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Murder in the Gilded Cage

Samuel Spewack

"Murder in the Gilded Cage" by Samuel Spewack is a detective novel written in the early 20th century. It follows a reporter-turned-press agent who is drawn into the scandalous orbit of wealthy divorcée Dora Breese, her idle suitor Guy Thomas, her children, and her steadfast ally Gordon Rice, as a yacht trip to Havana ends in a high-society murder. The investigation pulls in Ben Smith, an American detective in Havana, and Boris Perutkin, a formidable Russian sleuth with an old case that unexpectedly overlaps this circle. The opening of the novel presents the narrator’s promise to tell the unvarnished truth of Mrs. Breese’s death, then sketches the sensational divorce that made her famous and the delicate triangle with actor Guy Thomas. Hired as her press agent, the narrator sails on her yacht with Rice and the two Breese children; tension spikes when Dora impulsively announces her engagement to Guy, Henry Jr. stages a shocking overboard plunge that Rice heroically thwarts, and that night the narrator spies Guy dumping cartridges from a pearl-handled revolver into the sea. In Havana, the narrator meets Ben Smith and the imposing Perutkin, who links this group to an unsolved Riga murder involving the Countess’s former husband, while Henry Breese Sr. quietly arrives in the city. Soon after, Dora is found shot through the heart in her opulent “Gilded Cage”; no weapon is found, the windows are locked, no shot was heard, and Guy claims he was upstairs when the butler discovered the body. Rice bursts in to accuse Guy, brandishing telegrams about a chorus-girl fiancée, talk of sudden wealth, and a check the bank deemed a forgery—setting the stage for the inquiry to begin. (This is an automatically generated summary.)

Sinun kansasi on minun kansani! : Avioliittotarina eteläjyllannista

Laura Kieler

"Sinun kansasi on minun kansasi! : Avioliittotarina eteläjyllannista" by Laura Kieler is a novel written in the early 20th century. Set amid the Danish–German tensions in South Jutland, it appears to follow Danish farming families whose loyalties, livelihoods, and affections are tested under Prussian rule. The story centers on Karen, her spirited brother Esben, and their steady cousin Valdemar, with a provocative German newcomer disrupting both community pride and an expected match. The likely theme is a marriage entangled with questions of identity, language, and belonging. The opening of the novel frames the political and cultural background with a translator’s note and a prefatory overview of Schleswig’s history, Germanization policies, and the precarious status of “optants,” then moves into 1894 harvest scenes on Danish farms. We meet Esben (“Nopsa”), Karen, and Valdemar amid songs, playful camaraderie, and quiet resolve, which are jarred by the appearance of a German buyer, Ruprecht Jürgens, singing Lorelei and openly pursuing Karen. Community debate over a forced auction and the sale of Danish land to a German shows simmering anger and the call for mutual support, while domestic scenes at Højemarke introduce the stalwart matriarch, the old servant Sidsel, and friend Gyrithe. Small acts become political: a lighthearted song leads to a visit from the gendarme and an absurd interrogation, underlining how everyday Danish life, language, and love are policed from the very first chapters. (This is an automatically generated summary.)

The barbarous babes : Being the memoirs of Molly

Edith Ayrton Zangwill

"The barbarous babes: Being the memoirs of Molly" by Edith Ayrton Zangwill is a children’s novel written in the early 20th century. Told in a lively first-person voice, it follows Molly and her siblings—Humphrey, Violet, and Teddy—through a string of misadventures born of fierce imaginations, pranks, and earnest but misguided attempts at virtue. Family life with their governess, visiting relatives, and an often-absent mother frames comic scrapes that turn into gentle moral lessons. The opening of this novel introduces a series of vivid episodes: Molly and Humphrey’s “torturing games” spiral into a mock martyrdom that nearly ends in disaster; jealousy of a visiting cousin’s curls leads Molly to cut them off in a Samson-and-Delilah prank; shy Violet, misreading a remark, bravely pays a formal call alone and causes social consternation; their mother must leave for her health, and Teddy tries to stow away before later being whipped for sweeping a chimney in play; Molly’s zeal to “missionary” her siblings culminates in an insulting bathroom placard that offends a visiting German musician until Humphrey mends matters; and, at last, the children’s chaotic home theatricals are rescued by their mother’s unexpected return, which steadies the household and brings the first performances off happily. (This is an automatically generated summary.)

Wood Cottage : or, Sheltered at last

M. E. (Mary Emma) Drewsen

"Wood Cottage : or, Sheltered at last" by M. E. Drewsen is a children''s Christian novel written in the early 20th century. It centers on a lost London girl, Kit, and her devoted cousin Ben, who are taken into the loving home of the Grays at Wood Cottage, where faith, kindness, and everyday trials shape their new life. The story blends homely scenes with moral instruction, following the children’s growth, school challenges, and the gentle influence of charitable neighbors. The opening of Wood Cottage : or, Sheltered at last introduces Kit—newly found by her parents during a Sunday-school outing—and Ben, the poor but steadfast cousin who kept her alive by selling matches. Welcomed into Wood Cottage, they are clothed, fed, and tenderly guided, offering simple prayers, singing hymns, and forming habits of gratitude. Ben starts school, struggles with teasing from Jim Snow, briefly loses his temper, then repents, makes amends, and resolves to be a “brave little soldier” for Jesus. A stormy outing leads to the perambulator’s disappearance—moved by Jim for mischief—only for Ben to recover it and, when Jim is injured, magnanimously wheel his tormentor home. The children also befriend the Craigs; with Mrs. Frankham’s help, the sick son John finds peace in Christ before dying, and the families grow close, even sharing a seaside holiday where Kit’s quick temper briefly flares and is swiftly mended. A year later, Ben is working responsibly, a new baby has arrived, the father is recovering from an accident, and Kit gets into trouble for disobeying about lifting her little brother—ending the excerpt with her tearful prayer for forgiveness. (This is an automatically generated summary.)

Le Selve

Ouida

"Le Selve" by Ouida is a novel written in the late 19th century. Set in the vast Italian woodlands of Lazio, it follows Cyrille, a Russian exile turned estate steward, whose humane, orderly reforms clash with the ingrained brutality, poverty, and customs of the local squatters. At its heart stands Muriella, a strong, devout peasant who alone understands him, creating a stark, tense portrait of conscience, class, and survival amid a merciless rural world. The opening of the novel shows an old peasant dying neglected by his family, as Cyrille arrives too late, rebukes their callousness, and meets Muriella in the night, who warns him he is in danger. The narrative then paints the history and grandeur of Le Selve and reveals Cyrille’s past as a Tolstoyan noble and political exile seeking purpose in stewardship, while the locals resent his curbs on theft, poaching, and abuse of “customary rights.” We see Caterina, the shrewd housekeeper; the grim burial at San Vitale that Muriella quietly oversees to prevent a fraud; and a kitchen scene where the under-steward Fausto and two friars rail at the “northerner” until Muriella defends his justice. At the start of this story, Muriella rejects Fausto’s advances, makes a pilgrimage to Viterbo to pray for Cyrille’s return home, endures her uncles’ suspicion, and continues to warn Cyrille that the men of the woods may kill him, while he contemplates helping her escape a hard life he cannot easily change. (This is an automatically generated summary.)

A millionaire at sixteen : or, The cruise of the Guardian-Mother

Oliver Optic

“A millionaire at sixteen : or, The cruise of the Guardian-Mother” by Oliver Optic is a juvenile adventure novel written in the late 19th century. It follows Louis Belgrave, a level‑headed sixteen-year-old who has unexpectedly become a millionaire, as he embarks on sea-going adventures shaped by duty to his mother, guidance from a prudent trustee, and the lure of world travel. Expect nautical action, moral tests, and a globe‑trotting premise centered on yachting, with figures like the genial Uncle Moses, the seasoned Captain Ringgold, and a menacing former stepfather complicating the voyage. The opening of the story sets up Louis’s fortune, character, and intentions: after good‑natured sparring with his trustee about wealth and prudence, he plans to buy a modest schooner for quiet cruising with his mother. A suave stranger, “Mr. Frinks Fobbington,” offers a too‑good‑to‑be‑true yacht inspection at Southfield; Louis goes with his mother, Captain Ringgold, and his friend Felix. Once aboard, the schooner unexpectedly gets under way, and Louis discovers it is actually the Maud, commanded by his mother’s disreputable former husband, with “Fobbington” revealed as the mate. As a blow rises and the crew traps Ringgold and Felix below, Louis tends to his seasick mother, steels her resolve against the villain, then slips through a pantry passage, pries open the lower hatch, and frees his companions. The section closes with the group regrouping in the second cabin amid worsening weather, learning they are bound for England, and preparing to resist. (This is an automatically generated summary.)

The sinister mark

Lee Thayer

"The sinister mark" by Lee Thayer is a detective novel written in the early 20th century. The story centers on the sudden disappearance of celebrated actress Mary Blake and the troubling hints of violence left behind, drawing in her admirer Donald Van Loo Morris and private detective Peter Clancy. As a staged burglary, a blood-stained scarf, and a secretive sister named Anne come into focus, the case blends romance, identity, and danger into a tightly wound mystery. The opening of the novel follows Mary Blake’s tense supper with Donald, who confesses his love as she hints at a burden she cannot share. After slipping home alone, Mary sends Donald a frantic, intimate letter about a hidden past, imminent danger, and a decisive step she must take; she vows to return clean—or disappear forever—while warning that only her elusive sister Anne would remain. Alarmed, Donald rushes to her apartment and finds a silk scarf caught in the door smeared with blood; the rooms look looted, ashes of burned papers lie in the grate, and the kitchen window’s broken pane suggests a faked break‑in. Peter Clancy takes the case, notes signs the occupants planned to leave, discovers blood spots in the hall, misses a mysterious phone caller asking for Anne, and then tracks a taxi driver who hauled a single woman and a heavy trunk from the building to the Pennsylvania Station—likely Anne, veiled and marked by a crimson birthmark—setting the investigation in motion. (This is an automatically generated summary.)

Polku

Gabriel Scott

"Polku" by Gabriel Scott is a novel written in the early 20th century. It follows Kristofer, a sensitive, unusually tall boy with a stutter, who finds refuge from ridicule in the mountains and dreams of becoming a shepherd. Through lyrical nature writing and village lore, the path up the fell becomes a spiritual guide, tracing themes of cruelty and kindness, belonging, and quiet endurance. The opening of the novel dwells first on the hush of dusk and the winding mountain path, naming lakes, ridges, and the remnants of a tiny stone hut and sheepfold linked to “Vesa-Kristofer,” who planted living switches wherever he walked. The narrative then turns to Kristofer’s childhood: mocked for his height and speech, tormented by a kyttyräselkäinen boy, and belittled by a fault-finding father, he discovers solace building a miniature sheepfold and playing shepherd among rocks and heather. A revelatory moment comes when he sees the seasoned shepherd Nils Vatne driving a flock at sunset; the boy secretly walks at night to a distant fold to ask about becoming a shepherd and is gently encouraged to grow. Later, a bell he treasures betrays his hideaway to the bullies, who destroy his little world and injure his back; bedridden and weakened, Kristofer endures his father’s impatience while clinging to the faint, consoling chime of the bell and to visions of the path that leads into the mountains. (This is an automatically generated summary.)

Uncle Tweazy and his quizzical neighbours, vol. 2 of 3 : a comi-satiric novel

&c. &c. Author of the Observant pedestrian, Montrose, Mystic cottager

"Uncle Tweazy and his quizzical neighbours, vol. 2 : a comi-satiric novel" is a comic-satiric novel written in the early 19th century. Set in a country parish, it skewers provincial pretension and gossip through the sharp-eyed Uncle Tweazy and his nephew, Victor St. Alban. Its central thread is Victor’s instant infatuation with the angelic Rosa Fitzclarence of the Rectory, counterpointed by his uncle’s aching memory of a lost first love, while a bustling gallery of neighbours provides farce and social satire. The opening of the novel follows Uncle Tweazy and Victor to the Rectory, where Rosa’s beauty, harp-playing, and voice transfix them—so much so that Uncle Tweazy later reveals his sorrowful past with Cecilia Delmond, whose fate echoes in Rosa’s features. Dr. Tonic barges in with village gossip, and a run of episodes ensues: a flashy masked-party invite from Mrs. Fungus, a coarse encounter with the miller’s wife and the filthy baker Sponge, and a gracious tour of Lady Lustre’s grounds. A boisterous dinner at Mrs. Henpeck’s parades caricatures—Munchausen’s absurd boasts, the henpecked host, and petty spats—before Sunday service showcases Rosa’s devout singing and magnetism for the whole congregation. Back at the Rectory, talk of sermons and scandal gives way to a gentle botanical walk where Victor and Rosa quietly bond. Plans to return for tea risk being spoiled by Dr. Tonic’s intrusion, and the section closes as uncle and nephew set out for the Rectory, hoping to avoid him. (This is an automatically generated summary.)

Just in time

Catharine Shaw

"Just in time" by Catharine Shaw is a didactic children''s novel written in the late 19th century. The story follows Pollie, a miller’s daughter whose forgetfulness and quick temper strain home life, as new influences draw her toward sincere Christian faith. Between a rural mill and a bustling provincial town, she navigates family friction, fashionable cousins, and a secretive courtship that tests truth and loyalty. The opening of the novel shows Pollie clashing with her mother at the mill while finding tenderness and counsel from her devout father. Sent to her aunt in Chichester, she encounters her cousins’ worldliness and Laura’s clandestine admirer “H. F.,” then meets Miss Loveday, whose guidance and a Town Hall mission lead both Pollie and her uncle to a decisive conversion. A picnic exposes the admirer as a shallow flirt, deepening Pollie’s concern for her cousins. Back home she struggles to submit and apologize, seeks Miss Loveday’s help, and learns of Miss Loveday’s own painful obedience in breaking off an engagement to Harry Fulbert after a damaging report. Pollie’s father reveals there are two cousins with that name—one upright, one not—prompting Pollie to inform the vicar; as the vicar prepares to investigate, word arrives that Harry has not sailed and has come to the vicarage, hinting that the misunderstanding may be resolved. (This is an automatically generated summary.)

Stick to the raft

Mrs. Gladstone, George

"Stick to the raft" by Mrs. George Gladstone is a religious children''s novel written in the late 19th century. It is a moral tale set along the Saale in Bavaria, following Hans Richter, a woodcutter’s son whose dying father’s counsel—“stick to the raft”—becomes both rafting advice and a Christian motto. Taken in by the toll-master Karl Schmidt at Kösen, Hans faces grief, poverty, workplace trials at the weir, and a simmering rivalry with the miller’s son Robert and his scheming friend Paul, as faith, honesty, and courage are tested. The opening of the story introduces the Fichtel Mountains, Hans’s devout father and his deathbed charge, and Hans’s move to Kösen to help guide rafts over the weir under the stern-but-kind toll-master, Karl, and his gentle, invalid mother. Hans adopts “Stick to the Raft” as a call to cling to Christ while working the river; he is provoked by Robert and the malicious Paul, briefly loses his temper over a petty prank, and is lovingly corrected. As Hans trains for the town’s shooting festival, a visit to Naumburg’s cherry feast—and a lesson on the martyr John Huss—frame the book’s theme of patient endurance; there Paul secretly injures Hans with a squib, sidelining him from the competition. Robert wins amid guilt, Hans bears his setback with grace, and an elderly sausage-seller who overheard Paul’s plot arrives at the toll-house, intent on setting the wrong right. (This is an automatically generated summary.)

The porcelain mask : A detective story

John Jay Chichester

"The porcelain mask : A detective story" by John Jay Chichester is a detective novel written in the early 20th century. Set around a Hudson River estate called Greenacres, it centers on novelist Kirklan Gilmore, his beautiful new wife Helen, and his devoted stepsister Joan Sheridan, whose homecoming collides with a sudden marriage and a rash of secrets. When an intense illustrator, Victor Sarbella, arrives and clearly recognizes Helen, and a menacing figure from Helen’s past resurfaces, the domestic idyll turns ominous. The story promises a blend of romantic tension, blackmail, and crime that entangles family loyalty and hidden identities. The opening of the novel follows Joan’s unexpected return to Greenacres and her shock at discovering that Kirk has married Helen, who has claimed Joan’s cherished room and unsettled the household. Kirk goes to New York to placate his publisher while Helen secretly slips into the city to meet Don Haskins, a criminal who reveals himself as her first husband and blackmails her for a thousand dollars to fund his escape after a fatal job. Atchinson later thinks he sees Helen entering a seedy lodging house, fueling Kirk’s suspicions; that night, Victor Sarbella arrives and his charged, mutual recognition with Helen poisons an already strained dinner. Kirk confronts Victor in the studio, demanding answers about Helen’s past, but gets only denials and a promise to discuss work tomorrow, as the parallel thread closes with Detective Sergeant Tish trailing “Eighth Avenue Annie” back to her hideout, poised to catch Haskins. (This is an automatically generated summary.)

Madri.... per ridere : romanzo

Cesare Tronconi

"Madri.... per ridere : romanzo" by Cesare Tronconi is a novel written in the late 19th century. It appears to be a caustic social satire about hypocrisy, respectability, and the making of “mothers” and women shaped by appearances rather than virtue. The story centers on Maddalena, a striking and increasingly calculating young woman from a modest family, whose transformation is catalyzed by a seductive neighbor, Severina, and a secret attraction to Severina’s brother. Expect a sharp critique of bourgeois morals, the education of girls, and the gap between public piety and private appetites. The opening of the work moves from a sardonic funeral scene—where mourners shun two ominous women—to a vehement letter that brands Maddalena “the Evil,” then rewinds to her origins. We meet her parents, the punctilious ex-dogana clerk Ildebrando and the devout, simple Caterina; her birth is framed by superstitious omens, and her childhood is marked by precocious will, emotional opacity, and social ostracism at a snobbish school. As an adolescent she grows restless and is drawn to Severina, a poised “widow” whose perfumed, sensuous apartment and conversation school Maddalena in toilette, allure, and worldly cynicism. Under this influence, she refashions herself, spurns a safe suitor, and quietly cultivates a flirtation with Severina’s brother, while the narration sketches the type of idle, debt-driven beaux who live off charm—hinting at the kind of man she may be courting. (This is an automatically generated summary.)

The trail of deception

W. C. (Wilbur C.) Tuttle

"The trail of deception" by W. C. Tuttle is a Western novel written in the early 20th century. It follows Jim Bailey, a down-on-his-luck city bookkeeper who assumes the identity of “Jim Meade” to claim the Lazy H ranch in Arizona at the urging of a scheming lawyer, Ed McLean, drawing him into rustling, murder, and small-town suspicion while Mary Deal and the mysterious cowhand Skeeter Smith complicate his path. The opening of this novel shows Bailey declared dead after his roommate dies wearing Bailey’s suit and watch, prompting Bailey to take a letter meant for the roommate and travel to Pinnacle City under the alias “Jim Meade.” There he learns a new will leaves the Lazy H to a nephew named Jim Meade, not to Mary Deal who was raised by the deceased rancher; the banker is wary, the townspeople resent him, and three drunken allies of Mary bungle a prank-turned-threat. After a fatal bank shooting removes the skeptical banker, McLean installs Bailey at the ranch, where Bailey’s painful attempts to become a cowhand lead him to stumble upon covert branding; rustlers kill his horse and he barely escapes, rescued by Skeeter, who later pressures McLean and hints at knowing the real Meade. Tensions spike when Bailey punches McLean in town, and the section ends with Tellurium and Archibald plotting a holdup as masked men enter McLean’s office, tightening the knot of conspiracy and danger. (This is an automatically generated summary.)

Moon of madness

Sax Rohmer

"Moon of madness" by Sax Rohmer is a novel written in the early 20th century. It blends romantic adventure with espionage, following narrator George Decies as he’s drawn into Major Edmond O’Shea’s covert mission to stop Communist agents from smuggling documents that could imperil a royal figure. Set chiefly in sun-drenched Madeira, it centers on wilful debutante Nanette, her earnest suitor Jack Kelton, the enigmatic O’Shea, and the predatory Gabriel da Cunha. Expect flirtation, danger, and a cat‑and‑mouse pursuit that turns a holiday idyll into high-stakes intrigue. The opening of the novel introduces the party at Reid’s Hotel in Funchal, where Nanette’s reckless charm and Jack’s devotion collide with the arrival of O’Shea and the sinister da Cunha. After Nanette’s near-scandalous escapades and a tense night at the casino, O’Shea reveals his mission: recover a black dispatch-box tied to a royal scandal, now in da Cunha’s orbit. When Nanette secretly meets da Cunha at his hill bungalow, Jack and Decies—led by O’Shea—race up a goat track; Jack is felled in a brutal fight, O’Shea drops da Cunha and seizes the box. O’Shea then departs, breaking Nanette’s heart with a calculated “goodbye,” but returns covertly when it’s learned the letters were photographed; with Macalister acting for da Cunha, Nanette boldly outswims pursuit at a moonlit harbour to snatch the portfolio from a motor cruiser and deliver it to O’Shea, setting the stage for further danger as the Reds try again. (This is an automatically generated summary.)

Jonah

Robert Nathan

"Jonah" by Robert Nathan is a novel written in the early 20th century. It reimagines the biblical prophet as a gentle, idealistic young man whose desert-born faith collides with worldly priests, nobles, and a sudden love for a noblewoman. Blending fable, satire, and romance—complete with talking creatures and angels—it explores the tensions between prophecy and pragmatism, poverty and power, and the human longing for beauty and certainty. The opening of the novel places Jonah among Israel’s desert prophets, where an angel sends him to Bethel to promise victory over Hamath; the High Priest Amaziah deftly turns this into a war that Israel wins. Returning to his village, Jonah is welcomed by his practical mother Deborah, spars with his ambitious brother Aaron, and is counseled by his old teacher Naaman to keep to the desert. In Prince Ahab’s household, his niece Judith—curious, sheltered, and impressionable—meets Jonah; their conversations about angels and the desert ripen into a tender love, sealed at a moonlit village feast. When Deborah and Uncle David ask Ahab for Judith’s hand, the prince scorns the poor prophet’s suit for lacking a bride price and status. Judith briefly mourns under the watch of her calculating nurse, Sarah, while Jonah, seeking a viable path to marriage, asks Amaziah to make him a priest. The High Priest cautions that marriage would squander Jonah’s rare calling, and the scene closes with his grave challenge to the prophet. (This is an automatically generated summary.)

Neesby Court : or, Our pretty cousin

Ethel S. Cann

"Neesby Court : or, Our pretty cousin by Ethel S. Cann" is a children’s domestic novel with Christian moral themes, written in the Victorian era. Set in a provincial English town, it follows family life, friendship, illness, loss, and reconciliation, highlighting faith and kindness amid everyday adventures. Told by lively eleven-year-old Addie Dixon, the story begins with the arrival of stately Miss Esther Townley and her pretty niece Eleanor at Neesby Court. Addie’s family befriends Eleanor despite her aunt’s reserve, and between picnics, a boisterous birthday party, and small household dramas (including a prank involving their dog Tuts), affection grows. A scarlet fever outbreak transforms play into crisis: Milly falls ill, then little Maud, and Eleanor becomes dangerously weak. In the midst of this, Addie learns that Miss Townley is her mother’s estranged sister, and her gentle pleading brings the sisters together at Eleanor’s bedside. Eleanor’s peaceful death and last message spur Addie’s heartfelt turn to personal faith, while Maud and Milly recover and the family heals. Aunt Esther, chastened and loving, draws Addie close, takes her abroad, and later leaves the Court when new owners return; an epilogue sketches the family’s futures, the kindness of Sir Guy and his bride, and a fond farewell to brave little Tuts. (This is an automatically generated summary.)