"Liberty and the news by Walter Lippmann" is a collection of political essays written in the early 20th century. It is a non-fiction tract that examines how freedom, public opinion, and journalism intersect, with a concise focus on the crisis of news reliability and its consequences for democratic self-government. The book argues that democracy cannot function without a steady flow of truthful, relevant, and intelligible news. It critiques the press for subordinating truth to patriotic edification, shows how classical defenses of free speech (from Milton and Mill to Russell) collapse when facts are missing, and explains how complexity, distance, and propaganda create a pseudo-environment that misleads the public and empowers demagogues. The author shifts the liberty debate from policing opinions to protecting the sources, organization, and comprehension of information. He proposes practical reforms: transparent sourcing and documentation, stronger accountability for falsehoods, professional training for reporters in evidence and language, and independent institutes to record and analyze government and public affairs. He urges universities to support this work and calls for an endowed, editorially neutral news service to compete with biased structures. The core message is that genuine liberty is secured by institutions that make facts accessible and trustworthy, so public opinion can be both free and responsible. (This is an automatically generated summary.)

"The works of the Reverend George Whitefield, M.A., Vol. 5 (of 6) : Containing…." by George Whitefield is a collection of sermons written in the late 18th century. The volume gathers evangelical expositions on Scripture that press themes of human sin, Christ’s redeeming work, conversion, holy living, and practical devotion. Expect vigorous, plainspoken appeals, doctrinal clarity about grace versus works, and pastoral guidance for daily piety. The opening of the volume presents transcriber’s notes, a title page outlining sermons, tracts, and letters, a detailed contents list, and then launches into the sermons. Sermon I expounds Genesis 3:15, retelling the Fall, exposing Satan’s subtlety, contrasting human fig‑leaf righteousness with God’s grace, identifying the “seed of the woman” as Christ, and arguing that salvation rests on the covenant of grace rather than human conditions; it urges believers to expect persecution yet promises Christ’s ultimate victory. Sermon II, on “Walking with God” (Genesis 5:24), defines such walking as reconciliation through Christ, habitual communion, and steady growth, and prescribes means—Scripture, secret prayer, meditation, reading providence, heeding the Spirit by the Word, ordinances, and fellowship—before motivating hearers by the honour, joy, and heavenly end of such a life, with pointed calls to sinners, saints, and ministers. Sermon III begins the testing of Abraham (Genesis 22), distinguishing God’s trials from temptations to evil and highlighting Abraham’s ready obedience, but the excerpt breaks off as that exposition gets underway. (This is an automatically generated summary.)

"The sinister mark" by Lee Thayer is a detective novel written in the early 20th century. The story centers on the sudden disappearance of celebrated actress Mary Blake and the troubling hints of violence left behind, drawing in her admirer Donald Van Loo Morris and private detective Peter Clancy. As a staged burglary, a blood-stained scarf, and a secretive sister named Anne come into focus, the case blends romance, identity, and danger into a tightly wound mystery. The opening of the novel follows Mary Blake’s tense supper with Donald, who confesses his love as she hints at a burden she cannot share. After slipping home alone, Mary sends Donald a frantic, intimate letter about a hidden past, imminent danger, and a decisive step she must take; she vows to return clean—or disappear forever—while warning that only her elusive sister Anne would remain. Alarmed, Donald rushes to her apartment and finds a silk scarf caught in the door smeared with blood; the rooms look looted, ashes of burned papers lie in the grate, and the kitchen window’s broken pane suggests a faked break‑in. Peter Clancy takes the case, notes signs the occupants planned to leave, discovers blood spots in the hall, misses a mysterious phone caller asking for Anne, and then tracks a taxi driver who hauled a single woman and a heavy trunk from the building to the Pennsylvania Station—likely Anne, veiled and marked by a crimson birthmark—setting the investigation in motion. (This is an automatically generated summary.)

"The Garden Yard: A Handbook of Intensive Farming" by Bolton Hall is a practical agricultural handbook written in the early 20th century. It explains how ordinary people can turn small plots, backyards, or suburban lots into productive, profitable garden farms through intensive cultivation. The focus is on practical methods—soil preparation, crop planning, seed selection, pest control, marketing, and co-operative selling—aimed at making a good living near towns and cities. The opening of this handbook sets a clear, down-to-earth tone: the preface promises plain advice for busy, non-scientific readers and urges learning by doing. An introduction by N. O. Nelson champions farm life, proposes colony purchases of land, and strongly advocates co-operation for buying, marketing, and credit. Early chapters then outline the core method: grow garden crops near markets; think first about market access; favor ownership over renting; keep buildings simple; and use brains more than brawn. The text explains soil and subsoil, moisture and mulch, humus and tilth; stresses fertility through green manures and legumes; advises on choosing a location with access to manure, water, and buyers; and covers seed quality, simple germination tests, and practical plant-breeding by selection. It summarizes plant needs (water, air, light, warmth, lime), the value of crop rotation, and the control of weeds, insects, and diseases, before showing how to restore soil with humus, even touching on lawn care. At the start of the working plan, it recommends a modest plot, fall plowing, testing for soil acidity, applying manure wisely, and planting in long rows for easy wheel-hoe cultivation. (This is an automatically generated summary.)

"Just a bit too fast by Hal Moore" is a pulp crime short story written in the late 1920s. The tale centers on a crafty bank robber known as Thought-and-a-half Morgan and the detectives on his trail, blending disguise, bluff, and a rapid urban chase. Told by a local plainclothes cop paired with visiting Detective Halloran, the story opens with Morgan, disguised as an old woman, holding the two at gunpoint in a quiet branch bank and escaping with cash to a waiting car. After a brief pursuit, Halloran diverts to a shabby downtown hideout identified from earlier intel, and the pair set an ambush in a dark room. When Morgan and his accomplice return, a tense doorfront showdown ends with Halloran’s shot knocking the gun from Morgan’s hand, the officers rushing both men, and the arrest made. The kicker: Halloran later credits brilliant tactics with surviving Morgan’s shot, but the narrator reveals it was dumb luck—the flashlight he “used” was accidentally snagged on his watch chain. (This is an automatically generated summary.)

"Polku" by Gabriel Scott is a novel written in the early 20th century. It follows Kristofer, a sensitive, unusually tall boy with a stutter, who finds refuge from ridicule in the mountains and dreams of becoming a shepherd. Through lyrical nature writing and village lore, the path up the fell becomes a spiritual guide, tracing themes of cruelty and kindness, belonging, and quiet endurance. The opening of the novel dwells first on the hush of dusk and the winding mountain path, naming lakes, ridges, and the remnants of a tiny stone hut and sheepfold linked to “Vesa-Kristofer,” who planted living switches wherever he walked. The narrative then turns to Kristofer’s childhood: mocked for his height and speech, tormented by a kyttyräselkäinen boy, and belittled by a fault-finding father, he discovers solace building a miniature sheepfold and playing shepherd among rocks and heather. A revelatory moment comes when he sees the seasoned shepherd Nils Vatne driving a flock at sunset; the boy secretly walks at night to a distant fold to ask about becoming a shepherd and is gently encouraged to grow. Later, a bell he treasures betrays his hideaway to the bullies, who destroy his little world and injure his back; bedridden and weakened, Kristofer endures his father’s impatience while clinging to the faint, consoling chime of the bell and to visions of the path that leads into the mountains. (This is an automatically generated summary.)

Le droit à la paresse : réfutation du droit au travail de 1848 by Paul Lafargue is a political-economic essay and socialist polemic written in the late 19th century. It challenges the capitalist cult of work and the liberal “right to work,” instead advocating the right to leisure as a foundation for human flourishing. The book denounces the moral, religious, and economic glorification of labor, arguing that overwork degrades bodies and minds, exploits women and children, and fuels overproduction, crises, and poverty. Drawing on historical contrasts with ancient disdain for servile toil, factory reports of brutal hours, and the absurdities of bourgeois consumption and colonial expansion, it claims machines should liberate people rather than enslave them. It calls to ration labor across the year, reduce daily work to three hours, expand rest and festivals, and raise workers’ consumption so production serves life. A satirical finale and an appendix of classical authorities reinforce the central demand: reject the “right to work,” and embrace leisure as the mother of arts and virtues. (This is an automatically generated summary.)

"Uncle Tweazy and his quizzical neighbours, vol. 2 : a comi-satiric novel" is a comic-satiric novel written in the early 19th century. Set in a country parish, it skewers provincial pretension and gossip through the sharp-eyed Uncle Tweazy and his nephew, Victor St. Alban. Its central thread is Victor’s instant infatuation with the angelic Rosa Fitzclarence of the Rectory, counterpointed by his uncle’s aching memory of a lost first love, while a bustling gallery of neighbours provides farce and social satire. The opening of the novel follows Uncle Tweazy and Victor to the Rectory, where Rosa’s beauty, harp-playing, and voice transfix them—so much so that Uncle Tweazy later reveals his sorrowful past with Cecilia Delmond, whose fate echoes in Rosa’s features. Dr. Tonic barges in with village gossip, and a run of episodes ensues: a flashy masked-party invite from Mrs. Fungus, a coarse encounter with the miller’s wife and the filthy baker Sponge, and a gracious tour of Lady Lustre’s grounds. A boisterous dinner at Mrs. Henpeck’s parades caricatures—Munchausen’s absurd boasts, the henpecked host, and petty spats—before Sunday service showcases Rosa’s devout singing and magnetism for the whole congregation. Back at the Rectory, talk of sermons and scandal gives way to a gentle botanical walk where Victor and Rosa quietly bond. Plans to return for tea risk being spoiled by Dr. Tonic’s intrusion, and the section closes as uncle and nephew set out for the Rectory, hoping to avoid him. (This is an automatically generated summary.)

"A brief summary in plain language of the most important laws concerning women…" by Barbara Leigh Smith is a legal pamphlet and reformist tract written in the Victorian era. It explains the civil and property status of women in Britain, especially under marriage, and argues for legal reform to secure women’s separate rights. The likely topic of the book is the effect of English law on women’s property, marriage, divorce, custody, and civic standing. The work first outlines the position of unmarried women, who can own property and pay taxes but lack political franchise, and explains inheritance rules that favor male heirs in real property. It then details marriage law, including prohibited degrees, civil and ecclesiastical forms, and Scottish irregular marriages, before setting out coverture: a wife’s legal identity merges with her husband’s, who controls her person, earnings, and personal property; her contracts and lawsuits must run through him; and he holds strong rights over her real estate during cohabitation. Equity offers limited relief through settlements for a wife’s separate use, but custody of children rests with the father, and divorce is costly and largely a privilege of the rich; only separation is commonly obtainable, while full dissolution requires parliamentary action. The pamphlet summarizes widows’ rights (paraphernalia, dower or jointure, a share in personalty if intestate), women’s capacities as agents, trustees, or executors (often constrained by marriage), and the harsh treatment of illegitimate children and their mothers under maintenance and inheritance rules. In its concluding remarks, it criticizes over-legislation and the injustice of husbands’ control of wives’ earnings—especially harmful to working-class families—surveys fairer practices abroad, and presents a reform program: allowing married women to hold separate property, make contracts and wills, adjust spousal liabilities, and establish equal succession rights, urging public petition to secure these changes. (This is an automatically generated summary.)

Vanilla culture as practiced in the Seychelles Islands by S. J. Galbraith is a scientific agricultural bulletin written in the late 19th century. It explains the practical cultivation and processing of vanilla, emphasizing climate, soil, planting systems, hand pollination, curing, and marketing, with guidance shaped by experience in the Seychelles. The bulletin opens with a warning by D. G. Fairchild about a devastating fungous disease and the need to exclude it from new growing regions, then presents Galbraith’s field-tested methods. He describes the Seychelles’ humid, warm conditions and suitable soils; advocates wider spacing and training vines on individual support trees to reduce disease; and explains how to start a vanillery using long cuttings, mulching, shading, and careful tying and lowering of vines. He details preparing vines for flowering by timely checking of growth to align with a short dry spell, then outlines precise hand pollination, prudent fruit set per vine, and harvest cues to avoid splitting. The curing method features brief hot-water scalds, sweating in blankets, and slow drying through a heated, then warm, then cool room, followed by sorting by length and quality, neat bundling, and tin packing. Practical notes cover variable yields tied to weather, labor organization, pruning, replanting from cuttings, alternative sun-curing, and root mulching strategies. A closing summary lists ideal conditions and step-by-step best practices for culture, cropping, curing, and marketing. (This is an automatically generated summary.)

"The house with the silver door" by Eva March Tappan is a collection of children’s fairy tales written in the early 20th century. It offers whimsical, gently moral adventures filled with talking animals, enchanted tools, giants, and moonlit royalty, where brave children prove themselves through kindness, courage, and cleverness. The early stories center on siblings seeking a wondrous silver door for their parents and a boy named Hansel pursuing his fortune with the aid of magical helpers. The opening of the collection begins with “The House with the Silver Door,” in which Silverboy and Silvergirl leave their forest home to find a silver door, receiving riddling guidance from a Wizard Squirrel, bargaining with the All-Alone Axe, and enlisting a Gentle Giant on the way to the Moon Lady’s Wonder Palace. Silverboy’s quest for spider silk to reach the moon leads to his capture by the Slippery Spider, but he is rescued—along with the Pearl Princess—by the Thoughtful Snail and Friendly Glowworm; joyous weddings follow, and the siblings ultimately bring their parents to a golden palace behind a shining silver door. The next tale, “King Hansel the First,” shows Hansel trying four roads, helping a cock, a cat, and some bees who each give him a seed and shrewd advice for answering giants. Captured by three monstrous brothers, he survives by giving the right answers, while the giants meet their ends through their own folly and the enchanted world’s aid. In a dungeon, Hansel and a captive magician use the seeds to conjure food, a knife, and chalk for a protective circle, rout the last giant, and uncover a treasure-filled castle—where the excerpt closes as they prepare to claim a new beginning. (This is an automatically generated summary.)

"Just in time" by Catharine Shaw is a didactic children''s novel written in the late 19th century. The story follows Pollie, a miller’s daughter whose forgetfulness and quick temper strain home life, as new influences draw her toward sincere Christian faith. Between a rural mill and a bustling provincial town, she navigates family friction, fashionable cousins, and a secretive courtship that tests truth and loyalty. The opening of the novel shows Pollie clashing with her mother at the mill while finding tenderness and counsel from her devout father. Sent to her aunt in Chichester, she encounters her cousins’ worldliness and Laura’s clandestine admirer “H. F.,” then meets Miss Loveday, whose guidance and a Town Hall mission lead both Pollie and her uncle to a decisive conversion. A picnic exposes the admirer as a shallow flirt, deepening Pollie’s concern for her cousins. Back home she struggles to submit and apologize, seeks Miss Loveday’s help, and learns of Miss Loveday’s own painful obedience in breaking off an engagement to Harry Fulbert after a damaging report. Pollie’s father reveals there are two cousins with that name—one upright, one not—prompting Pollie to inform the vicar; as the vicar prepares to investigate, word arrives that Harry has not sailed and has come to the vicarage, hinting that the misunderstanding may be resolved. (This is an automatically generated summary.)

"Stick to the raft" by Mrs. George Gladstone is a religious children''s novel written in the late 19th century. It is a moral tale set along the Saale in Bavaria, following Hans Richter, a woodcutter’s son whose dying father’s counsel—“stick to the raft”—becomes both rafting advice and a Christian motto. Taken in by the toll-master Karl Schmidt at Kösen, Hans faces grief, poverty, workplace trials at the weir, and a simmering rivalry with the miller’s son Robert and his scheming friend Paul, as faith, honesty, and courage are tested. The opening of the story introduces the Fichtel Mountains, Hans’s devout father and his deathbed charge, and Hans’s move to Kösen to help guide rafts over the weir under the stern-but-kind toll-master, Karl, and his gentle, invalid mother. Hans adopts “Stick to the Raft” as a call to cling to Christ while working the river; he is provoked by Robert and the malicious Paul, briefly loses his temper over a petty prank, and is lovingly corrected. As Hans trains for the town’s shooting festival, a visit to Naumburg’s cherry feast—and a lesson on the martyr John Huss—frame the book’s theme of patient endurance; there Paul secretly injures Hans with a squib, sidelining him from the competition. Robert wins amid guilt, Hans bears his setback with grace, and an elderly sausage-seller who overheard Paul’s plot arrives at the toll-house, intent on setting the wrong right. (This is an automatically generated summary.)

"The porcelain mask : A detective story" by John Jay Chichester is a detective novel written in the early 20th century. Set around a Hudson River estate called Greenacres, it centers on novelist Kirklan Gilmore, his beautiful new wife Helen, and his devoted stepsister Joan Sheridan, whose homecoming collides with a sudden marriage and a rash of secrets. When an intense illustrator, Victor Sarbella, arrives and clearly recognizes Helen, and a menacing figure from Helen’s past resurfaces, the domestic idyll turns ominous. The story promises a blend of romantic tension, blackmail, and crime that entangles family loyalty and hidden identities. The opening of the novel follows Joan’s unexpected return to Greenacres and her shock at discovering that Kirk has married Helen, who has claimed Joan’s cherished room and unsettled the household. Kirk goes to New York to placate his publisher while Helen secretly slips into the city to meet Don Haskins, a criminal who reveals himself as her first husband and blackmails her for a thousand dollars to fund his escape after a fatal job. Atchinson later thinks he sees Helen entering a seedy lodging house, fueling Kirk’s suspicions; that night, Victor Sarbella arrives and his charged, mutual recognition with Helen poisons an already strained dinner. Kirk confronts Victor in the studio, demanding answers about Helen’s past, but gets only denials and a promise to discuss work tomorrow, as the parallel thread closes with Detective Sergeant Tish trailing “Eighth Avenue Annie” back to her hideout, poised to catch Haskins. (This is an automatically generated summary.)

"Is 5 by E. E. Cummings" is a collection of poems written in the early 20th century. The book explores modern urban life, love and desire, war and nationalism, and the spectacle of American and European culture through experimental language, typography, and voice. The poems move from sharp city vignettes and character sketches (barrooms, chorus girls, hustlers, and “five Americans”) into satirical takes on advertising, art, and patriotic bombast, then to antiwar pieces that expose propaganda and loss. Scenes of Paris—cathedrals, street performers, political clashes between communists and flics—contrast with intimate lyrics of tenderness, bodies, seasons, and mortality. Notable moments include a bawdy car-as-lover seduction, a comic elegy for “Uncle Sol,” and the celebrated credo “since feeling is first.” The final section gathers concentrated love poems that celebrate immediacy and touch while acknowledging time’s ruin, ending in a humble confession that only the beloved’s aliveness can redeem the poet’s failures. (This is an automatically generated summary.)

"Ten recreational parties by Helen Durham" is a practical guidebook to social entertainments written in the early 20th century. It presents themed party plans and simple “recreational dramatics” for community groups, schools, and clubs, moving from easy game nights to costumed scenes and tableaux. The topic is how to stage colorful, low-cost gatherings using clear directions, basic props, music cues, and cooperative participation. The book begins with the author’s approach—tested while directing YWCA recreation—then offers ten themed programs. The Peanut, Newspaper, and Balloon Parties use playful invitations, simple props, and lively relays, musical games, and group contests. The Doll Party adds a doll-dressing contest and a pantomime with a choreographed “doll dance.” The Japanese Party supplies setting, story narration for Madame Butterfly, and a geisha-style song and dance with steps. A Washington’s Birthday program parades “American girls” across eras with costumes, music cues, a minuet, and a grand march. The Circus Party covers decorations, sideshows, barkers, easy booth games, and a “Big Show” with parade, clowns, animals, jugglers, and a comic tightrope act. Two short scenic interludes—the Italian Street Scene and a Gypsy camp—blend song, dance, and character business. The finale is a simple, reverent Christmas Service of carols and tableaux (Magi, Shepherds, Nativity) with lighting and staging notes. Throughout, the plans emphasize clarity, adaptability, and audience participation. (This is an automatically generated summary.)

"A preface to morals" by Walter Lippmann is a work of social and moral philosophy written in the early 20th century. It examines the modern loss of religious certainty and authority, the emptiness that can follow emancipation from orthodoxy, and the need to find a credible, disciplined humanism to guide conduct in a secular world. Lippmann probes why both triumphant disbelief and nostalgic return fail to satisfy, and why moral life requires more than taste, mood, or fashion. The opening of the book traces the “problem of unbelief”: those no longer anchored by ancestral faith feel aimless despite newfound freedoms, and the liberal prophecy of deliverance has disappointed, leaving people nervously credulous and tempted by new cults. Lippmann contrasts modernist redefinitions of God (abstract, symbolic, or metaphysical) that lack compelling authority with fundamentalist demands for literal historical facts; he shows how the former cannot sustain popular devotion, while the latter, lacking a sure arbiter, collapses into schism—Catholic critique included. He argues that higher criticism and “decoding” Scripture (e.g., turning immortality into a platonic ideal) strip religion of the certainty and external sanction that once consoled, commanded, and unified ordinary believers. Finally, he sketches the “acids of modernity”: shifting political analogies for God, urbanization, mobility, media-driven novelty, and the loss of familiar landmarks all corrode piety; fundamentalist agitation appears as anxious compensation for a confidence that has already ebbed. (This is an automatically generated summary.)

"Madri.... per ridere : romanzo" by Cesare Tronconi is a novel written in the late 19th century. It appears to be a caustic social satire about hypocrisy, respectability, and the making of “mothers” and women shaped by appearances rather than virtue. The story centers on Maddalena, a striking and increasingly calculating young woman from a modest family, whose transformation is catalyzed by a seductive neighbor, Severina, and a secret attraction to Severina’s brother. Expect a sharp critique of bourgeois morals, the education of girls, and the gap between public piety and private appetites. The opening of the work moves from a sardonic funeral scene—where mourners shun two ominous women—to a vehement letter that brands Maddalena “the Evil,” then rewinds to her origins. We meet her parents, the punctilious ex-dogana clerk Ildebrando and the devout, simple Caterina; her birth is framed by superstitious omens, and her childhood is marked by precocious will, emotional opacity, and social ostracism at a snobbish school. As an adolescent she grows restless and is drawn to Severina, a poised “widow” whose perfumed, sensuous apartment and conversation school Maddalena in toilette, allure, and worldly cynicism. Under this influence, she refashions herself, spurns a safe suitor, and quietly cultivates a flirtation with Severina’s brother, while the narration sketches the type of idle, debt-driven beaux who live off charm—hinting at the kind of man she may be courting. (This is an automatically generated summary.)

"Some forgotten Pennsylvania heroines by Henry W. Shoemaker" is a historical address and collection of brief biographical sketches written in the early 20th century. It challenges status-based notions of fame and spotlights overlooked Pennsylvania women from frontier, Revolutionary, and Civil War contexts, emphasizing courage, service, and moral character. The address opens by questioning familiar icons and then recounts vivid lives of lesser-known figures: Mary Jemison, the Seneca-adopted “White Woman of the Genesee”; Regina Hartman, recognized after captivity by a hymn at Carlisle; and “Molly Pitcher,” who manned a cannon at Monmouth and endured hardship afterward. It adds brisk vignettes of frontier bravery and sacrifice—Peggy Marteeny’s rescue under Indian pursuit, Sabina Wolfe’s rise from country girl to social leader, Barbara Frietchie’s defiant flag, Frances Slocum’s life among Native Americans, Elizabeth Zane’s frontier heroism, and Jennie Wade’s death at Gettysburg. The narrative links Pennsylvania roots to national figures like Nancy Hanks and tells the tragic tale of Mary Wolford, namesake of Young Woman’s Creek. It closes with a call to memorialize these women as exemplars of modesty, grit, and public spirit, noting contemporaries such as Jane Addams who carry their legacy forward. (This is an automatically generated summary.)

"The trail of deception" by W. C. Tuttle is a Western novel written in the early 20th century. It follows Jim Bailey, a down-on-his-luck city bookkeeper who assumes the identity of “Jim Meade” to claim the Lazy H ranch in Arizona at the urging of a scheming lawyer, Ed McLean, drawing him into rustling, murder, and small-town suspicion while Mary Deal and the mysterious cowhand Skeeter Smith complicate his path. The opening of this novel shows Bailey declared dead after his roommate dies wearing Bailey’s suit and watch, prompting Bailey to take a letter meant for the roommate and travel to Pinnacle City under the alias “Jim Meade.” There he learns a new will leaves the Lazy H to a nephew named Jim Meade, not to Mary Deal who was raised by the deceased rancher; the banker is wary, the townspeople resent him, and three drunken allies of Mary bungle a prank-turned-threat. After a fatal bank shooting removes the skeptical banker, McLean installs Bailey at the ranch, where Bailey’s painful attempts to become a cowhand lead him to stumble upon covert branding; rustlers kill his horse and he barely escapes, rescued by Skeeter, who later pressures McLean and hints at knowing the real Meade. Tensions spike when Bailey punches McLean in town, and the section ends with Tellurium and Archibald plotting a holdup as masked men enter McLean’s office, tightening the knot of conspiracy and danger. (This is an automatically generated summary.)