"Illustrations of taxation" by Harriet Martineau is a collection of didactic tales written in the early 19th century. It uses lively domestic and rural scenes to show how taxes, rents, and game laws press on everyday people, beginning with the return of the Cranston heirs to their long-shuttered estate and the frictions that follow between landowners, tradespeople, and poachers. Central figures include the Cranston siblings—Richard, James, Wallace, and Fanny—alongside the horse-dealer Swallow, his identical twin daughters Anne and Sarah, and the ever-calculating assessor, Mr. Taplin. The opening of the first tale, The Park and the Paddock, follows the Cranstons as they break into their sealed house at Fellbrow, survey its desolation (owl, cobwebs, and a grim cat-and-rat relic), and set about repairs while hearing warnings of poaching. In town, Fanny’s valet meets gossiping shopkeepers whose complaints about hair-powder, rents, and house-duty introduce the book’s tax theme, while the assessor eyes the new family’s dogs, carriages, and windows. At the Paddock, Swallow hurriedly loads a van with suspect “packages” as the huntsman and then the assessor arrive, and his twin daughters—Anne and the sharper Sarah—come into view. James, a clergyman and sportsman, flirts with the twins between funerals and house-hunting, lunches with a farmer who explains the ruinous cost of game on crops and the quiet league with poachers, and debates the injustices of the land-tax. As James keeps visiting to find Fanny a horse, Sarah displaces Anne in his favor; learning of a planned night expedition, she tries to warn him off, while the Paddock readies drink, pipes, and sawdust for what looks like a poaching night and James urges his brother to act. (This is an automatically generated summary.)

"The dream detective" by Sax Rohmer is a collection of detective stories written in the early 20th century. It follows the eccentric, occult-leaning sleuth Moris Klaw and his sharp-witted daughter Isis as they unravel uncanny crimes often tied to museums, relics, and legends, accompanied by a skeptical inspector and a journalist-biographer. Expect locked-room puzzles, exotic lore, and audacious disguises. The opening of this collection presents two complete cases and the start of a third. First, a night watchman dies in a locked gallery at the Menzies Museum; Klaw’s “dream” method and keen observation reveal a booby‑trapped “Athenean Harp” that lethally pricks whoever lifts it after it has been played, and the culprit proves to be the curator’s sleepwalking daughter unknowingly setting events in motion. Next, an Egyptian potsherd coveted by a suave new neighbor leads to eerie séances and a daring theft; the twist shows that “Doctor Zeda” and the phantom singer were Klaw in disguise and Isis, retrieving the artifact as a matter of poetic justice. The third tale opens with Klaw and allies called to Crespie Hall, where a new owner is found slain by a crusader’s ax in the old banqueting hall, setting the stage for another impossible‑seeming mystery. (This is an automatically generated summary.)

"En marge des marées" by Joseph Conrad is a collection of three short fiction works published in 1912. Inspired by an unexpected visit from a former seafaring colleague in 1909, Conrad returned to writing short stories after years away from the form. The collection features tales set in the Malay Archipelago, drawing on Conrad's maritime experiences. These stories resonated with Conrad's former colleagues, who had become readers of his fiction, prompting him to dedicate the work to Captain C. M. Marris. (This is an automatically generated summary.)

"Just a bit too fast by Hal Moore" is a pulp crime short story written in the late 1920s. The tale centers on a crafty bank robber known as Thought-and-a-half Morgan and the detectives on his trail, blending disguise, bluff, and a rapid urban chase. Told by a local plainclothes cop paired with visiting Detective Halloran, the story opens with Morgan, disguised as an old woman, holding the two at gunpoint in a quiet branch bank and escaping with cash to a waiting car. After a brief pursuit, Halloran diverts to a shabby downtown hideout identified from earlier intel, and the pair set an ambush in a dark room. When Morgan and his accomplice return, a tense doorfront showdown ends with Halloran’s shot knocking the gun from Morgan’s hand, the officers rushing both men, and the arrest made. The kicker: Halloran later credits brilliant tactics with surviving Morgan’s shot, but the narrator reveals it was dumb luck—the flashlight he “used” was accidentally snagged on his watch chain. (This is an automatically generated summary.)

"The house with the silver door" by Eva March Tappan is a collection of children’s fairy tales written in the early 20th century. It offers whimsical, gently moral adventures filled with talking animals, enchanted tools, giants, and moonlit royalty, where brave children prove themselves through kindness, courage, and cleverness. The early stories center on siblings seeking a wondrous silver door for their parents and a boy named Hansel pursuing his fortune with the aid of magical helpers. The opening of the collection begins with “The House with the Silver Door,” in which Silverboy and Silvergirl leave their forest home to find a silver door, receiving riddling guidance from a Wizard Squirrel, bargaining with the All-Alone Axe, and enlisting a Gentle Giant on the way to the Moon Lady’s Wonder Palace. Silverboy’s quest for spider silk to reach the moon leads to his capture by the Slippery Spider, but he is rescued—along with the Pearl Princess—by the Thoughtful Snail and Friendly Glowworm; joyous weddings follow, and the siblings ultimately bring their parents to a golden palace behind a shining silver door. The next tale, “King Hansel the First,” shows Hansel trying four roads, helping a cock, a cat, and some bees who each give him a seed and shrewd advice for answering giants. Captured by three monstrous brothers, he survives by giving the right answers, while the giants meet their ends through their own folly and the enchanted world’s aid. In a dungeon, Hansel and a captive magician use the seeds to conjure food, a knife, and chalk for a protective circle, rout the last giant, and uncover a treasure-filled castle—where the excerpt closes as they prepare to claim a new beginning. (This is an automatically generated summary.)

"A second day in Mary Carrow''s school by Anonymous" is a children’s Sunday-school tale written in the mid-19th century. It depicts a gentle, instructive day in a small classroom, weaving simple academics with moral guidance and Christian devotion. The likely topic is a rainy-day school session in which a kind teacher blends grammar, arithmetic, stories, and Scripture to nurture obedience, gratitude, and kindness. On a wet morning, Mary Carrow welcomes her pupils—Charles, Harry and Lucy Linn, Lily and Eddy Forester, Susan Field, Ellen Raby, and the tardy Carry Deacon, who has been delayed by stopping to admire kittens and arrives soaked. Mary comforts and equips Carry with dry shoes, then teaches nouns, leads blackboard shapes and multiplication in concert, and oversees indoor games at recess. Carry privately confesses her missteps; Mary counsels her about thoughtfulness, gives a short prayer for forgiveness, and encourages better habits. The class shares a simple communal dinner (with much delight over small pies) and observes a quiet moment of gratitude. In the afternoon they recite definitions, answer basic questions about the senses, practice writing, and hear a true story about a kind muffin-man who aids a poor sailor’s family. The day ends with reading from Genesis about Creation and Eden, a brief talk on obedience and God’s love, and a careful dismissal as Mary returns borrowed items and sends the children home in improving weather. (This is an automatically generated summary.)

"Wigwam wonder tales by William Thompson" is a collection of short folk tales written in the early 20th century. Rooted in northern Indigenous settings of forests, rivers, and lakes, it offers animal fables and wonder stories that double as origin myths, exploring humility, generosity, loyalty, vanity, and the living spirit of nature. Across its tales, people, animals, and spirits meet and change each other: Ayas snares the sun until a winged mouse frees it; Wactu paints the birds and bequeaths vanity to the peacock; a beaver elder escapes giant raptors, explaining flightless birds; the vain Niona is whisked to the moon and returns committed to service; a shaman’s decree silences dogs but preserves their fidelity; an old widower rides a giant fish to the Fire of Youth; elemental Fire and Water Boys tend an isolated woman; a kindly spider shelters wingless Cupids; visitors discover an underwater village of strange transformations; and a taciturn wanderer tricks a city of birds to their doom. Together the stories blend adventure, gentle humor, and moral insight to explain the ways of animals and the world. (This is an automatically generated summary.)

"Law-star for an outlaw by W. C. Tuttle" is a Western crime novelette written in the mid-20th century. The story centers on Irish Delaney, a hard-riding cowhand who returns to Dancing Flats to clear his uncle’s name and take on a secret vigilante outfit known as the Night Hawks. Irish finds his uncle Hank Farley posthumously framed as the infamous Ghost Rider, while the Night Hawks terrorize locals with threats and “justice” notes. After a robbery and the murder of Al Briggs put suspicion on him, Irish survives an ambush, escapes a kidnapping to the abandoned Lost Goose mine, and prevents a booby-trap from killing the sheriff and deputy. Tracking leads—and the scent on a forged decoy letter—bring him to a showdown at the old 74 ranch, where Buck French is wounded and the revered minister is unmasked as an ex-forger named Strickland, the real Ghost Rider and mastermind of the Night Hawks; the stolen money lies hidden under the church. With the plot exposed and order restored, Irish quietly reveals he’s now a Deputy U.S. Marshal with a family, having returned not for glory but to see justice done. (This is an automatically generated summary.)

"Sämtliche Werke 22: Ein kleiner Held : Vier Novellen" by Fyodor Dostoyevsky is a collection of novellas written in the mid-to-late 19th century. The volume gathers stories bound by themes of childhood and early emotional awakenings within adult social worlds. In the first novella, an almost eleven-year-old boy visiting a lavish country estate near Moscow is drawn into the games, rivalries, and hidden tensions of the grown-ups, especially a mischievous blonde beauty, the reserved and sorrowful Mme M., and her vain, controlling husband. The opening of the collection follows the boy’s arrival amid endless parties and entertainments, where he is teased publicly by the flirtatious blonde and quietly captivated by the gentle, melancholy Mme M. He witnesses her unease around her husband and senses a secret sorrow, while a passing cavalcade hints at unspoken ties. At a lunch-table skirmish the blonde makes him the butt of a joke about his supposed infatuation, driving him to tears and retreat—only for him soon after to seize a reckless chance at redemption by mounting a notorious, unbroken horse and surviving the wild ride. His courage wins sudden admiration, elicits a telling exchange of glances with Mme M., and transforms the blonde’s mockery into protective warmth. A rainy village outing follows; Mme M. lends him her scarf, the blonde tends him like a friend, and the section closes with the boy waking joyful the next morning and slipping into the woods, his feelings newly awakened. (This is an automatically generated summary.)

"Skeeter Bill comes to town by W. C. Tuttle" is a Western novelet written in the mid-20th century. The story centers on a lanky, straight-shooting cowhand who returns to a dusty cattle town and stirs up trouble for the real culprits behind a notorious bank robbery. It blends range feuds, saloon politics, and a clever unraveling of a frame-up. Skeeter Bill Sarg rides back to Yellow Butte to honor the twelfth birthday of his namesake, the son of his jailed friend Hooty Edwards—convicted for a bank job Skeeter doubts he committed. As Skeeter visits old allies like fiery rancher Fuzzy Davis and his stern wife, strange attacks begin: a dummy he rigs at a fenced spring is riddled at dawn, and later he’s ambushed outside Margie Edwards’ house, where outlaw Dutch Held is secretly shot dead by his own partner. At the packed inquest, Skeeter springs a trap with bold bluff and sharper shooting, exposing a ring led by cattleman Sam Keenan, aided by saloon front man Slim Lacey and deadly foreman Johnny Greer. Lacey confesses to drugging Hooty’s drinks to set him up while Keenan looted the bank and tried to pressure Margie. With the plot laid bare and Keenan finished, Hooty’s name is set to be cleared, Margie is granted the Tumbling K, and Skeeter quietly seals it all with a simple gift: “Happy Birthday” to the boy. (This is an automatically generated summary.)

"Little Button Rose by Louisa May Alcott" is a children’s short story from the late 19th century. It centers on a tender, spirited girl who becomes a peacemaker, mending a neighborhood feud through kindness, courage, and tact. Rosamond—nicknamed Button-Rose—comes to stay with her cousins: gentle Miss Penelope, proud Miss Henrietta, and vain but charming Cicely. Next door lives Mr. Thomas Dover, a widower and former missionary, estranged from the cousins over a petty dispute about a garden gate, hens, and an old summer-house. With fearless warmth, Rosy befriends Mr. Dover (after her cousins’ cat is flung over the wall for killing his chicks), opens a secret “button-hole” gate, ferries cherries and flowers, and gently “missionaries” at home by reading to Miss Penny and winning over Cicely with an amber necklace and a kiss “for a blow.” When Rosy falls ill with scarlet fever, the household unites; Mr. Dover returns, helps guide her through the crisis, and her recovery seals the reconciliation. The story closes with pride and gratitude as the adults finally put aside their stubbornness, their peace earned by the little peacemaker’s love. (This is an automatically generated summary.)

"The mark of Cain by W. C. Tuttle" is a Western novelette written in the mid-20th century. It centers on a legendary gunman who tries to bring law and decency to a violent railroad boomtown, confronting a ruthless saloon boss and a past identity mystery marked—literally—by the “Mark of Cain.” The story follows Streak Malone, who accepts the marshal’s badge in Silver Butte and recruits outlaw Mack Shell as his deputy to face Zero Brant, the crooked kingpin behind the Silver Dollar Saloon. Streak kills imported gunfighter Dan Corteen, thwarts a masked shakedown of honest rival Jim Flack’s new Eureka Saloon, and fights through a drunken mob that wrecks the Eureka and sets it ablaze. In the chaos he rescues roulette dealer Clare Ames, who reveals Streak’s true identity as Keith Delmar and that the killer who framed his past bears an M-shaped scar—the “Mark of Cain.” Streak then confronts Brant in the Silver Dollar, recognizes the brand in Brant’s scarred brow, and battles him while knives and dynamite threats swirl. Brant flees, is thrown by Streak’s outlaw horse, and dies, ending his grip on the town. With order restored, Flack inherits the Silver Dollar, young cowboy Joe East reunites with singer Mazie, and Silver Butte turns from terror toward justice. (This is an automatically generated summary.)

The black spaniel, and other stories by Robert Hichens is a collection of short stories written in the early 20th century. It opens with a psychological tale of moral conflict and obsession over animal cruelty and vivisection, centering on the cultured traveler Vernon Kersteven, the eminent physician Dr. Peter Deeming, and their mutual friend who narrates. The volume likely ranges from European salons to North African deserts, blending society drama with eerie undercurrents and atmospheric travel pieces. The opening of the collection follows the narrator as he introduces Deeming to Vernon in Rome, where a dinner debate over animals turns heated after Vernon reveals his beloved spaniel was stolen and used for vivisection. Back in England, events take a tense, uncanny turn: Deeming abruptly leaves Rome, looks ill at Dover, and Vernon soon rents the house next door in Wimpole Street, shrouding his motives. The narrator’s attempt to draw out Deeming’s “black spaniel” ends with his own fox-terrier yelping in pain inside Deeming’s house and fleeing; shortly after, while the narrator is away, news arrives that Deeming has died from blood poisoning caused by a dog bite. A year later, Vernon—now an active animal advocate—impulsively buys a black spaniel from a street seller and receives the narrator for tea in the renovated, conjoined Wimpole Street houses, leaving the mystery and tension around the dog and Deeming’s shadow very much alive. (This is an automatically generated summary.)

"Over the straits by Ernest Haycox" is a sea‑adventure short story written in the early 20th century. It follows a small Alaskan cannery tender battling a violent storm to rush a cargo of perishable red salmon to the cannery, highlighting duty, risk, and quiet courage at sea. The crew of the Star leaves Ketchikan at dusk despite gale warnings because their hold is full of valuable Sockeyes that will soon spoil. Narrator Hal takes the wheel beside skipper Bob as engineer Al minds the engines, with Ed, Milt, Charlie, and the old cook bracing for the blow. In the straits they fight towering seas, a screaming wind, and the fear of a loose mast stay; the rolling threatens to throw the heavy seine table overboard, and Ed’s attempt to lash it fails in the blackness. The engine coughs, the Morey Light can’t be found, and exhaustion grinds them as they nurse the boat through a night of blind troughs and hammering spray. At dawn they limp into Cannery Inlet, scrape pilings, and dock, their understatement and weary jokes masking the grit that carried them across. (This is an automatically generated summary.)

"The ghost of Charlotte Cray, and other stories" by Florence Marryat is a collection of short stories written in the late 19th century. The tales lean toward the supernatural and domestic melodrama, exploring jealousy, guilt, and the persistence of wronged affections beyond the grave. Early standouts feature a complacent publisher haunted by a former lover he mistreated, and a London doctor whose rural retreat turns into a study in uncanny repetition and family tragedy. The opening of this collection follows Mr. Sigismund Braggett, a newly married publisher who once encouraged the hopes of an eager “authoress,” Charlotte Cray. After Charlotte dies, Braggett’s clerks, his household, and finally his wife encounter her presence; the apparition appears in his office before dissolving, prompting him to abandon business, knowing Charlotte has kept her vow to “see” his wife. The next story begins with a physician seeking rest at the isolated Rushmere, where he, his wife Jane, and their servants hear creeping footsteps, sobs, and the phantom crack of a gun; terror drives them to an inn. There, the landlord’s wife reveals the house’s past: an asthmatic master, Greenslade, shot his estranged daughter Emily on the stairs and hanged himself, and the nightly sounds are the fatal scene replaying itself. (This is an automatically generated summary.)

"Silence, and other stories" by Mary Eleanor Wilkins Freeman is a collection of short stories written in the late 19th century. The book gathers New England local-color tales that probe women’s inner lives under social and spiritual strain; the opening piece centers on Silence Hoit and her lover David Walcott amid a frontier raid and its aftermath. Expect historical settings, moral tension, and keen psychological realism. The opening of the collection follows Silence in wintry Deerfield as her forebodings are fulfilled by a French and Indian attack: households barricade doors, women melt pewter into bullets, Goodwife Sheldon and her child are found slain, and captives—among them David—are driven toward Canada. Left behind, Silence’s mind fixates on him, calling his name over the north meadow through months of rebuilding and rescue attempts; when David finally escapes home, she cannot recognize him until the ostracized Goody Crane contrives a moonlit sign that breaks her trance. The book then turns to “The Buckley Lady,” introducing Persis Buckley, a beautiful coastal girl whose family, after a visit from grand strangers, begins grooming her for gentility—freeing her from toil, dressing her finely, and teaching her polite accomplishments—while the household quietly sacrifices to elevate her. (This is an automatically generated summary.)

"The land beyond the mist by Ernest Haycox" is a Western short story written in the early 20th century. It follows a rain-battered wagon train reaching Oregon City and turns on pioneer hardship, rough frontier justice, and the high-stakes scramble to claim fertile homestead land. The story centers on Tom Cameron, traveling with Old Man Follett and his daughter Susan through relentless Oregon rains. Tensions with the bully Hank Emory flare in camp, then sharpen when Cameron buys from scout Sam Warner the location of a hidden valley worth settling. After Emory coaxes the secret from a drunken Warner and races to seize the claim, Cameron uses fog and a ruse to draw the rivals away, then occupies the valley with the Folletts. In the ensuing standoff, Cameron kills Emory, the brothers withdraw, the sun briefly breaks through, and hope returns as Cameron and Susan reconcile and the families plan a double cabin to begin their new homestead. (This is an automatically generated summary.)

"Stubborn people by Ernest Haycox" is a Western short story written in the early 20th century. The piece centers on homesteading life in Central Oregon, using a clash of pride and perseverance between two stubborn young people to explore grit, community, and reconciliation on the high desert. Bud, the big-hearted Burnt Creek storekeeper, watches over the scattered homesteaders, including Jim Hunter, a hard-driving settler still smarting from a quarrel with Mary, a city woman he once called a “butterfly.” Determined to force an apology, Mary arrives to claim a neighboring homestead and prove her mettle, refusing Jim’s help while Bud tries to broker peace. As rumors of the dangerous drifter “Bottle-nose” Henderson spread, Bud hatches a risky plan to scare Mary into accepting protection; Jim mistakes him for the outlaw and they brawl, only for the real Bottle-nose to break into Mary’s cabin. Jim bursts in, thrashes the intruder, and in the heat of fear and relief the couple drop their pride, trade apologies, and admit they belong together. Mary stays, Jim stays, and Bud hauls the captive away, quietly satisfied that stubborn hearts have found their home. (This is an automatically generated summary.)

"Narrien yhteiskunnasta : muutamia kertomuksia" by August Strindberg is a collection of short stories written in the late 19th century. The volume satirizes social institutions—law, religion, property, and power—through sharp fables, notably a tale of castaways who try to found a perfect society. Its main figures include the pragmatic Lasse Hulling and the skeptical Peter Snagg, whose clashes frame a witty critique of utopian dreams and human nature. The opening of the book follows a convict ship bound for New Sweden that wrecks after a storm, leaving hundreds—among them the exiled students Lasse Hulling and Peter Snagg—on a lush volcanic island. There they build a carefree, lawless “paradise” of shared abundance, discard formal religion and civil codes, and live peacefully until memory-erasing berries soothe lingering fears; the ship’s chaplain later reappears, and soon the volcano destroys the island, forcing an escape by boat. Washed onto a colder land, the survivors must hunt, then, under Lasse’s guidance, rediscover fire, salt, metals, herding, and farming; with these come property, taxes, hierarchy, war, and servitude, making Lasse a lawgiver while Peter leads a hunter faction that denounces the new agrarian life. The excerpt ends with the growing tension between these rival visions of society as comfort returns and conflict resurfaces. (This is an automatically generated summary.)

"False face by Ernest Haycox" is a Western short story written in the early 20th century. Set amid a rumor-fueled land rush in central Oregon, it centers on a storekeeper-turned-deputy who must quell campsite thefts, clear a wrongly accused cowboy, and expose the true thief. Sheriff Bart McKenzie drafts Dave Budd as deputy when a camp of hopeful homesteaders crowds his store and a brazen wallet theft stirs talk of lynching. A taciturn rider, Sam, pushes a search that “finds” the stolen wallet in the gear of fiery redheaded Bill, who had been courting a young woman also admired by Sam. Sensing a plant, Budd ties Bill lightly and lets him slip away, then baits a trap by leaving cash in a cigar box and waiting in the dark. Sam sneaks in to steal, shoots, and is shot dead by Budd, exposing him as the true culprit. Bill returns from the brush to point out Sam’s cache, the camp accepts the truth, and the innocent man is cleared. (This is an automatically generated summary.)