) and sentence analysis, prepositions and their objects with careful usage notes, and independent elements (terms of address and exclamatory nouns). It then treats imperative sentences, interjections, and exclamatory sentences; explains conjunctions; distinguishes clauses and simple, compound, and complex sentences; and finishes this opening portion with concise reviews of sentence classification and the eight parts of speech, all reinforced by graduated exercises and model analyses. (This is an automatically generated summary.)

"The story of John Smeaton and the Eddystone lighthouse" by Anonymous is a historical/biographical account written in the early 20th century. It traces the development of lighthouse technology and focuses on the perilous Eddystone reef, highlighting John Smeaton’s pioneering stone lighthouse and the earlier, ill-fated towers by Henry Winstanley and John Rudyerd. The work blends accessible engineering history with a concise life of Smeaton, emphasizing practical ingenuity, perseverance, and public service. The opening of the book surveys lighthouses from antiquity—the Pharos of Alexandria, Roman beacons at Dover, and early English pitch-pot signals—through the rise of organized coastal lighting under Trinity House and the shortcomings of primitive fires and braziers. It then shifts to the Eddystone reef’s location and danger, recounting Winstanley’s ornate wooden tower swept away in a great storm, and Rudyerd’s elegant timber-and-granite structure destroyed by fire. Enter Smeaton, who designs a heavier, all-stone, oak-trunk-shaped tower, houses a work crew on a nearby vessel, and builds with dovetailed granite, marble center plugs, iron cramps, and vaulted rooms—culminating in a durable light that has stood against Atlantic gales. Interwoven are vivid set pieces: the hazards of working windows of calm, a near-fatal charcoal fume incident, and the triumphant lighting of the lantern. The section then begins Smeaton’s life story—his Yorkshire boyhood of mechanical tinkering, turn to instrument-making in London, methodical studies, Royal Society work, a learning trip to the Low Countries, and the persistent, weather-thwarted surveys that preceded construction—establishing both the technical foundations and character that drive the narrative forward. (This is an automatically generated summary.)

"Lord Lister No. 0333: De liefde van een bokser" by Matull, Blankensee, and Hageman is a pulp adventure novella written in the early 20th century. The tale follows the Gentleman-Thief Lord Lister (alias Raffles) and his aide Charly as they discover and secretly mentor a prodigiously talented young boxer, Joe Mascott, while an unscrupulous banker, Pinkerton, emerges as both Joe’s employer and rival for the love of Daisy Chairman. Expect a mix of ringside drama, mentorship, and scheming in postwar London’s sporting and social underworld. The opening of the story finds Raffles and Charly ducking a downpour into Black Jimmy Stanley’s gym, where they witness Joe Mascott’s exceptional skill and Raffles steers him to elite trainer Fred Simons. Raffles quietly arranges to pay for Joe’s lessons; Simons confirms Joe’s brilliance and sets sights on a forthcoming match with a 500‑pound purse. Joe then confides his precarious home life, his devotion to Daisy, and the coercion Pinkerton exerts through her father’s debts. When Pinkerton pressures Daisy and tries to force a kiss, Joe steps in and slaps him, prompting Pinkerton to vow revenge and seek out George Malony at Black Jimmy’s to hatch a dirty scheme. (This is an automatically generated summary.)

"Landscape with figures" by Ronald Fraser is a novel written in the early 20th century. It follows a circle of European “Seven Sages” led by the industrial magnate Lord Sombrewater, whose minute-writer Ambrose Herbert narrates their voyage into an idealized China where art, landscape, and philosophy blur. Blending travel fantasy with philosophical comedy, it contrasts Western power, science, and appetite with ancient Chinese poise, with Lychnis—Sombrewater’s vivid, questing daughter—at the emotional center. The opening of the novel presents a preface framing the tale as a mind’s encounter with Chinese art, then shifts to Ambrose’s calm diary of the Sages aboard the yacht Floating Leaf in eastern waters. After lyrical sea scenes and sharp portraits of the party—Lord Sombrewater, Lychnis, Ruby, Terence, Quentin, Sir Richard, Fulke, Sprot, and the ascetic Blackwood—a threatened mutiny and a storm push them to a river mouth amid fantastical hills. Guided by Terence’s vision of “Peach-blossom People” and the inscrutable Chinese steward they nickname Such-a-one, they abandon the yacht, don Chinese dress, and pole upstream. Along the way, Quentin’s brashness startles villagers until Such-a-one’s words disperse the crowds, Fulke privately declares his hopeless love for Lychnis, and a night sighting of a silent “dragon” (perhaps an aircraft) heightens the sense of myth. They work through a warm, intricate gorge, swim, and enter a serene valley of willows, blossoms, and lotus-lakes dominated by a rocky “Dragon Island.” Finally, they install themselves in exquisite pavilions—Lord Sombrewater, Lychnis, Ruby, Sir Richard, and Ambrose in the “Pavilion of the Yellow Emperor”—to begin their sojourn in this cultivated dream-land. (This is an automatically generated summary.)

"Lasiseinä : Romaani" by Signe Stenbäck-Lönnberg is a novel written in the early 20th century. Set in an Alpine spa town and convent hospital, it follows the Finnish sculptor and mother Ritva Orjatmaa as illness, memory, and beauty pull her back toward life while a charged connection with the young doctor Franz Haller unsettles the steadfast nun Sister Felicia. The story probes faith and doubt, desire and duty, art and motherhood, and the invisible “glass wall” between renunciation and lived passion. The opening of the novel paints an Alpine valley in 1910: nuns process to mass, bells roll across the mountains, and Sister Felicia wrestles with an inner storm, recalling her childhood healing, her mother’s vow, and the distant figure of Franz from her home valley. Into the convent’s hospital arrives Ritva, a gifted Finnish artist, with a rational, distant husband, Eero; exhausted but defiant, she clings to her twin daughters in memory and balks at death. Her care is split between stern, self-contained Felicia and the warm novice Sister Anna, while Dr. Franz Haller’s visits kindle hope. Ritva’s backstory unfolds: seaside childhood and clay figures, Paris studies cut short, marriage to the much older Eero, an isolating domestic life, a tender dance with her mother broken by Eero’s severity, and the stillbirth of a son. As spring comes, Ritva’s fever lifts, her will to live returns, and conversations with Franz (about his ancestral Ramez, its shrines, and the art of the valley) deepen their bond; Felicia’s own crisis intensifies into silent jealousy. Ritva hides her husband’s letters, accepts Franz’s invitation, and rides through flowering slopes to the Ramez castle, where Franz’s father welcomes her—just as the first tour of the old halls begins. (This is an automatically generated summary.)

Tuintjes by C. M. van Hille-Gaerthé is a collection of short stories written in the early 20th century. The book delicately explores how gardens and small green places shape human feeling and connection—within marriages, among children, and across the final years of life. In the first story, a man’s devotion to his garden strains his marriage when his wife cuts his campanulas out of spite; yet a gentle evening—walking with their anxious child and sharing quiet tea—opens a path toward tenderness. The second follows a mother who dreams of a perfect future garden but, through her children’s messy plots, games, and the gift of a single sugared strawberry, learns to cherish the abundant life of the present. The last paints a springtime hofje where elderly women tend tiny beds, nurse old slights and friendships, and receive a visiting painter; beneath pear blossoms, small rituals and whispered sympathies glow, and the tale closes on a soft meditation about age, time, and who will live to see the fruit ripen. (This is an automatically generated summary.)

"Lord Lister No. 0033: De Alarmkreet" by Kurt Matull and Theo von Blankensee is a serialized crime adventure story written in the early 20th century. It follows the gentleman-thief John C. Raffles (Lord Lister) and his loyal aide Charly Brand as they target a scurrilous London weekly, De Alarmkreet, whose editor Röttger and his partner “the Beautiful Guido” extort and slander for profit. Raffles mounts an elaborate sting to expose the blackmailers, protect their victims, and simultaneously outmaneuver the ever-harried Inspector Baxter. The opening of the story paints De Alarmkreet as a gaudy yet shabby scandal sheet that hides its editors and survives by shaking down the vulnerable. After the paper smears Raffles, Charly meets fur-merchant Thomas Spancer, who is being blackmailed over a shopgirl’s attempted suicide. Raffles then lures editor Röttger by posing as “Detective Marholm,” brandishing a forged “Raffles-to-Baxter” letter that suggests police collusion, which prompts Röttger and Guido to try extorting Inspector Baxter directly. The real Marholm overhears, privately contacts Raffles, and agrees to help spring the trap. Next, Raffles masquerades as “Lord Melbourne,” the supposed poisoner of his stepmother, and receives the pair in his villa with Charly disguised as a butler, setting up a “salutary lesson” as the confrontation begins. (This is an automatically generated summary.)

"On the mountain; or, Lost and found" by Lucy Ellen Guernsey is a didactic children''s novel written in the late 19th century. It centers on Fanny Lilly, a spoiled Boston girl sent to her grandmother’s mountain farm, where her pride, dishonesty, and class snobbery are challenged by firm discipline, a steady farm boy named Willy, and a wild neighbor, Sarah Leyman. The tale blends homely incidents with moral testing, emphasizing truthfulness, humility, and Christian faith amid small-town gossip and real peril. At the start of the story, Fanny returns from church full of contempt and is firmly checked by her grandmother, leading to a showdown over dinner that ends in tears, bread-and-milk, and a sketch of Fanny’s pampered past and her exile to the farm. Despite warnings, she falls in with Sarah, who helps steal a pie through the milkroom slats; when the theft is discovered, Fanny lies smoothly while Willy is questioned. Conversations reveal Fanny’s startling ignorance (even about the Holy Land), she overeats, falls ill, and then declares she will be “good,” though mostly in appearance. An errand introduces her to kindly Mrs. Cassell, Annie Mercer, and Mr. Brandon, who lends books, while Sarah confronts Fanny about confession and hypocrisy; soon after, Sarah saves Fanny from a loose bull by sacrificing the girl’s red cloak. Fanny remains fearful and evasive as mountain dangers are noted; when Sarah quietly attends a prayer meeting, Fanny slanders her to keep her and her grandmother apart, prompting Willy to rebuke Fanny’s snobbery and deceit as the opening section closes. (This is an automatically generated summary.)

"The strange house : or, A moment''s mistake" by Catharine Shaw is a novel written in the late 19th century. The story blends domestic drama, a gentle mystery, and Christian moral themes as young governess Gertrude Ashlyn joins the Shaddock family near Hampstead and becomes uneasy about the secretive neighbor in the “Strange House.” Alongside her work with spirited pupils—especially sensitive Hugh and trouble-prone Randall—runs her sister Rose’s ongoing search for a missing child and a quiet current of unspoken love from family friend Otto. It promises a tale of home life, conscience, and providence threaded through with a suburban mystery. The opening of the story sets two lines in motion: the Shaddock boys witness a policeman seize their furtive neighbor while unexplained lights gleam in his supposedly solitary house, and far away by the sea Gertrude accepts a governess post as her widowed mother’s eyesight fails, leaving Otto to wrestle with his feelings. On arrival, Gertrude meets brisk Mollie, sober Daisy, bullied Hugh, and impish Randall, endures a chaotic household, and quietly steadies herself with prayer. Conway pokes into the neighbor’s habits; a marmalade prank hints at Randall’s mischief; and a chance spill from the neighbor’s basket—rice, sewing, and a small pair of mended child’s shoes—stirs Gertrude’s memory of Rose’s vanished little Lester. The narrative then reveals a woman and man hiding a child in that house, letters addressed to “X. Y. Z.”, and a late-night dash to a Highgate school where their older boy, Johnnie, dies after begging his mother to return the abducted child to his real mother. Rose, reading Gertrude’s letter, resolves to visit, while a bank-note mishap at the Shaddocks’ ends with Randall blaming Hugh and their mother misjudging the case, leaving tensions high as the opening section closes. (This is an automatically generated summary.)

Heroic airmen and their exploits by E. Walter Walters is a historical account written in the early 20th century. It traces the rise of flight and celebrates the courage of First World War pilots and aircrew, especially those who battled Zeppelins over Britain. Emphasizing narrative over technicalities, it highlights notable flyers and dramatic interceptions that captured the public imagination. The opening of the work sets a non-technical, commemorative tone, sketches the aim to illuminate brave deeds, and briefly outlines how the book will proceed. It surveys early airship progress (the Robert brothers, Giffard, Tissandier, Renard) and Santos-Dumont’s achievements, then moves through semi‑rigid and non‑rigid designs toward the Zeppelin, alongside the birth of the aeroplane from Wenham, Maxim, Langley, and the Wrights to Farman, Blériot, and Antoinette. Clear explanations of Zeppelin structure and buoyancy control, plus a primer on aeroplane handling and pilot training, prepare readers for wartime episodes. The narrative then recounts 1916 raids on Britain and the actions that stopped them: Robinson’s destruction of a Zeppelin at Cuffley, Sowrey and Brandon bringing down or forcing down two more (with the detailed inspection of L33), and Lieutenant W. K. Tempest’s night interception near Potters Bar—told through eyewitness scenes of searchlights, gunfire, blazing wreckage, and the honors that followed. (This is an automatically generated summary.)

"A journey through the Yemen and some general remarks upon that country" by Harris is a travelogue and historical account written in the late 19th century. It blends a clear survey of Yemen’s geography, history, and religious currents with an illustrated first-hand journey from Aden into the interior during Ottoman rule and local unrest. The opening of this work sets out its aims and offers a concise primer on Yemen: uncertain inland boundaries, the contrast between the arid Teháma plains and the fertile, terraced Jibál highlands, climate and crops (notably coffee), and key ports, islands, towns, and tribes. It outlines native provincial divisions and the practical limits of Ottoman control, then surveys pre-Islamic civilisations (Minæan and Sabæan), the Marib dam and the Queen of Sheba, Abyssinian and Persian domination, the advent of Islam, and early pretenders. The account moves briskly through later dynasties, European trading forays, the first Ottoman occupation, the rise of the Qasimi Imams, Wahhabi incursions, and 19th-century Egyptian and Ottoman interventions that left the Imamate weakened and the coast in Turkish hands. It closes this opening with a brief defense of Islam against Western misconceptions, foreshadowing a deeper look at religious influences. (This is an automatically generated summary.)

"Het paard : in zijne natuurlijke ontwikkeling" by Wilhelm Bölsche is a popular scientific treatise written in the early 20th century. It explores the natural history and evolution of the horse, tracing its lineage from small, multi‑toed ancestors to the modern, single‑toed runner, and examines its close symbiosis with humans as a domesticated animal. Expect a blend of anatomy, paleontology, and behavioral insight that connects fossil evidence, comparative anatomy, and cultural history to explain what makes the horse unique. The opening of this work sets out its purpose: to tell the full evolutionary story of the horse, beginning with tiny Eocene ancestors and linking them to living forms and domestic breeds. It recaps the rise of mammals from reptile‑like forebears through monotremes and marsupials to early placental groups, highlighting a pivotal Eocene fauna (the “Cernays” forms) from which hoofed animals emerge. The text defines domestication as a lasting symbiosis rather than mere captivity, illustrating the idea with classic plant–fungus and ant–aphid partnerships before applying it to horses, dogs, and livestock. A clear, step‑by‑step anatomical comparison explains how the horse stands on a single middle toe, with splint bones as vestiges of lost digits, and how this design achieves speed, endurance, and load‑bearing. It then sketches the horse’s instincts and signal‑sensitivity (including the “Clever Hans” case) and turns to the fossil record, from Cuvier’s early finds to the rich American deposits, noting that true horses once ranged widely in the Americas before disappearing there prior to European contact. (This is an automatically generated summary.)