"Sydämen ääni : Romaani" by E. Temple Thurston is a novel written in the early 20th century. It follows Sally Bishop, a young London typist, as she navigates wearisome office life, unsettling attention from a confident stranger, and a safe but loveless proposal from a respectable suitor, with themes of independence, desire, and social respectability in a foggy, modern city. The opening of the novel sets a moody London evening where Sally, exhausted after overtime at Bonsfield & Co., is watched from the street by Jack Traill, who later follows her onto a tram and presses a bold, teasing conversation that ends with an offensive “ten-pound” bet and Sally’s abrupt exit at Knightsbridge. At her Hammersmith boarding house she spars gently with her practical, skeptical roommate Janet Hallard about work, marriage, and the compromises of the stage. That night the house’s rising banker, Arthur Montagu, takes Sally for a riverside walk and proposes, offering comfort and status; she admits no love, promises only to think, rebuffs his request for a kiss, and later prays, conflicted. The scene then shifts to Traill: after a perfunctory dinner he encounters a worn former acquaintance and brings her to his rooms for talk, where her hopes of a place in his life surface as she begins suggesting how she would “warm” his cold bachelor flat. (This is an automatically generated summary.)

"Three millions! : or, The way of the world" by Oliver Optic is a novel written in the late 19th century. It centers on Eugene Hungerford, a principled young New Englander suddenly enriched by his uncle’s immense fortune—on the condition that he marry and produce a son named John Hungerford—setting up a conflict between love, duty, and personal integrity. The story moves among Poppleton’s mills and harbor and the nearby islands, following Eugene’s feelings for Mary Kingman, the attentions of an ardent artist, Eliot Buckstone, and the counsel of his friend Dick Birch, as wealth collides with character and community. The opening of the novel recounts the rise and death of Baltimore magnate John Hungerford and the reading of his elaborate will: generous bequests to friends and charities, and the bulk—three million dollars—held in trust for nephew Eugene until age thirty, to be inherited outright only if he is married and father to a son named John; otherwise the estate is divided among family members and institutions. Eugene, his mother, and sister Julia return to Poppleton dazed by their new status, while Eugene wrestles with the idea of marriage on principle rather than for money, dreams of improving Pine Hill, and sketches modest philanthropic plans to build decent homes for the poor. His college friend Dick Birch arrives, becomes his adviser, and warns him not to let pride or the will’s “price” chill genuine love. Meanwhile, a marine painter, Eliot Buckstone, spots Mary Kingman adrift after losing her oars and swims out, but Eugene and Dick soon tow her safely in, leading to a visit at her family’s weathered house on The Great Bell. There, Eugene’s restraint and stiffness—born of his fear of seeming to buy love—leave Mary unassured, while the charming Buckstone shows keen interest, setting the stage for the social and romantic tensions to come. (This is an automatically generated summary.)

Jérôme 60° latitude nord by Maurice Bedel is a novel written in the early 20th century. It blends romantic comedy with satirical travel writing as a young French dramatist journeys to Norway to stage his play and falls for a forthright Norwegian student, Uni Hansen. Expect a witty clash of ideals and realities—Nordic landscapes and sports, Parisian myths, and theatrical ambitions—filtered through a hero whose imagination outruns the world around him. The opening of the novel follows Jérôme aboard a steamer from England, where his exuberant imagination turns every sight into legend and where he instantly falls for Uni, a cool, lively astronomy student. In Bergen he’s mobbed by journalists and miscast as a pundit on everything, then on the train to Christiania he finds Uni again and learns her cheerful companion is her brother, Axel. In the capital he becomes a minor celebrity, is whisked by Axel to meet his translator-mother, Clara Krag (a reformist, vegetarian novelist), and the good-humored Minister Krag, then confers with the theatre director about staging his play. A Sunday at Holmenkollen shows the brisk, sportive Norway of his dreams; amid playful skiing and a clumsy compliment that lands awkwardly, Jérôme’s infatuation deepens, even as a boisterous dinner with newspapermen leaves him thinking only of Uni. (This is an automatically generated summary.)

"Miss Primrose" by Agnes Giberne is a domestic novel written in the late 19th century. It follows capable, plain-spoken Pauline Ogilvie as she tries to steady her feckless father’s finances, find respectable work, and face the emotional crosscurrents stirred by the genial Leonard Rudge and the captivating Viola Primrose—while an old tie between her father and “Miss Primrose” complicates matters. Set between a quiet seaside town and London drawing rooms, the tale weighs duty, economy, and pride against the hazards of first impressions and romantic misreadings. The opening of the novel shows Pauline pressing her indecisive father to write an old friend for advice as their funds dwindle, while a kind fellow-lodger, Leonard Rudge, becomes part of their daily life and Pauline’s quiet hope. After weeks of delay, a postcard summons Pauline to London as a temporary companion, where she meets the sparkling Viola Primrose and learns that the “real” Miss Primrose is Viola’s aunt, Mrs. Palmer—her father’s former fiancée—now convalescent and wealthy. Rudge proves closely connected to them, and Viola’s impending marriage to him is treated as a given. Returning with them to the seaside for a brief visit, a cliffside picnic ends in danger when rockfall strikes; Pauline pushes Viola to safety and is herself injured, leaving the relationships and motives around her charged with new feeling. (This is an automatically generated summary.)

"Kun Kyöpelinkellot ne soivat : Yksinäytöksinen huvinäytelmä by Aadolf Luomanen" is a one-act comic stage play written in the early 20th century. The work lampoons village matchmaking, spinsterhood, and gender expectations, following a rural household’s lively name-day gathering where courtship schemes collide and resolve. The story centers on Kaisa, a capable but aging farmer’s daughter, her practical mother, a widower butcher who fancies her, and the simple, pliable bachelor Heikki. The butcher first teases Kaisa about spinsterhood and dangles Heikki as a suitor, while a gaggle of young guests arrives for Kaisa’s name day, flirting, joking, and trying folk divinations about marriage. Heikki shuffles in, awkward and hopeful. The butcher then tricks everyone outside with talk of a wondrous sky to get Kaisa alone, drops the ruse, and proposes sincerely; she accepts. When the others return, the engagement is announced, Heikki blusters in protest, and the evening ends in laughter, song, and a celebratory dance. (This is an automatically generated summary.)

"The lady's mile : a novel by M. E. Braddon" is a novel written in the mid-19th century. It is a society romance that pits love and artistic ambition against money and status, following struggling painter Philip Foley and his mercurial enchantress Florence Crawford alongside proud, impoverished Lady Cecil Chudleigh and the magnetic soldier Hector Gordon. Moving between fashionable London and a quiet Hampshire coast, it promises class tension, temptation, and tangled affections. The opening of the novel paints the glitter and envy of London’s Lady’s Mile, where young artist Philip Foley broods over his infatuation with the celebrated painter William Crawford’s coquettish daughter, Florence, while swapping cynical talk with his novelist friend Sigismund Smythe. We learn Philip’s history—his talent, hard apprenticeship, and precarious living—alongside Florence’s charm and worldliness. The scene then shifts to Lady Cecil, a dignified but destitute earl’s daughter serving as companion to her sharp-tongued aunt, Mrs. MacClaverhouse, whose life revolves around careful economies and social calculation. A restorative seaside stay at Fortinbras brings Cecil unexpected brightness: the return of her aunt’s adored nephew, Captain Hector Gordon, a generous, accomplished officer who instantly wins Cecil’s esteem. Their easy companionship grows through readings, drives, and picnics, while the aunt quietly schemes for a match and finally confronts Cecil, who denies any engagement or promise. The section closes with this tension unresolved, as an outing is about to begin and feelings remain unspoken. (This is an automatically generated summary.)

"Ruhtinatar Aurore (»Königsmark»)" by Pierre Benoît is a novel written in the early 20th century. It follows the French officer-scholar Raoul Vignerte, who becomes tutor to a German prince at the court of Lautenburg-Detmold on the eve of the Great War and is drawn into perilous palace intrigues around the elusive Grand Duchess Aurore and the calculating Grand Duke Friedrich‑August. Framed by a soldier’s recollection at the front, the story promises a blend of romance, espionage, and political mystery within a haunted German court. The opening of the novel places a French company in a bleak frontline sector in 1914, where the narrator and Lieutenant Raoul Vignerte settle their men, encounter a dead German from the 182nd Regiment, and the name “Lautenburg” visibly disturbs Vignerte. In a dugout that night, after forced card play and a silent patrol past fresh graves, Vignerte begins his confession. His backstory shifts to 1913 Paris: a stalled academic career, a chance meeting with a well-connected acquaintance who steers him toward a lucrative post tutoring the young Joachim at the Lautenburg-Detmold court, and a cautioned interview with Professor Thierry, who hints at troubling deaths, unusual succession, and the dangerous character of Grand Duke Friedrich‑August. Vignerte then secures the position from the French envoy de Marçais—complete with funds and instructions, even a test in recitation for the poetry-loving Grand Duchess—while Thierry offers sober teaching advice, and departure for the German court becomes imminent. (This is an automatically generated summary.)

"The glad lady" by Amy Ella Blanchard is a novel written in the early 20th century. Set in northern Spain, it follows spirited American Patience “Patty” Blake, her sister Doña Martina, and their Spanish family and friends as they spend a summer in Asturias. Through fiestas, village customs, seaside rambles, and visits to ancient houses, the tale mixes travel color, gentle romance, and cross‑cultural comedy—especially around Patty’s flirtatious banter with Don Tomás and a homesick American engineer, Robert Lisle. It promises a warm, picturesque story of manners, friendship, and light-hearted intrigue rather than high drama. At the start of the story, a small party gathers in San Sebastián: Dr. Juan Estradas and his American wife Martina, his brother Tomás, and Martina’s sister Patty with her schoolmate Paulette. Patty’s teasing charm and halting Spanish lead Tomás to dub her “the glad lady,” and the group moves on to a mountain town, where a clean but primitive inn, the lively plaza, and village routines set the scene. They visit a peasant weaver and a venerable old house, stroll to a cave-fringed beach, and lunch in style at Don Felipe’s antiquity-filled palacio, leaving with souvenir cups and later bouquets. A reserved traveler reappears as Robert Lisle, an American with Kentucky roots, who bonds with Patty over homesickness. The party then settles into the Estrada family home, and St. John’s Eve and Day bring local traditions: decking streams and the fountain with flowers, villagers bringing gifts—including a lamb from Perdita—and preparations for music and dancing as the community arrives singing a song in honor of Don Juan. (This is an automatically generated summary.)

"Niin kävi kuin pitikin : Yksinäytöksinen näytelmä by Emmi Haapanen is a one-act stage play written in the early 20th century. Set in a rural Finnish household around a harvest work party, it portrays the clash between parental ambition and youthful choice, as village gossip, greed, and questions of honesty mount toward a public reckoning. Karilan isäntä schemes to marry his daughter Lissu to the newly rich Värälän Venni, whose money he hopes to harness for a mill and saw venture, while Lissu loves the modest Patolan Kusti. Despite the mother’s cautions and Lautamies Lieto’s misgivings, the father pushes ahead until the harvest dance exposes everything: Venni’s arrogance meets Lissu’s firm refusal, and the police arrive to arrest Venni for stealing the Patola family’s inheritance. With Venni unmasked, Lieto urges the father to save the family’s honor by blessing Lissu and Kusti. After bluster and hesitation, the father yields, the true couple’s engagement is announced, and the household’s peace is restored—just as the title promises. (This is an automatically generated summary.)

"The dryad : a novel" by Justin H. McCarthy is a novel written in the early 20th century. Set amid medieval Frankish-ruled Greece, it weaves chivalric romance with lingering Greek pagan enchantment as a rough soldier of fortune, a high-minded young prince, and an immortal forest nymph collide. The likely focus is on the clash between cynicism and idealism, the endurance of the old gods’ magic, and a perilous love between mortal and immortal, chiefly through Simon of Rouen, Rainouart of the Rock, and the dryad Argathona. The opening of the novel follows Simon of Rouen into the Eleusinian wood, where his coarse wit, empty purse, and misanthropic “lantern for honesty” contrast sharply with a young knight he meets reading the Romance of the Rose. After spitefully directing lurking thieves toward the knight, Simon naps and wakes to Argathona, a dryad who claims ancient lineage and effortless strength, rebuffing his clumsy advances and compelling him to aid the ambushed rider. She races him to the scene, summons a terror-storm to scatter the robbers, and tends the wounded youth—Rainouart—whose life and vigor revive under her touch. As Simon fetches water, Argathona and Rainouart exchange tender words that flower into first love; he offers lifelong devotion, even to dwell in the forest, while she, bound to the greenwood, hesitates and goes to seek a healing herb. Meanwhile, Simon returns unseen, spies on their meeting, steals the knight’s cherished book, and, torn between envy and pity, toys with darker thoughts over the helpless rival. (This is an automatically generated summary.)

"Lemun rannalla : Laulunäytelmä kahdessa kuvaelmassa by Karl Rosendahl" is a musical stage play (a song-play in two tableaux) written in the late 19th century. Set against memories of the Finnish War of the early 1800s, it blends romance and patriotic remembrance on the old battlefield of Lemu, focusing on love, filial duty, and the redemptive power of identity and gratitude. The story follows Alma, a major’s daughter, who loves the student Akseli despite her stern veteran father, Major Ridderstjerna. A one‑legged ex-corporal, Modig, delivers Akseli’s letter and heads to Lemu to honor fallen comrades; Alma mistakenly gives him Akseli’s engraved ring. The major insists on going to Lemu as well, and Akseli, in disguise as a coachman, drives father and daughter there. On the battlefield, Modig’s memories and the ring trigger revelations: Akseli is Modig’s long-lost son, saved in infancy after his mother drowned, and the major is the officer whose life Modig once saved in battle. Joyful recognition follows, the major invites Modig to share his home, and he blesses Alma and Akseli’s union as a chorus celebrates fate, love, and comradeship. (This is an automatically generated summary.)

"The wooing of Rosamond Fayre" by Berta Ruck is a novel written in the early 20th century. It’s a light, witty romance about love set in motion by misdirected letters and mistaken identity, moving from an English country house to a French seaside village on the eve of war. The story centers on capable, charming Rosamond Fayre, dutiful philanthropist Eleanor Urquhart, and Eleanor’s adventurous cousin and fiancé, Ted Urquhart, whose courtship-by-post takes an unexpected turn. At the start of the story, Rosamond, hired as Eleanor’s secretary at Urquhart’s Court, is asked to write Eleanor’s weekly letters to Ted abroad—and even to sign them—despite her misgivings. Her first carefully neutral note, scented by slipped-in rose petals, prompts Ted’s intrigued reply and, soon after, an impulsive, unannounced return to England. Finding Eleanor away at a French Holiday Hostel for working girls (with Rosamond temporarily in charge), he travels there incognito, rescues two of the girls from a cliff mishap with Rosamond’s help, and—mistaking Rosamond for his fiancée—becomes instantly fascinated. Invited to tea at the Hostel, he withholds his name while Pansy, a flamboyant “Principal Boy,” leads the chatter; the scene ends with Ted plotting to continue his anonymous wooing of the woman he believes is Eleanor. (This is an automatically generated summary.)

"The Girls at His Billet" by Berta Ruck is a novel written in the early 20th century. Set on England’s east coast during wartime, it blends romantic comedy and home-front life as three spirited sisters under a strict aunt find their dull village transformed by an army training camp and the arrival of a billeted young officer. Narrated by the sharp-tongued youngest sister, the story promises flirtations, clashes, and shifting loyalties as khaki invades their “hen-party” household. The opening of the novel follows Elizabeth (“Rattle”), her sisters Evelyn and Nancy, and their aunt in the dreary village of “Mud Flats” as news arrives that troops will be billeted locally. Rattle cleverly maneuvers her aunt into accepting an officer, and after much excited preparation and card-fortune “omens,” Second-Lieutenant Frank Lascelles turns up early, overhears Rattle’s cheeky “Billet Boy” talk, and sparks instant mutual antagonism—though he charms everyone else. Daily life fills with training scenes, ration details, and his irrepressible presence, while a tall, quiet officer named Curtis and another, Masters, are invited to a small supper. After a brief sisterly truce, Rattle finds a “new interest”: secretly answering a newspaper ad from a “Lonely and Unpopular Subaltern,” penning a candid, sympathetic letter that hints at her own isolation and sets up a parallel thread to the household’s khaki tensions. (This is an automatically generated summary.)

"Lempeä ja lemmen leikkiä : Yksinäytöksinen kuvaus by J. Maanpää is a one-act stage play written in the early 20th century. Set in a Finnish manor’s garden, it is a light romantic comedy of manners that satirizes flirtation, jealousy, and social pretension, contrasting sincere affection with cynical game-playing. At Hongisto manor, the jovial landlord Alppi, his wife, their daughter Dagmar, and visiting youth orbit one another in a summer tangle. Shy feelings bloom between Siiri Auer and student Valto Helavuori, while Dagmar’s fiancé, the vain Engelbert Blom, tries to unsettle them by hinting at Valto’s supposed city romance and a telltale “red” letter—later revealed to be harmless. Engelbert’s caddish side is exposed when he flirts with the maid Kerttu and is called out by her sweetheart Jussi. After a comic interlude with the bumbling Setä-Fridolf, tempers flare: Hongisto rebukes Engelbert, who responds with brazen cynicism about love; Dagmar throws him back his ring and breaks the engagement. The play closes with Dagmar consoled by family, and Siiri and Valto openly affirming their mutual love. (This is an automatically generated summary.)

"Slighted love : or, At her heart's expense" by Mrs. Alex. McVeigh Miller is a novel written in the late 19th century. It follows Italy Vale, a striking young woman determined to clear her mother’s name after her father’s murder, as she enters her wealthy kinsman’s New England home and confronts old scandals, dangerous secrets, and fraught romances. The story weaves melodrama and mystery around inheritance, social stigma, and the hazards of love, with key figures including the reserved heir Francis Murray, the charming Percy Seabright, and the volatile Mrs. Dunn. The opening of the story reveals Italy’s mother confessing that Italy’s father was murdered and that she herself was tried and acquitted, yet condemned by public opinion; years later, after her mother’s death, Italy goes to Francis Murray’s seaside estate, The Lodge, suspecting him because he benefited from the entail. Tension rises as Italy somnambulates into his library in search of her father’s missing diary, Francis confronts her motives, and she flees to Boston to seek her mother’s old lawyer. There she is deceived by a clerk, Craig Severn, lured to a private house, and nearly assaulted before a mysterious shot kills him; found later walking in her sleep, she is retrieved by Francis and brought back. She meets Percy Seabright—her father’s friend—and faints; newspapers soon report Severn’s body found with a bullet wound. Emmett Harlow gently courts Italy and is refused, while jealous Alys Audenreid and her aunt Mrs. Dunn bristle; during a yacht outing Italy is pushed overboard, rescued by Ralph Allen and Francis, and Mrs. Dunn spitefully accuses Emmett before Francis quells the charge. These chapters set the central quest—finding the truth behind the murder and the missing diary—amid simmering jealousy, peril, and uncertain loyalties. (This is an automatically generated summary.)

"Olimpia; ossia, L'orfana della Selleide: romanzo" by Adolfo Mezzanotte is a novel written in the early 19th century. Set among the Suliote mountains of Epirus, it blends historical melodrama and romantic feeling, following the orphan Olimpia, her eremitic uncle Atanasio, and the young warrior Demetrio against the backdrop of Greek resistance to Ottoman rule. Themes of liberty, piety, and love intertwine as a tender attachment grows between Olimpia and Demetrio amid communal battle, devotion, and loss. The opening of the novel evokes the Suliotes’ stubborn freedom, then narrows to Olimpia’s origins: her father Alessio is disgraced for a retreat, dies in illness, and her mother Evantìa perishes giving birth, leaving the child to the care of the hermit-uncle Atanasio. Olimpia grows in a cliffside hermitage, charitable and devout. As Ali Pasha attacks, Demetrio leads a daring counterstrike that routs the Turks; during the victory rites he and Olimpia fall in love at first sight. Their separation breeds lovesickness until a chance encounter in the forest, a shy flight, a letter left by the spring, and Atanasio’s blessing bring them together, with marriage planned for the spring festival of roses. A sudden storm then claims Atanasio’s life in a torrent; after retrieving his body and burying him, the lovers vow to wed as he wished, and Olimpia goes under the protection of Demetrio’s kind mother Eutimia. (This is an automatically generated summary.)

"The way of a man: a story of the new woman" by Thomas Dixon Jr. is a novel written in the early 20th century. It follows Ellen West, a brilliant New York feminist editor whose attacks on marriage and advocacy of female independence collide with the allure of love and power as she attracts the author Randolph Field, the millionaire Edwin Brown, and the young journalist Ralph Manning. The book probes the clash between the New Woman’s ideals—sexual, economic, and spiritual autonomy—and the old order’s claims of romance, marriage, and possession. The opening of the novel finds Ellen hosting a triumphant Fifth Avenue reception after her election as a reform club’s president, where her manifesto against marriage and for “sex freedom” sets the tone. Field, her realist neighbor, confesses love on the roof and is coolly refused. Brown arrives uninvited; in a candid rooftop interview he first offers a lavish “free alliance,” then marriage, and is rejected on both counts. Ellen is then unexpectedly smitten with Manning, her friend’s Southern nephew, whose earnest ambition and freshness disarm her skepticism. As they meet nightly, she falls hard, while he wins a newspaper post and returns with a ring fashioned from his mother’s earrings, proposing ardently on the starlit roof. She reciprocates his love but refuses marriage on principle, arguing for a free, self-directed union, and their debate over love, freedom, and the “home” swells into a tense impasse as the opening section ends. (This is an automatically generated summary.)

"Pig iron : Short stories by Dudrea Parker" is a collection of short stories written in the early 20th century. The book turns on love, temptation, conscience, and the costs of choice, following characters who collide with desire and duty in modern American life. In An Ephemeral Love, Baltimore lumberman Walter Gary risks everything on a clever shipping plan, wins prosperity, and plans to marry Betty, who is simultaneously drawn to the magnetic Jack; on the brink of betrayal, the influenza epidemic claims Walter, and Betty, seared by loss, renounces her infatuation and holds fast to his memory. The White Petal shifts to a gothic rescue: John Constable returns to find young Ellen, daughter of his lost friends, imprisoned by her predatory uncle Albert, escapes with her through the night after a chilling “thirteenth” stroke of the clock, and witnesses Albert’s self-destruction; Constable becomes her guardian, and their bond blossoms into love. The Reporter follows a novice journalist who intrudes on Professor Symonds after his wife’s elopement ends in double tragedy; moved by his candor and pain, she refuses to exploit the scandal, and their shared integrity leads to a tender, restorative marriage. Across the three tales, Parker traces how crisis burns away illusion, revealing character, compassion, and the possibility of redeemed love. (This is an automatically generated summary.)

"Maid Margaret of Galloway : The life story of her whom four centuries have…." by S. R. Crockett is a historical novel written in the early 20th century. Told as the spirited first-person memoir of the “Fair Maid of Galloway,” it blends romance and clan politics with Franco-Scottish history in the era of the Douglases and the Dauphin of France. The tale centers on Margaret Douglas, her formidable cousin and intended, William Douglas, his dazzling brother James, and their friend Abbot Laurence M‘Kim, moving between a Touraine convent, a Loire-side château, and the larger struggle for power in Scotland. Expect courtly fêtes, tourneys, and intrigue threaded with a sharp, lively female voice. The opening of the novel frames Margaret’s narrative as “found papers,” then plunges into her witty account of hating life in a strict convent at Cheverney until Abbot Laurence arrives with a papal Bull to fetch her for a marriage to her cousin, William Douglas. Whisked to Cour Cheverney under the patronage of Sieur Paul, she tastes freedom, flirts, spars verbally with the future Louis XI (the Dauphin) in disguise, and needles both the grave William and the showy James. A lively sequence features her attempted escape toward Amboise, a triumphant tourney where James wins the prize, and William’s quiet, unexpected arrival as a masked combatant—only to be denied a kiss. At the start of their true courtship, William walks with her by a stream and candidly declares both his love and his grand design: to rule Scotland in fact, if not in name, avenge past wrongs, and bring law and order as the power behind the throne. (This is an automatically generated summary.)

"Ikuinen rakastaja" by Edgar Rice Burroughs is a novel written in the early 20th century. It entwines prehistoric adventure with colonial‑era African romance as a Stone Age hunter and a modern woman become mysteriously linked across time. The story centers on the caveman Nu and the fearless Victoria Custer (with her brother Barney), alongside Lord and Lady Greystoke in the African frame. Expect swift hunts, peril, and a simmering cross‑time love thread. The opening of the story follows Nu, a prehistoric hunter who slays a sabertooth to win his beloved Nat‑ul, only to be trapped by a cataclysmic quake in the beast’s cave. The scene shifts to Africa, where Victoria Custer, visiting the Greystokes, reveals an intense fear of earthquakes and recurring dreams of a powerful, ancient lover; when William Curtiss proposes, a sudden tremor interrupts and she faints. After the quake, a sealed mountain cave bursts open and Nu awakens into a changed world, emerging with his spear and the trophy head, repairing his weapon, and killing a zebra. A hunting party (including Greystoke) finds the kill and deduces a human spearman at work, while Nu shadows them to the bungalow, fascinated by these strange people and drawn by an elusive, alluring scent. (This is an automatically generated summary.)