"The life-eater by Harold Ward" is a pulp horror short story written in the early 20th century. Set in a Louisiana swamp village, it centers on a mysterious, vitality-sucking wraith and the occult struggle to banish it. In the village of La Foubelle, people die at night, their bodies shriveled as if drained of life. Doctor Hugo Lamontaine, a hard-drinking physician with deep occult knowledge, deduces that a malignant elemental has been conjured into the world through a human medium. Suspicion falls on the sinister Aaron Kronk, whose hypnotic power and stealthy visits coincide with fresh deaths. To save schoolmaster Noel Pelletier’s beloved Evelyn, Lamontaine uses the ailing dominie as bait, wards the room with iron, and battles the wraith with an iron pentagon, dispersing it at last. Kronk attacks and flees into the swamp, and Lamontaine later uncovers his motive: to terrorize the townsfolk into abandoning their homes so he can profit from draining the swamp. With the entity dispersed and the plot exposed, Evelyn is spared and the plague ends. (This is an automatically generated summary.)

"Kertomuksia I" by Josefina Wettergrund is a collection of short stories written in the late 19th century. The tales skewer everyday vanity and thrift with warm, witty satire, focusing on middle-class domestic life and romantic illusions. Early standouts feature the penny-pinching Aunt Sofie-Beate and, in a separate tale, the calculating Serafia Mese, her marriage-minded daughter Lukretia, and their kind, capable cousin Frida. The opening of Kertomuksia I first follows Aunt Sofie-Beate, who vows to “have some fun” on May Day, only to suffer a farcical carriage fiasco and a mortifying Stockholm visit where she overhears her chic hosts mocking her; she confronts them, departs in dignity, and returns home chastened yet kinder to her niece. The next story begins with Serafia plotting a seaside spa campaign to secure a husband for the aging Lukretia, while the good-natured Captain Fabian and industrious Frida keep house. At the spa, the flashy von Stehlen flatters Lukretia with flowers and flowery talk, stoking marriage hopes, as his “majorska” cousin circulates alongside. Meanwhile back home, Fabian leases the farm to the honorable Lieutenant Roos, who quietly falls for Frida and wins her promise, setting up a sharp contrast between sincere affection and glittering pretension. (This is an automatically generated summary.)

"Hänen viimeinen tervehdyksensä: Muutamia muistelmia Sherlock Holmesista" by Arthur Conan Doyle is a collection published in 1917. This anthology gathers previously published Sherlock Holmes stories, including the titular tale about Holmes' wartime service. The collection features a preface by Dr. Watson assuring readers that the great detective, though long retired and suffering from rheumatism, remains alive and well. Eight cases spanning from 1893 to 1917 showcase Holmes' investigative brilliance across mysterious disappearances, espionage plots, and deadly conspiracies. (This is an automatically generated summary.)

"Hawaiian idylls of love and death" by Herbert H. Gowen is a collection of historical legends and tales written in the early 20th century. The work romanticizes episodes from Hawaiian history and myth—especially around Kamehameha I—blending warfare, politics, and the supernatural with intimate stories of lovers and chiefs under the gaze of gods like Pele. The opening of the book first sketches a vivid, admiring portrait of Kamehameha I—his unification of the islands, strategic patience, and ability to choose capable allies—before launching into linked legends and vignettes. Early stories include the deadly cult of the poison goddess Kalaipahoa and the fatal quest to carve her idol; the theft and recovery of Kiha’s magic war conch; the Puna fisherman whose stand with a splintered paddle leads Kamehameha to protect noncombatants; and the downfall of Oahu’s slandered priest Kaopulupulu as Kahekili seizes the island. Love and divinity entwine as Keala’s fidelity outlasts a cruel priest and even invokes Pele, while a catastrophic eruption at Kilauea signals the fire goddess’s favor toward Kamehameha and foreshadows Keoua’s doom; a poignant episode follows in which Kalanikapule spares two lovers who nearly reach a city of refuge. The section closes as “Sweet Leilehua” begins, with Oahu bracing for Kamehameha’s approaching invasion. (This is an automatically generated summary.)

"Morgue kadun kauhu" by Edgar Allan Poe is a short story published in 1841. In Paris, two women are found brutally murdered in a locked room—one with her throat cut, the other strangled and stuffed up a chimney. Witnesses heard two voices but cannot agree on the language spoken. Amateur detective C. Auguste Dupin investigates the baffling crime, discovering clues that suggest something shocking: the killer may not be human at all. (This is an automatically generated summary.)

"Missing men by Vincent Starrett" is a detective short story written in the early 20th century. It follows the cool-headed sleuth Lavender as he probes a spate of puzzling disappearances in Chicago. The likely topic is a web of vanishing men tied to the theatre, stage identities, and a family secret that has been carefully hidden. When a picture broker named Peter Vanderdonck, a popular comedian named Charles Merritt, and finally the wealthy Cyril Minor all seem to vanish, Lavender pieces together odd clues: a nearly unused office, greasepaint traces at a washstand, a safe, and a newspaper note about actress Sidney Kane. He deduces that Merritt and Vanderdonck are the same person—and then that Minor is both of them, living a double (and triple) life to avoid publicity while secretly reunited with his former wife, Sidney Kane. A suspicious telegram signed “Father” instead of “Dad” sends Lavender and Minor’s daughter, Shirley, to Kane’s suburban home, where the truth emerges: Kane is Shirley’s mother; she and Minor have remarried, and Minor—struck ill—has been convalescing there under the cover story of an “invalid brother.” The disappearances are thus revealed as a theatrical masquerade rather than crime, ending in a family reconciliation. (This is an automatically generated summary.)

"A jázminok illata" by Ernő Szép is a collection of short stories written in the early 20th century. Lyrical, impressionistic, and deeply humane, it sketches Hungarian small-town and city life through fleeting encounters, secret romances, and sharp portraits of ordinary people. Themes of yearning, transience, and the ache of beauty run through scenes of promenades, church gardens, bridges, bodegas, and shops, seen through sensitive outsiders and restless hearts. The opening of this collection moves from a dissolving evening promenade into a jasmine-scented church garden, where a lanky young man meets the volatile Piroska for a breathless, anxious exchange about escape, dread, and desire before she bolts into the dark. It then shifts to a first-person meditation on a bridge at dusk, observing passersby and spiraling into reflections on anonymity, compassion, memory, and the pull of infinity. Next comes the vignette of Szoboszlai Gábor, a staggering horse-dealer who declares his own name as he haggles and laments on conscription day. A tobacco-shop scene follows, with Nelli humming a wistful tune as she tends the small trade, thinks of a vanished correspondent-soldier, and quietly fights back tears. The section closes with two drunks arriving at a bodega before dawn, their clumsy gallantry and soda-water farce providing a rueful comic coda. (This is an automatically generated summary.)

"The adventures of Heine" by Edgar Wallace is a collection of espionage stories written in the early 20th century. The narrative follows Heine, a boastful German secret agent, as he recounts his wartime exploits in Britain with sardonic humor and self-aggrandizing flair. Expect sly reversals, covert schemes, and satirical portraits of both spies and the supposed “enemy,” all filtered through Heine’s unreliable bravado. The opening of the narrative finds Heine reassigned from New York to London at the outbreak of war, where he quickly deploys agents using quirky identifiers and basks in his own cleverness. His star operative, Alexander Koos, courts a Woolwich engineer’s daughter for armament secrets but is outplayed by a young woman from British Intelligence and executed, forcing Heine to flee to Scotland. There, a supposed ally on a Highland hill proves to be a Swiss forger; Heine escapes while his colleague is arrested. Shifted to industrial propaganda in Manchester, Heine funds a fiery labor agitator, targets a chemical firm’s secret grenade plans, and clashes with the enigmatic Miss Harrymore—stealing a march on her by denouncing her as a German spy—only to learn she was actually a German agent, leaving him to spin a face-saving report as the section closes with mention of another captured operative and the introduction of Mister Haynes. (This is an automatically generated summary.)

"The black kiss by Robert Bloch and Henry Kuttner" is a horror short story written in the early 20th century. Set on the California coast, it follows an artist haunted by planned, escalating sea-dreams tied to an ancestral legend, drawing him toward a supernatural act of possession. An artist, Graham Dean, inherits an old San Pedro house once occupied by Morella Godolfo, a figure of sinister local legend said to consort with unearthly sea-dwellers. As Graham’s seascape dreams intensify into vivid visions of green depths and shadowy swimmers, he learns from an occult-wise ally, Doctor Yamada, that such beings can steal human bodies through a kiss, and that Morella herself was once a sea-thing inhabiting a human shell. Lured to a coastal cave, Graham is kissed again and finds his mind trapped in the pale, scaly body of the creature, while his human body is taken by Morella. After swimming with the monsters to a wreck and witnessing their predation on drowning men, he returns to the cave, confronts his stolen human form, and restrains it as Yamada and Graham’s uncle arrive. In a final act of self-sacrifice, Graham ensures the sea-creature in his body cannot escape, dying as Yamada fires and as he himself delivers a fatal bite, breaking the possession and atoning for the black kiss. (This is an automatically generated summary.)

Ihinen ja peto by Samuel Scoville is a collection of animal adventure stories written in the early 20th century. Set largely in southern Africa, it blends vivid natural-history detail with fast-paced, often perilous encounters between predators, prey, and people. The tales spotlight cunning, survival, and the uneasy ties between the wild and the human world, featuring memorable figures like a bold jackal and a devoted baboon alongside frontier railwaymen and hunters. The opening of the work first follows Punainen Rooi, a red-backed jackal who kills a deadly viper, feeds and trains his litter, escapes a hunters’ raid with a clever earth-burrow trick, and graduates from small antelope hunts to shadowing a black-maned lion for scraps—outwitting the big cat until he astonishingly slays a massive rock python with a precise neck bite, winning a wary female’s respect. The narrative then shifts to a frame told by Red Swope, who recounts a vast troop of baboons braving a flood; he rescues an abandoned infant, Jok, which an amputee stationman, Jim Tully, raises and trains to run signals and chores with uncanny skill and strength. After defending Jim and becoming his constant companion, Jok vanishes into the bush carrying Jim’s body when the old man dies suddenly, leaving the new stationmaster sensing the unseen presence around the siding. The section closes with the station bracing for a late-night special, the atmosphere tense and expectant. (This is an automatically generated summary.)

"Le cas étrange du docteur Jekyll; Un logement pour la nuit" by Stevenson is a collection of fiction written in the late 19th century. It pairs a Gothic investigation into the bond between the esteemed Dr. Jekyll and the menacing Mr. Hyde with an additional tale likely set in medieval Paris. The main thread follows lawyer Mr. Utterson as he probes the unsettling overlap between public respectability and hidden vice in Victorian London. The opening of the collection introduces Mr. Utterson, who hears Enfield’s story of a cruel, small man named Hyde using a key to a mysterious door and producing a dubious cheque linked to Dr. Jekyll. Troubled by Jekyll’s will that favors Hyde, Utterson seeks and confronts Hyde, confirms his access to Jekyll’s home, and soon learns of the savage murder of Sir Danvers Carew; Hyde disappears, while police find evidence in his Soho rooms. Jekyll disavows Hyde and shows a note, which Utterson’s clerk remarks resembles Jekyll’s handwriting; Lanyon then falls fatally ill after a secret rupture with Jekyll and dies, leaving a sealed packet, while Jekyll grows reclusive. The section ends as Poole, Jekyll’s servant, fearfully begs Utterson to come at once, implying something is terribly wrong behind the locked laboratory door. (This is an automatically generated summary.)

"Fairy dreams; or, Wanderings in Elf-land" by Jane G. Austin is a collection of fairy tales written in the mid-19th century. The tales weave quests, enchantments, and nature spirits into moral, gently romantic adventures, following characters like Prince Rudolf, Mabel the charcoal-burner’s daughter, the solitary Ernest, and the picture-dreaming Claude as they seek love, truth, and wonder. The opening of the collection presents four standalone stories. In Prince Rudolf’s adventure, a sage equips him with a pure veil and a diamond-tipped spear to test enchanted “flower” maidens; false splendor (tulip, cactus, lily) collapses under the veil, until the true rose maiden, revealed and awakened by the spear, becomes his companion. König Tolv’s Bride follows Mabel of the Hartz mountains, whose midsummer-night yearning leads to a supposed elf-king; with a hermit’s blessing the “king” proves a noble count, and she weds into a loving human home as her grim father vanishes. The Gray Cat and the Cave of the Winds tells of Ernest, who shelters a gray cat that transforms at midnight into Princess Phelia; he steals a magic flute from the Four Winds, lulls gnomes, recovers her stolen crown, and restores her, winning her hand. At the start of The Frost-Maiden, Claude grows up entranced by winter’s window pictures of a distant palace and a lone girl beneath a fir; as a man he ranges the world toward the far north, determined to reach the Frost-King’s realm, where the excerpt breaks with him stepping into the deadly cold in pursuit of his vision. (This is an automatically generated summary.)

"Kuvaton kuvakirja" by H. C. Andersen is a collection of lyrical vignettes written in the mid-19th century. Framed as nightly visits from the Moon to a poor young painter, it presents brief, poetic scenes from around the world that he “paints” with words. The pieces dwell on love, sorrow, faith, art, and the small marvels of everyday life, with the Moon and the painter serving as a gentle guiding pair. The opening of this work introduces the lonely painter who finds companionship in the Moon and vows to record its nightly tales as a “picture book without pictures.” Night by night, the Moon shares swift, empathetic glimpses: an Indian girl sending a lamp down the Ganges for her beloved, a child seeking forgiveness from a chicken, a dying woman forced to the window, makeshift theaters and sharp-tongued critics, memories of revolution in Paris, Greenland dances and sea burial, the haunted grace of Pompeii and Venice, emigrants on the heath, a grieving clown, a chimney sweep exulting atop a roof, and quiet scenes of Rome’s ruins and desert caravans. These short sketches shift rapidly in place and tone, building a mosaic of human joy and grief as viewed from above. (This is an automatically generated summary.)

"Pig iron : Short stories by Dudrea Parker" is a collection of short stories written in the early 20th century. The book turns on love, temptation, conscience, and the costs of choice, following characters who collide with desire and duty in modern American life. In An Ephemeral Love, Baltimore lumberman Walter Gary risks everything on a clever shipping plan, wins prosperity, and plans to marry Betty, who is simultaneously drawn to the magnetic Jack; on the brink of betrayal, the influenza epidemic claims Walter, and Betty, seared by loss, renounces her infatuation and holds fast to his memory. The White Petal shifts to a gothic rescue: John Constable returns to find young Ellen, daughter of his lost friends, imprisoned by her predatory uncle Albert, escapes with her through the night after a chilling “thirteenth” stroke of the clock, and witnesses Albert’s self-destruction; Constable becomes her guardian, and their bond blossoms into love. The Reporter follows a novice journalist who intrudes on Professor Symonds after his wife’s elopement ends in double tragedy; moved by his candor and pain, she refuses to exploit the scandal, and their shared integrity leads to a tender, restorative marriage. Across the three tales, Parker traces how crisis burns away illusion, revealing character, compassion, and the possibility of redeemed love. (This is an automatically generated summary.)

"Väärään hautaan : Hiljaisia kertomuksia" by Lauri Henrik Pohjanpää is a collection of short stories written in the early 20th century. The book offers quiet, intimate portraits of Finnish life where ordinary people confront faith, conscience, guilt, and mortality. Its vignettes follow figures such as a fiercely orthodox churchwoman, a guilt-burdened blacksmith, a dying grandmother, a fading old pastor, a despairing city clerk, and an idealistic antique dealer. The opening of the book sketches several standalone tales. Kirkko-Mari, a devout seamstress, polices Lutheran orthodoxy from her church pew, interrogates visiting preachers, tends her own future grave, and spends Sundays in catechism and prayer. In Ruissäkki, the blacksmith Veeri secretly keeps a sack of rye in lean times and endures decades of corrosive guilt until a dramatic accident—his wife’s failed gunshot and stroke—shocks him into paying the debt and finding release. Suontaan Miinan salaisuus shows a dying grandmother who, urged by a radiant vision, musters her last strength to hätäkaste (emergency-baptize) her grandson Esko despite her hostile daughter-in-law. Unta portrays an elderly rovasti drifting in memory and childlike care, tenderly shepherded by family, longing only for his mother as they wheel him on a small, happy “journey.” Risti follows a man, ruined by an official call and bent on suicide, who stumbles into a Holy Week service; the words “And he bore his cross” kindle a conversion to suffer and live rather than die. Finally, the title story begins with Heikki Hiekkanen, an antique dealer, mistakenly buried in a common grave—an emblem of his lonely, misplaced life. (This is an automatically generated summary.)

"They return at evening : A book of ghost stories" by Herbert Russell Wakefield is a collection of ghost stories written in the early 20th century. It showcases unnerving hauntings and moral aftershocks in English settings, following figures such as a reclusive baronet, a steadfast butler, and a clear-eyed barrister drawn into occult trouble. Expect poised, civilized surfaces steadily eroded by guilt, menace, and the uncanny. The opening of the collection presents three intertwined moods of dread. First, a country gentleman coolly recounts a toxic marriage that ends in a fatal “accident,” then marries a kindred soul only to be harried by voices, broadcasts, and apparitions that drive him toward a guarded confession to the coroner for his new wife’s sake. Next, a homeowner interviews a butler once suspected of murder, who tells how a ruthless squire’s killing of a poacher’s dog unleashed a piercing nocturnal “Sound” and an unseen hound that stalked its victim until a death the inquest could not explain. Finally, a celebrated barrister meets an old friend whose frayed nerves led him to a mesmeric occultist; after seductions, forgery, and a rebuffed club nomination, the occultist sends a malign paper sigil and incantation the friend finds himself compelled to use, hinting that darker consequences are beginning. (This is an automatically generated summary.)

Voimatonta väkeä by Aino Malmberg is a collection of life sketches and short stories written in the early 20th century. Drawn from real people and situations, the pieces dwell on fate, moral choice, and the quiet heroism or frailty of ordinary lives, often among Finns abroad. Expect intimate, observational portraits—of love's detours, community bonds, and the pull of home—told with warmth and clear-eyed restraint. The opening of the book sets out its method in a foreword: the “strong” draw life’s outlines, while the “powerless” supply light, shade, and color—these are true-life sketches, sometimes lightly altered. The first story follows Ella, a gifted London typist entangled with a married editor, who leaves for New York, chooses motherhood on her own terms, and finds her deepest, enduring attachment in her son John; a parallel thread introduces the reserved civil servant Stuart Lane, whose late-awakening love for Judith and a hinted, missed connection with Ella underscore the caprice of fate. Next comes a lively essay on Finns in London, contrasting West End pretensions with East End seafaring grit, praising the merimieskirkko, recounting a humorous dignitary’s visit, and sketching “Janne,” a tireless fixer who keeps his community afloat. The section closes by beginning a new vignette in Honolulu, where the house “Hale Makani” and its keepers, Polly and Ruth, promise yet another far-flung human tableau. (This is an automatically generated summary.)

"Päiväperhoja : Pieniä tarinoita" by Eino Leino is a collection of short stories written in the early 20th century. In brief, it gathers fables, parables, prose poems, and satirical sketches that range from Finnish folk life to antiquity and contemporary society. The pieces probe love, conscience, power, art, and national identity with a voice that moves between lyrical tenderness, moral irony, and sharp social critique. The opening of this collection strings together compact vignettes: a pastor tries to wrest secret lore from a dying village witch for the sake of national heritage; an “old marquis” rises when death bells toll—an allegory of a nation’s revival; a hidden murderer prospers while an innocent man is condemned; a fallen customs clerk drifts into humble service; a peasant under Simo Hurtta’s rule chooses harsh loyalty with tragic reverberations; Alkibiades and a temple maiden miss each other through pride and misreading; and a forest cottage story turns into a stark, unseen catastrophe. A second run of prose miniatures meditates, in quick, lyrical strokes, on love, the soul, lost dreams, cheerfully roaming thought, the danger of seeking a self apart from love, the sea and the sun as lovers, the poet’s integrity, true worth versus cheap glitter, Truth and Lie, tidy “order” that kills ideas, and a bright morning of Lemminkäinen. The tone then shifts to essays and satire: a hymn to “tuhmuus” (complacent stupidity), a professor’s postprandial dream in which Homeros and other greats seek modern credentials, a warning against weary elders declaring the struggle “already done,” a crisp autumn walk debating Finland’s cultural season, a whispered train talk about politics, and a closing scene where Realists refit the Muse in reform dress and put her on a bicycle. (This is an automatically generated summary.)