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Billy Budd : and other prose pieces

Herman Melville

"Billy Budd : and other prose pieces" by Herman Melville is a collection of prose pieces written in the late 19th century. Anchored by the short nautical novel Billy Budd, Foretopman, it centers on an innocent young sailor drawn into a moral conflict aboard a British warship during the age of mutiny, with the enigmatic master-at-arms John Claggart and the austere Captain Vere shaping his fate. Surrounding sketches and essays deepen Melville’s late-career preoccupations, but the signature tale probes innocence, authority, and latent malevolence at sea. The opening of the volume frames the title narrative: an editorial note and preface place the story in 1797 amid the Spithead and Nore mutinies, then introduce the archetype of the “Handsome Sailor” before focusing on Billy Budd, a foundling foretopman impressed from the merchantman Rights-of-Man into H.M.S. Indomitable. We meet Captain “Starry” Vere, an intellectual, self-contained commander, and the ship’s master-at-arms, John Claggart, whose covert antipathy toward Billy grows behind a courteous front. Early incidents show Billy’s natural goodness and naiveté—his effect as a peacemaker, his awe at shipboard discipline, and his failure to suspect malice—even as an old sailor (the Dansker) warns him that “Jemmy Legs” is “down on” him. Tension builds through small episodes: a soup-spilling scene with Claggart’s ambiguous compliment, petty harassments, and a secret nighttime approach by an afterguardsman hinting at a seditious “gang” and offering guineas—an overture Billy angrily rejects—while Claggart’s alternating smiles and hostile flashes suggest a deepening, mysterious enmity. (This is an automatically generated summary.)

Sämtliche Werke 19 : Die Erniedrigten und Beleidigten

Fyodor Dostoyevsky

"Sämtliche Werke 19 : Die Erniedrigten und Beleidigten" by Fyodor Dostoyevsky is a novel written in the mid-19th century. It unfolds as a Petersburg tale of love, pride, and humiliation, narrated by the young writer Ivan Petrovich as he looks back on a tragic year. The story centers on his bond with Natascha Ichmenyeva, her devoted but embattled parents, and their entanglement with the calculating Prince Valkovsky and his impressionable son Alyosha. Expect intimate psychology, social cruelty, and the aching vulnerability of people poised between tenderness and ruin. The opening of the novel follows Ivan’s search for a new room, his fascination with a decrepit old man and his ancient dog in a German confectionery, and a silent confrontation that ends with the dog’s sudden death and, moments later, the old man’s collapse and demise in a nearby alley. Ivan helps identify the man as Jeremias Smitt, finds his stark poverty, and then rents his cheap garret, framing his tale from a hospital bed as he prepares to recount the last, hardest year. He sketches his past: orphaned and raised with Natascha by the kind Ichmenyev family, idyllic childhood memories, and the rise and souring of their ties to Prince Valkovsky, including the prince’s biography, the banishment of Alyosha to the estate, slanders, a lawsuit, and the family’s move to Petersburg. He recalls his first literary success and a tender, tacit engagement with Natascha, before hinting that, a year later, he returns shattered, as if an unseen catastrophe has opened an abyss between them. (This is an automatically generated summary.)

The dialogues of Plato in five volumes, Vol. 2 (of 5) : Translated into English with analyses and introductions

Plato

"The dialogues of Plato in five volumes, Vol. 2 (of 5) : Translated into…." by B. Jowett is a scholarly translation and commentary written in the late 19th century. The volume presents English translations of several Platonic dialogues alongside analyses and introductions. Its focus is Socratic philosophy—questions of virtue, knowledge, justice, rhetoric, and the soul—designed to guide readers through both the texts and their philosophical stakes. The opening of the volume lays out editorial notes about formatting and sidenotes, a contents list (including Meno, Euthyphro, Apology, Crito, Phaedo, and Gorgias), and then turns to an extensive introduction to Meno. Jowett sketches the dialogue’s central question—whether virtue can be taught—showing how Socrates first demands a definition of virtue, dismantles Meno’s shifting answers, and contrasts “right opinion” with knowledge; he also previews the appearance of Anytus and the claim that statesmen act by inspired opinion rather than teachable knowledge. He introduces Plato’s theory of recollection and immortality as a response to the paradox of inquiry, and broadens the discussion with reflections on the ideas, their treatment across other dialogues, and comparisons with later philosophy. The text then begins Meno itself: Meno asks if virtue is teachable; Socrates insists they define virtue; Meno offers definitions (virtue by role, then power to rule, then desire and ability to obtain good), each of which Socrates refutes or shows to be circular. After Meno likens Socrates to a numbing torpedo, Socrates answers the inquiry-paradox by invoking recollection and demonstrates it with a slave-boy, who, through questioning, moves from confident error to recognizing his ignorance as a step toward learning. (This is an automatically generated summary.)

La marque des quatre

Arthur Conan Doyle

La marque des quatre by Arthur Conan Doyle is a detective novel written in the late 19th century. It follows Sherlock Holmes and Dr. Watson as they investigate Miss Mary Morstan’s troubling case involving her missing father, mysterious pearls sent annually, and whispers of a hidden treasure tied to soldiers from India. The opening of the novel presents Holmes’s restless intellect and cocaine use, his method of observation and deduction (demonstrated through a revealing analysis of Watson’s watch), and the arrival of Miss Morstan with her story: her father vanished years earlier, she has since received yearly rare pearls, and a new letter invites her to a secret meeting. Holmes and Watson accompany her to the rendezvous, are whisked through foggy London to Thaddeus Sholto, who recounts how his father, Major Sholto, concealed Captain Morstan’s sudden death during a quarrel about a trove from India, hid the treasure, feared a one‑legged man, and died amid a mysterious intrusion marked “The Sign of Four.” Thaddeus explains that his twin, Bartholomew, has just found the treasure in a concealed garret, and the group rushes to Pondicherry Lodge, where a wary gatekeeper and a distraught housekeeper deepen the unease. At the top of the house they find Bartholomew’s laboratory locked; through the keyhole they glimpse his ghastly, frozen face, and as Holmes and Watson break down the door, the scene of the first crisis comes into view. (This is an automatically generated summary.)

Le cas étrange du docteur Jekyll; Un logement pour la nuit

Robert Louise Stevenson

"Le cas étrange du docteur Jekyll; Un logement pour la nuit" by Stevenson is a collection of fiction written in the late 19th century. It pairs a Gothic investigation into the bond between the esteemed Dr. Jekyll and the menacing Mr. Hyde with an additional tale likely set in medieval Paris. The main thread follows lawyer Mr. Utterson as he probes the unsettling overlap between public respectability and hidden vice in Victorian London. The opening of the collection introduces Mr. Utterson, who hears Enfield’s story of a cruel, small man named Hyde using a key to a mysterious door and producing a dubious cheque linked to Dr. Jekyll. Troubled by Jekyll’s will that favors Hyde, Utterson seeks and confronts Hyde, confirms his access to Jekyll’s home, and soon learns of the savage murder of Sir Danvers Carew; Hyde disappears, while police find evidence in his Soho rooms. Jekyll disavows Hyde and shows a note, which Utterson’s clerk remarks resembles Jekyll’s handwriting; Lanyon then falls fatally ill after a secret rupture with Jekyll and dies, leaving a sealed packet, while Jekyll grows reclusive. The section ends as Poole, Jekyll’s servant, fearfully begs Utterson to come at once, implying something is terribly wrong behind the locked laboratory door. (This is an automatically generated summary.)

Kuvaton kuvakirja

H. C. (Hans Christian) Andersen

"Kuvaton kuvakirja" by H. C. Andersen is a collection of lyrical vignettes written in the mid-19th century. Framed as nightly visits from the Moon to a poor young painter, it presents brief, poetic scenes from around the world that he “paints” with words. The pieces dwell on love, sorrow, faith, art, and the small marvels of everyday life, with the Moon and the painter serving as a gentle guiding pair. The opening of this work introduces the lonely painter who finds companionship in the Moon and vows to record its nightly tales as a “picture book without pictures.” Night by night, the Moon shares swift, empathetic glimpses: an Indian girl sending a lamp down the Ganges for her beloved, a child seeking forgiveness from a chicken, a dying woman forced to the window, makeshift theaters and sharp-tongued critics, memories of revolution in Paris, Greenland dances and sea burial, the haunted grace of Pompeii and Venice, emigrants on the heath, a grieving clown, a chimney sweep exulting atop a roof, and quiet scenes of Rome’s ruins and desert caravans. These short sketches shift rapidly in place and tone, building a mosaic of human joy and grief as viewed from above. (This is an automatically generated summary.)